Reviews

Theatre Lab’s ‘Silent’ Articulates Questions About Integrity

Although We Will Not Be Silent is suffused with a long dorm night’s worth of philosophical and moral gymnastics, playwright David Meyers and Theatre Lab inject the audience so deeply into such an almost tactile dilemma on stage that we must at least ask ourselves crucial questions about courage, conviction and integrity.

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Jekyll & Hyde May Split Theater Lovers But Will Please Fans

Frank Wildhorn’s Jekyll & Hyde is one of those Continental Divides in musical theater: You either love it – or tolerate it. But if you’re going to perform a work by the pioneering prince of the pop power ballad, you have to go all in, and Slow Burn has done just that.

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Dramaworks’ Spitfire Grill Is One Of The Season’s Finest Musicals

When was the last time a musical slipped into your veins and rode your bloodstream for two hours? When did a musical speak so accurately of your own pain and longing that you knew you were not alone? With The Spitfire Grill, Palm Beach Dramaworks has gifted South Florida with one of the most heartfelt, moving evenings of musical theater in recent years.

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Fascinating But Flawed Fake Makes Promising Debut

Passions erupt as art, commerce and international politics collide and conflict in the world premiere of Carmen Pelaez’s intriguing Fake at Miami New Drama. This play centering on a possible forged masterpiece about to be auctioned needs a good deal of additional work, but its promise gleams and begs for further productions.

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Thinking Cap Unleashes The Wild Ambition of Dance Nation

Dare your adult to take your inner child to see Dance Nation at Thinking Cap Theatre in which adults play teenagers prepping for a competition. Were a prize given out today for Best Ensemble, the cast of Dance Nation would take home a trophy.

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Next To Normal At Riverside Is Far More Than Just Normal

One of contemporary theater’s most powerful rock operas, Next to Normal, concerns a family dealing with the mother’s bipolar disorder. And you have the opportunity to see this Tony Award and Pulitzer Prize-winning phenom in a strong production on Riverside Theatre’s intimate Waxlax Stage.

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GableStage Mounts Its Unique Passionate Take On Indecent

GableStage’s rendering of Paula Vogel’s Indecent is freshly distinctive from Rebecca Taichman’s New York staging and from the rapturously received version that Palm Beach Dramaworks delivered last season. It’s not better or worse; it is its own. And its quality takes a back seat to no one.

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One Man, Two Guvnors Is Entertaining If A Bit Long

There are probably 27 synonyms for the word funny and 157 familiar tropes. All the words apply and all the classic bits can be found in Actors’ Playhouse’s farce One Man, Two Guvnors.

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The Vision Is The Star In Highly Theatrical Curious Incident

Usually, Zoetic Stage’s director Stuart Meltzer’s deft work is almost invisible to audience members other than bringing a fresh vision to familiar titles. But his masterful work in The Curious Incident of the Dog in the Night-time is so clearly displayed that his reinvention becomes the “star” of the production.

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Maltz Let’s Mamma Mia! Sing Keeping Stage Version Intact

The Maltz Jupiter Theatre’s Mamma Mia! gets its mojo from a strong, consistent cast to carry out the sitcom-esque plot that is held together as if by taffy – twenty 1970s radio hits that are ingrained in pop culture.

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