Monthly Archives: February 2014
Christopher Demos-Brown Is Finalist For Steinberg/Theatre Critics’ Playwriting Award
Christopher Demos-Brown is among six finalists for one of the most esteemed playwriting honors in the country, the Harold and Mimi Steinberg/American Theatre Critics Association New Play Award.
The selection was based on the script for his play Fear Up Harsh that premiered in November at Zoetic Stage.
Thinking Cap’s Pool (No Water) Dives In Artistic Schadenfreude
Jealousy, ego and unbridled schadenfreude that exist in any human being seem to be intensified among the rarefied spirits we call artists – at least that seems to be thrust of Mark Ravenhill’s droll little satire, Pool (No Water) enjoying a hoot of an outing thanks to Thinking Cap Theatre.
Maltz’s Other Desert Cities Struggles In Arid First Half But Delivers Wrenching Second Act
All through the engrossing and ultimately wrenching second act of the Maltz Jupiter Theatre’s production of Other Desert Cities, one question screamed for an answer: Where were you people in the first act? The competent cast slogs through the exposition until they finally get create plausible characters in the second act.
Rewritten And Rewritten, Schwartz/Strouse Musical Rags Gets One More At Plaza Theatre
Few Broadway shows can equal the track record of 1986’s Rags: closed after four performances, rewritten, remounted, rewritten again. There are at least 10 scripts. But something about the drama about immigrants on the Lower East Side keeps artists and audiences coming back. And now, Rags has been overhauled for a run at The Plaza Theatre in Manalapan.
Stars Of David Is Touching, Funny Revue About Identity
Seeking “Who am I?” is the defining journey of most lives, and our religious heritage is part of the solution, even if we don’t embrace that religion or its culture. Such is the soul of Stars of David: Story To Song, a musical revue, which, despite its cripplingly kitschy title, is a surprisingly entertaining, witty and poignant look at how Jewish-Americans struggle on that journey.
BRTG Spinoff Primal Forces To Stage Mamet’s The Anarchist
A brand-new troupe, Primal Forces, is targeting a group previously left to fend for themselves: the Boomers who came of age during the political and social tumult of the 1960s and 1970s. The company opens with David Mamet’s The Anarchist at Andrews Living Arts Studio in Fort Lauderdale
In The Green Room With… Nicholas Richberg
Careful, he’s got a gun. Nicholas Richberg is waving around a Civil War pistol and sporting an equally dangerous moustache while he sings as Booth in Zoetic Stage’s Assassins. But there are hidden sides to Richberg revealed here, including his cat’s reactions to his singing, how real estate is like theater, and a previously undisclosed talent involving a semi-tractor trailer.
Stunning War Horse Gallops Back Into Region At The Kravis
War Horse is cherished by many of us who saw it at Lincoln Center as one of the most brilliantly executed pieces of theater we have seen. But it’s hard to shake the heretical truth that the extra sense of transcendence we felt in New York wasn’t there on the opening night of this very brief run.
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