The most recent reviews will be at the top of the page, but all of them from this fall-spring season will appear here all year, plus a few from the season before. If you have questions of this site, email muckrayk@aol.com.
By Jonathan Jacknow of American Heritage Palm Beach
It turns out that lightning wasn’t the only thing stolen in Spanish River Community High School’s production of The Lightning Thief — the cast also stole the spotlight and our hearts and left the audience thunderstruck! With music and lyrics by Rob Rokicki and a book by Joe Tracz, “The Lightning Thief” tells the story of twelve-year-old Percy Jackson and his journey to discovering his home and true identity. Originally opening on Broadway in 2019, this show displays themes of love, self-discovery, friendship and loyalty, and family and captures audience members, and evidently the performers, alike.
Leading this awe-inspiring cast was Nicolas Otero in the title role. Throughout the show, Otero’s execution of his emotionally demanding material proved to be no challenge. In numbers such as “Good Kid,” he gracefully took charge of the strenuous notes and easily controlled the stage. Another notable performance was that of Joseph Alkon, who embodied multiple characters throughout the show—specifically, his performance of Grover, Percy’s partner-in-crime. Alkon’s larger-than-life characteristics were showcased flawlessly in each scene, chiefly in his impeccable comedic timing.
Additionally, Alkon is undoubtedly no stranger to the musical theatre canon, executing each note with incredible precision and power, which is apparent in his tear-inducing rendition of “The Tree on the Hill.” Moreover, with her pure pop voice and electric stage presence, leading lady Kasie Cabral blew the audience away with her take on the story’s ingenue, Annabeth. The trio’s witty chemistry and harmonic continuity helped to move the plot forward exceptionally, demonstrating this repeatedly, especially in their Act Two travel song, “Drive.”
Not only was her performance in her already demanding role outstanding, Cabral also took on the responsibility of being the production’s sole choreographer, in which she excelled. Through multiple complex and intense numbers and fight sequences, it was very evident that she had taken the time to work with each actor and ensured they felt confident in their movement. Furthermore, one of the most remarkable aspects of this production was the direction, which was done entirely by a student, Jillian Bender. Throughout the performance, Bender’s vision remained unobstructed. Through abstract representations of explosions, motorcycles, and aqua confetti instead of water, Bender’s use of unconventional means to achieve her goal was much appreciated.
Furthering into additional technical fields, this production utilized a breathtaking lighting design by Adrianna Tartamella and company. Throughout the piece, each choice was visibly intentional, most discernibly during the act one finale, in which the setting transitions to a lakeside. Tartamella used her resources impressively, displaying pools of blue and other marine hues to translate the setting to the audience. Another noteworthy technical element was the sound employed throughout the show, designed by Daniel Feinberg and company. While there were a few moments where mic cues were late or intermittently cut out, the consistency of levels and cohesion throughout the performance made it ever so enjoyable for any listener.
Overall, Spanish River Community High School’s production of “The Lightning Thief” was nothing short of electrifying! With every note, movement, and directorial touch, this production perfectly reimagined a well-known story and was an outstanding representation of a magical live theater experience!
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By Avia Collymore of Coral Glades High School
Release your swords, pack your bags, and gather around the campfire as Spanish River Community High School takes you through the world of a Half-Blood in their production of “The Lightning Thief.”
Based on Rick Riordan’s 2005 novel, “The Lightning Thief,” the musical features music and lyrics by Rob Rokicki and a book by Joe Tracz. The musical initially opened off-Broadway at the Lucille Lortel Theatre in 2014 and later had a 16-week run on Broadway at the Longacre Theatre in 2019. The story follows young Percy Jackson, who soon discovers that his long-lost father is Poseidon, the god of the sea, and embarks on a quest to restore Zeus’ missing lightning bolt.
To lead us on this “Killer Quest,” Nicolas Otero portrayed Percy Jackson. Throughout the show, Otero skillfully embodies Percy’s character by maintaining focus on the other characters during interactions and presenting accurate reactions. Right by his side, Joseph Alkon performed exceptionally as the squirrel whisperer Grover, showcasing phenomenal comedic timing and impressive vocals and characterization during “The Tree on the Hill.” Kasie Cabral also delivered a remarkable performance as Annabeth, despite being responsible for her role and choreography, and displayed a vast emotional range while making great character choices.
Joseph Alkon did an excellent job portraying the not-so-enthusiastic Mr. D/Dionysus. Despite also performing as Grover, Alkon seamlessly alternated between the two characters, keeping distinct characterization for each. As Mr. D, Alkon infused hilarity into the role, capturing the character’s indifferent energy with his gruff voice. Also sitting around the campfire is the intense Clarisse, played by Sophia Trujillo. She demonstrated great dedication to her role through her phenomenal stage presence and vocals, especially during “Put You in Your Place.”
The ensemble enriched the experience and delivered a captivating performance through synchronized movements and harmonies. While the main cast interacted, the ensemble did a spectacular job of silently conversing in the background, blending in seamlessly with the set and adding authenticity to the production. In “D.O.A.,” ensemble members smoothly immersed viewers into the lively yet dark atmosphere through their body language.
The technical aspects of this production engaged viewers through the various powers in the world of “The Lightning Thief.” Lighting, designed by Adrianna Tartamella and Company, was thoughtfully and meticulously executed, with multiple colors representing each character. The sets, created by Ayden Sherman and Company, were visually stunning, blending well with the production’s various settings. Sound, managed by Daniel Feinberg and company, while occasionally clear, was sometimes too loud compared to the cast’s voices, and several cues were missed during the characters’ interactions.
With great hilarity, phenomenal dynamics, and one suspiciously intelligent squirrel, Spanish River Community High School is guaranteed to have you “Lost!” in their exemplary production of “The Lightning Thief.”
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By Ilia Peck of The Benjamin School
You don’t have to be in a rainstorm to get a bolt of lightning; you can go to Spanish River Community High School’s production of “The Lightning Thief.” A musical with a book written by Joe Tracz and music written by Rob Rokicki, The Lightning Thief premiered off-broadway in 2014 and went on to Broadway in 2019. Its story centers on Percy Jackson, who is constantly expelled from school and has to live with his mean stepfather- Gabe. Percy’s world is flipped upside down when he faces a minotaur, who kills his mother, and then discovers that he is a demi-god whose father is Poseidon. Soon enough, trouble reaches Percy again when Zeus blames Percy for stealing his lightning bolt. Percy and his two friends, Annabeth and Grover, must go on an epic quest to find who stole the lightning bolt and rightfully restore it to its owner so that a war between the Gods will not break out.
Spanish River’s production of The Lightning Thief was brought to life by Percy (Nicolas Otero), who did an excellent job convincing the audience of Percy’s young age and naivety. Some actors struggled with overacting, but Grover (Joseph Alkon) was great at distinguishing his comedic scenes from his dramatic ones, giving him a tone of reality. His originality was on point, and he added his touches throughout the show. Annabeth (Kasie Cabarl) had beautiful vocals and even took on the role of choreographing the whole show. Some actors did not speak very clearly and seemed to struggle with diction; however, Annabeth was loud and clear throughout the entire show. Her vocals in “My Grand Plan” were excellent, and her acting within this song perfectly mirrored her character’s internal emotions. Hades (Ayden Sherman) and Ares (Juan Marulanda) added nice touches to their characterizations, with Hades taking on an Elvis-like style to his performance. A memorable song was “Drive,” a beautifully staged and fun piece. It looked great on stage, and the vocals were excellent.
Not only did the actors have to take on a difficult job on stage, but behind the stage, students were at hard work. The show was directed entirely by Jillian Bender, and students also ran the sound, lighting, sets, and choreography. The blocking was on point and impressive for a student. The choreography by Kasie Cabral reflected the cast’s abilities and was nicely done. There were a few issues with mics cutting out, but the sound (Daniel Feinberg and company) was usually crisp and clear throughout the show. The lighting (Adrianna Tartamella and company) was great, and the hues and colors matched the mood and characters. It was clear that the lighting design and the set designer (Ayden Sherman and company) collaborated, as an LED strip lined the set, giving the show a blue tone and hue throughout its performance. The set was reused from the previous year but was turned into something new. It had nice touches, though, such as paintings and signs that flew down to change the settings.
Despite minor setbacks with microphones and a few struggles with overacting and diction, Spanish River Community High School put on a great performance of The Lightning Thief and certainly left the audience with a “wave” of excitement.
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By Brianna De Los Santos of J.P. Taravella High School
“Pedal to the metal and drive” to Spanish River High School’s electrifying production of “The Lightning Thief: The Percy Jackson Musical” to be transported into a world where Greek gods and mortal humans collide. This riveting production will have you feeling like you’re on top of Mount Olympus!
With lyrics by Rob Rokicki and a book by Joe Tracz, “The Lightning Thief: The Percy Jackson Musical” is an adaptation based on the original novel of the same name by Rick Riordan. First premiering on Broadway in 2019, this musical puts its spin on the story of Percy Jackson as he discovers he is a demigod, the son of the sea god Poseidon. We embark on his journey to save the world and prove his innocence, exploring themes of self-discovery, heroism, and friendship.
Percy Jackson son of Poseidon, or better known as “seaweed brain”, played by Nicolas Otero had thorough characterization that perfectly captures the naive and loyal nature of Percy. Otero’s commitment to his character was evident as he appeared to be engrossed in every scene. With the torso of a human and legs of a goat, the satyr Grover, played by Joseph Alkon, displayed impressive physicality, exhilarating vocals, and skillful comedic timing. Alkon’s spot-on comedic timing and adlibs had the audience howling in their seats. Who can forget the third and final member of the Half-Blood Trio, Annabeth, played by Kasie Cabral! Cabral lit up the stage with her natural stage presence and powerhouse vocals. Most notably, in her solo “My Grand Plan” which allows us to see her character progression by displaying the vulnerable side of Annabeth, despite her tough exterior.
Playing the vengeful and conniving Lightning Thief, Luke, Juan Marulanda utilizes strategic character choices to trick us all into thinking he wanted what was best for Percy, but later betrays him. “The captain of the other team”, Clarisse (Sophia Trujilo) had spellbinding vocals as well as an undeniable stage presence that made her performance memorable. Equally as extraordinary, the ensemble did an exquisite job storytelling, staying engaged in every scene whilst not pulling focus away from the scene taking place.
The technical elements in this show truly brought this mythological tale to life! The set, designed by Ayden Sherman, transformed the auditorium into the world of Percy Jackson. Whether we were in the Underworld or on a bus to L.A., every detail was well-thought-out and highly executed. Lighting by Adrianna Tartamella and company was just as transformative. The distinct color changes and unique lighting textures capture the duality of the different characters and settings. Taking on the “killer quest” of student direction is Jillian Bender who did an admirable job. Bender directed the entirety of the show, with strategic and easily understandable blocking.
Spanish River High School’s production of “The Lightning Thief: The Percy Jackson Musical” filled with demigods, half-goats, and a Cerberus will leave you eagerly awaiting your next killer adventure!
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By Eesha Mahabir of J.P. Taravella High School
Looking for Camp Half-Blood? Turn onto Jog Road, pass a Publix (get a blue snack or two), turn right twice, left once, and pull up to Spanish River High School’s production of The Lightning Thief: A Percy Jackson Musical, where Greek gods are real and all… is not exactly as it seems.
Based off the original book brilliantly crafted by Rick Riordan, The Lightning Thief is spun into something new. With lyrics by Rob Rokicki and book by Joe Tracz, this story is turned into a charming, loving musical that first appeared on Broadway in 2019. Percy Jackson, a boy with uncontrollable ADHD, and powers he can’t constrain, is the prime suspect of when Zeus’s bolt is stolen. He, along with his two friends, must find the bolt and return it to prove his innocence and prevent a major war against the gods… not to mention the 20 mythology schoolbooks worth of monsters tracking them down.
Playing the Supreme Lord of the Bathroom, Percy Jackson son of Poseidon, is Nicolas Otero. Otero had boundless characterization and was immersed in each scene. He captured the gullible sense of his character perfectly, truly playing the hero. She’s the smartest, toughest girl around… Kasie Cabral portraying Annabeth Chase, Percy’s “dream girl,” had dazzling vocals throughout, a natural stage presence, and beautiful chemistry with Percy (Nicolas Otero) and Grover (Joseph Alkon), opening up to both with heartwarming moments. Joseph Alkon playing the sweetest fun-loving half-goat, Grover, never failed to make anyone laugh. Alkon had the funniest expressions, natural physicality, and exhilarating vocals, especially in the song, “Drive.”
Holding a strong grudge against the gods, Luke Castellan, the true lightning thief, is played by Juan Marulanda. Marulanda had thrilling vocals and notable characterization, being a good friend to Percy at first… to betraying him in the end. Sophia Trujillo portraying “The captain of the other team,” Clarisse LaRue the callous daughter of Ares, had awe-striking vocals and natural physicality onstage, truly putting everyone in their place. With beautiful harmonies and outstanding chemistry, the Half-Blood Campers brought their world to life, always engrossed in each scene.
Bringing the world of Greek mythology to life, are the technical aspects! Putting on this killer quest, is Student director, Jillian Bender. Bender directed the entire show, with impeccable stage management and memorable props. The set by Ayden Sherman and company was truly exquisite, depicting many places like the museum, Camp Half-Blood, and even the Underworld. Kasie Cabral on choreography was sensational, suiting everyone’s abilities with their unforgettable dance moves, especially in the “Capture the Flag sequence.” Sound by Daniel Feinbers and Company and Lighting by Adrianna Tartamella were seamless, especially when depicting the ocean, which added much emotional conflict to the production.
Spanish River High School’s production of The Lightning Thief: A Percy Jackson Musical did way more than “besting the freakin’ furies!” Making it to the Underworld and back, they proved that they could truly accomplish anything.
By Tamara Toma of Archbishop McCarthy High School
Get ready to be rocked, rolled, and wrecked by North Broward Preparatory School’s Disaster! The Musical, where every minute is a ticking time bomb of hilarious chaos. Just try not to dance too hard, or the ceiling might fall in!
Set in the grooviest year of them all—1979—this jukebox musical, written by Seth Rudetsky and Jack Plotnick, is a love letter to the most iconic ’70s hits…and its greatest catastrophes. Whether it’s earthquakes, tidal waves, or piranhas, this disaster has it all—except a functioning fire extinguisher or a single emergency exit!
Starting with the hottest hits, this production featured many powerful musical numbers, one of the most notable being “Sky High” by Jigsaw. This song showcased the cast’s stunning vocals, with harmonies perfectly in sync. The energy was electric as the actors fully committed to the scene, and this number was a pinnacle moment in the survivors’ journey, marking their journey to escape the disaster. From this moment onward, the actors built stronger connections with each other, portraying the bonds formed through their shared trauma.
Commanding the ship with her incredible presence, Kailah Lavoie gave a wonderful performance as the ship’s entertainer. Her vocal talent was mind-blowing, as she delivered flawless solos throughout the show. She also had fantastic chemistry with her kids Ben and Lisa, played by Lily Shytle. Shytle brilliantly differentiated her two characters through physicality and vocal inflection while landing every joke with precision.
Sister Mary Downy may have strayed a bit off her path to heaven, but she blessed the audience with impeccable humor and a beautiful hymn or two. Dakota Berk fully committed to her character’s internal conflict, and her consistent performance really elevated the show. Other standout performers included Tony and Ted, played by Mario Galdames and Jack Rodman, whose comedic timing and high energy brought life to every scene they were in.
Shirley and Maury, played by Sydney Atherton and King Bell, delivered a heartwarming and hilarious dynamic to the show. Atherton’s impeccable timing and quirky physicality were particularly delightful, especially in her surprise tap sequence, which left the audience in awe. Bell, meanwhile, gave a performance full of charm and depth, skillfully balancing humor with emotion, especially during Shirley’s final moments. Together, they created a memorable duo that amplified both the comedic and emotional beats of the show. Another standout duo was Marianne and Chad, played by Michelle Gutierrez and Jay Boegem. Their strong character development and beautiful duets added an extra layer of humor and heart to the story.
Turning to the technical side, it’s safe to say the crew hit the jackpot. Despite setbacks from Hurricane Milton, the technical elements were executed flawlessly. Stage managers Shayna Gainsburg and Cristina Sweeney handled an impressive 556 cues with precision. The transitions and perfectly balanced mic levels made for a smooth sail through the show. The NBPS Production and Design Class shined with their prop work, particularly the slot machines, cleverly filled with Easter eggs that captured the spirit of the ’70s. Alanna Maurer’s hair and makeup were also top-notch, with her extensive research clearly reflected in every look. She transformed the cast into disaster survivors in just 15 minutes, adding authenticity to the chaos. Overall, the tech team’s efforts elevated every aspect of the production.
As the dust settles and the disco ball finally stops spinning, one thing is clear: North Broward Preparatory School’s production of Disaster! The Musical is a smash hit. Don’t miss your chance to feel the heat and try your luck aboard the Barracuda—just pray it doesn’t end in disaster!
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By Avery Garfinkel of Cooper City High School
Incoming! A tidal wave of emotions is on its way at North Broward Preparatory School. This thrilling production of “Disaster!” will blow your expectations “Sky High.”
Written by Seth Rudetsky and Jack Plotnick, this hilarious jukebox comedy opened on Broadway in 2016. It follows an assortment of kooky characters in a floating casino and discotheque in 1970s New York. Many catastrophic events referencing popular 1970s disaster films ensue, leaving the passengers to fight to survive.
The disaster expert himself, Ted (Jack Rodman), impeccably portrayed the determined professor with ease. Through his physical comedy and commitment to his character, Rodman effortlessly embodied the heroic scientist as he led passengers to safety. Rodman’s scene partner, the maternal performer Jackie (Kailah Lavoie), executed beautiful vocals throughout the entire performance. Particularly during the number “Saturday Night,” Lovoie’s impressive belting stole the stage. The actor’s chemistry with Rodman created a convincing and captivating story.
Jay Boegem, playing the charming and spunky caterer Chad, executed his character impressively. His flawless vocals were immaculate, and his comedic persona left audiences roaring in their seats. His chemistry with the hardy career woman Marianne (Michelle Gutierrez) was heartfelt and passionate. From their tense fights to their loving, intimate conversations, the conflicting feelings between the two were very clear. Another duo with exemplary chemistry was King Bell (Maury) and Sydney Atherton (Shirley). Impressively portraying a realistic depiction of old age, the audience was captivated any time the couple was on stage. Their range of emotion, from hilarious comedic moments to down to earth heart wrenching scenes, was extremely impressive, shaping a powerful connection between the characters.
The survivors should be complimented on their electrifying performance. The group portrayed the cataclysmic situation with great realism, while also imposing notable humorous moments throughout their escape. Their physicality, characterization, and impressive vocals made them a compelling and effective ensemble. A standout member of the group was Lily Shytle. Playing fraternal twins, Ben and Lisa, Shytle hilariously switched between the characters with ease. With impressive vocal and character differentiation between the two, Shytle should be commended for her performance.
Alanna Maurer must be applauded for her impressive hair and makeup work. The change from put-together wealthy casino goers to scared, frightened, and injured victims became very clear due to the impeccably thought out designs made by Maurer. Additionally, the Stage Management Team should be mentioned for their execution of over 500 cues consisting of lights, sound effects, microphones, and fly. These cues were called with almost complete precision. While some moments may have been missed, the team did a stellar job at recovering and keeping the show moving.
From twisters to earthquakes, the worst catastrophe of them all would be to miss North Broward Preparatory School’s riveting production of “Disaster!”
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By Sydney Lotz of Marjory Stoneman Douglas HS
When you “Knock on Wood” to some toe-tapping tunes, you are sure to hit the jackpot at North Broward Preparatory School in their production of “Disaster!” Prepare to be swept away, it’s smooth sailing from here.
Written by Seth Rudetsky and Jack Plotnick, “Disaster!” sailed onto Broadway opening on March 8, 2016, running for only 72 performances. This jukebox musical, packed with iconic ’70s hits, pays comedic homage to the over-the-top disaster films of that era. The story follows a group of New Yorkers as they flock to the grand opening of a lavish floating casino, filled with disco dancing, romance, and plenty of fire hazards. However, their dream voyage takes a terrifying turn when they discover the ship is coasting on a fault line, triggering a series of catastrophic events. With earthquakes, fire explosions, and man-eating sharks, the passengers must literally tap dance their way to survival before this ship sinks!
Star-studded ship entertainer Jackie (Kailah Lavoie), not only blew the boat away, but also the theater. Her distinct characterization blended maternal physicality and inflections with dazzling vocals and vibrant boogie moves. Her chemistry with Jack Rodman (Ted) shined, as their loving dynamic grew throughout the show. Rodman’s comedic timing shone, particularly in his playful physicality and witty mannerisms, with a flip and a cartwheel to save the day. Lily Shytle took on the roles of “nearly” identical twins Ben/Lisa, showcasing a strong familial bond with Lavoie. She skillfully differentiated the twins through distinct vocal and physical switches, adding depth to each character. Shytle’s comedic talents and vocal prowess particularly shone during the number “When Will I Be Loved.”
King Bell brought Maury to life in a truly show-stopping performance, skillfully balancing the drama and comedy, infusing each moment with a captivating energy. Bell’s physicality and vocal nuances were on point, perfectly complementing Sydney Atherton’s portrayal of Shirley. From every line to each tap step, Atherton shared remarkable chemistry with Bell. Their characters vocally and emotionally harmonized beautifully, perfectly showcasing their endearing relationship. The ensemble as a whole displayed outstanding energy, maintaining its strength from start to finish. Shining particularly in “Sky High,” their vocals were consistently impressive, disco moves sharp, and they handled any mishaps with professionalism and ease.
The technical aspects of this production were far from a disaster! The makeup and hair, flawlessly crafted by Alanna Maurer, ensured each character embraced a distinct look that popped on stage, perfectly capturing the 70s vibe utilizing vibrant eyeshadow and blush. During intermission, Maurer single-handedly applied all blood and gore effects only deepening the show’s dramatic, comedic atmosphere. The disco fever didn’t stop on stage, it spread to the social media platforms as well. Sydney Atherton’s marketing and publicity nailed the 70s aesthetic in every social media post and event, including their retro 70s disaster movie nights.
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By Sam Dyer of NSU University School
Get ready to boogie down on “Saturday Night” at North Broward Preparatory School’s production of “Disaster!”, a show that’s sure to be an explosive hit!
When a sea of stormy setbacks washes away their disco delight, the cast and crew of North Broward Preparatory School’s “Disaster!” hope to find whatever floats their boat on “Saturday Night!”
A tribute to classic disaster flicks from the 1970s, “Disaster!” was conceptualized by Jack Plotnick and Seth Rudetsky. The story follows the unlucky passengers aboard a casino cruise that unfortunately endures tidal waves, killer sharks, and other cataclysmic contretemps. Showcasing the era of disco, this jukebox musical features classic pop hits from the 1970s including songs by Donna Summer, Gloria Gaynor, and Orleans. The musical debuted at the Nederlander Theatre in March 2016 and was later nominated for the Tony Award for Best Featured Actress in a Musical.
Calamity calls for a disaster expert to save the day! Enter Ted, portrayed by Jack Rodman; transforming the scientific to the suave, Rodman convincingly captained his character through impassioned displays of vocal and emotional prowess. Right by his side was Jackie, performed by Kailah Lavoie. As her beautiful, belting voice careened across the casino, Lavoie commanded the audience’s attention with a powerful feminine flair. Concurrently, she was supported by Lily Shytle who played both Ben and Lisa; quite impressively, Shytle switched betwixt the twins with comic ease, guaranteeing waves of laughter across the audience.
In the wake of an earthquake, romance strikes faster than you can say “Hot Stuff!” The long-lost lovebirds Chad and Marianne, played by Jay Boegem and Michelle Gutierrez respectively, were surely no exception! With charming chemistry, these heartthrobs made the audience want to hold onto their performances and never let go.
If there’s anything that prevents catastrophe, it’s respect for your elders! This show’s couple of oldies but goodies were Maury and Shirley, brought to life by King Bell and Sydney Atherton respectively. Never afraid to boogie their hearts out, this jiving geriatric duo sailed above and beyond with an undeniable commitment to cruising vocals and flam-buoyant physicality.
When the ground begins to tremble and shake, either you’re experiencing an epic earth tremor or a thumping ensemble of lively passengers! Whether mastering their disco moves or mourning their losses, this ensemble was surely slaying (and getting slayed) on the dance floor. Throughout the production, their harmony as a cast stayed consistent whether they were sliding, colliding, or tap dancing to complicated Morse code-ography!
As no discotheque can thrive without its DJ, this production would be remiss without its indelible technical achievements. Calling all the shots was the stupendous Stage Management team (Shayna Gainsburg & Cristina Sweeney). With 556 cues for lights and sound combined, the team pulled through seamlessly with little error. Additionally, the Props created by the NBPS Production and Design Class brought a piece of the period to life with a Hawaii Five-O slot machine. Even when faced with an actual hurricane that threatened their work, the team hit the jackpot!
No matter the strength of the storm, North Broward Preparatory School’s unforgettable production of “Disaster!” succeeded to set the bar “Sky High!”
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By Afreeca Fullwood of Piper High School
All aboard and buckle up as North Broward Preparatory delivers a production that plunges their audience into a pit of chaos. From the moment the curtain rose, we knew we were in for a wild ride.
Picture this: a floating casino like no other, filled to the brim with a funky mix of colorful characters – from a washed-up disco diva to a nun who’s more addicted to Blackjack than the Bible. Everyone is prepared to experience an unforgettable night, but instead the entire ship falls prey to a multitude of calamity. Welcome to Disaster! The Musical, created by Seth Rudetsky and written by Rudetsky and Jack Plotnick. This jukebox musical comedy guarantees that every calamity comes with a side of quality comedy.
Let’s give it up for Jack Rodman, who perfectly portrays the goofy charm of Ted. His exaggerated gestures paired with skilled facial expressions enhanced the humor of his character. He worked effectively with fellow cast members to create a delightful rhythm that kept the audience laughing throughout the performance. Then we have Mario Galdames (Tony), whose over-the-top charisma dominated the stage, making every entrance loud, colorful, and slightly chaotic. It was clear that Galdames clearly understood his character as he masterfully hid a slight makeup mishap with his impressive improv. HIs ability to deliver knockout punchlines while also connecting with the audience is a testament to his skill, making him a true highlight of the production.
Make way for Dakotah Berk (Sister Mary Downy) as she tries to save souls while sneaking in a few rounds at the casino. Berk’s standout performance expertly blends this holy and hilariously flawed nun. With her impeccable comedic timing, she effortlessly transforms every line into a comedic gem. Introducing another comedic treasure, we have Jay Boegem as Chad. This hilarious force of nature seamlessly transitioned from comedic songs to more poignant moments, making his stage presence magnetic. His characterization brings a layer of depth to his character, making us root for his star-crossed love story amid this floating catastrophe.
From start to finish, the stage managers managed to keep the show running smoothly as they called a whopping total of 556 cues! You could feel the show flow beautifully under their expert guidance. Without a doubt, the costumes were vibrant, distinct, and perfectly ‘70s, shifting the mood from disco to disaster with flair. Their attention to detail brought a sense of realism to the strife the characters faced on this ship of calamity.
So grab your friends, your family, and especially a life vest or two and run on down to North Broward’s Production of Disaster! The Musical. Why? Because it’s a show that’s to die for (but hopefully you won’t)!
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By Gavin MacArthur of Cooper City High School
Imagine a time of prosperity, where pearls dominated wardrobes and soirées were something of a norm. Saint Thomas Aquinas High School soaks audiences in the richness of America’s Golden Age through their dazzling production of the eternal narrative of “The Great Gatsby.”
The now classic story of “The Great Gatsby” was first released in 1925 as a novel by F. Scott Fitzgerald. However, the tale failed to rise to fame in the years following, and the writer never lived to witness the spectacle it has become. Subsequently, it has been adapted multiple times for stage and screen, specifically in 2006 by Simon Levy. This iteration is once again told from the narration of a man in the Roaring Twenties by the name of Nick Carraway who, upon meeting esteemed neighbor and self-made millionaire: Jay Gatsby, becomes betwixt within a tale of love, luxury, and murder.
Portraying the illustrious host, Cole Christianson (Jay Gatsby) pompously developed accurate characterization by a vast range of expression, creating a truly believable character. Cementing this authenticity, Christianson showed clear contrast within dynamics towards characters of varying relation to his own. Particularly, the unique connection to Dylan Saito (Nick Carraway) was definitive evidence of both actors’ prowess. Saito’s certain knowledge of the script allowed him to utilize vocal emotion adding depth to his individual character and further suave to the duo’s disposition.
As Nick’s flirtatious acquaintances, Mallory McKeon (Daisy Buchanan) and Alexi Arocho (Jordan Baker) each successfully carried out their coquettish personalities relative to the respective Gatsby and Nick. Similarly, in the role of the secret mistress, Avery Patterson (Myrtle Wilson) presented her character’s pure vitality through evident physicality and stand-out displays of genuine emotion.
Cohesively, the cast performed this timeless classic with a commendable degree of commitment. While raw emotion was occasionally lacking, the conscious behavior of many actors compensated by adding a degree of realism to scenes. The Partygoers ensemble in particular successfully imbued the stage with liveliness by contributing silent background banter and reactive expressions that united this piece.
The technical components of this play must be celebrated for their exceptional position as the thread weaving this extravagant performance into a pulchritudinous party! Led by Abigail Hilbert, this crew consistently ensured attire was accurate to the time, and examined design elements to match symbolism of each color. Throughout, many roles change garb across frequent intervals, these shifts were undergone seamlessly and swiftly, proving the immense talent of this crew. Likewise, the lighting team deftly managed the symbolic illumination of many impactful scenes and the classic, ever-taunting green light dancing in the distance.
“And so, we beat on, boats against the current, borne back ceaselessly into the past.” Saint Thomas Aquinas High School’s production of the classic tale “The Great Gatsby” immersed audiences into a time prior to their own, a story of opulence and the pitfalls of tragedy it possesses, uncovering the unattainable nature of our truest desires.
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By Jack Ryan of American Heritage Broward
Ladies and gentleman, cue the blaring big band horns and the copious champagne! Old sport, prepare to be whisked away to the glitz, glamor, and tragedy of the Roaring Twenties as Saint Thomas Aquinas High School presents “The Great Gatsby!”
Adapted for the stage by Simon Levy and originally written by F. Scott Fitzgerald, the timeless tale follows Nick Carraway as he befriends his enigmatic neighbor, Jay Gatsby, who is obsessed with rekindling his lost romance with Daisy. Through lavish parties and shattered dreams, the show paints a picture of society obsessed with wealth and status — with Gatsby, blinded by illusory dreams in pursuit of a lost past.
Cole Christianson’s portrayal of Gatsby was captivating, balancing the composure of a self-made millionaire with the deep vulnerability of a man desperate for love. Shining as brightly as the green light, Christianson’s attention to detail between Gatsby’s poise and emotional yearning lent authenticity to his performance, ensuring the title “the great.” Enter Nick Carraway: the witty narrator free of judgment, analytical of the materialistic society around him. Dylan Saito, playing Nick, guided the audience through the chaotic story with a steady presence. Though some actors were inconsistent with their accents and missed key emotional beats, his poised and consistent performance truly honored the advice Nick’s father had given him in his “younger and more vulnerable years.”
However, no story can be complete without pure composure?! “Driving” the drama is Avery Patterson with the standout raw energy and physicality she gave to her performance as Myrtle Wilson, bringing grit and liveliness to the stage. On the other hand, Alexi Arocho, as Jordan Baker, exuded elegance and sophistication, embodying the high-class character with ease. While some individual performances were strong, some actors and ensemble members missed the mark with their energy and created a few silent moments that resulted in partying or tension that lacked elevation.
Rich with symbolism, the technical elements of the production had some shining moments. The lighting was especially creative, portraying the haunting presence of Dr. T.J Eckleburg’s eyes to even the simplest details in creating Nick’s window! While the sound was mostly effective, there were a few balance issues with the actors’ voice occasionally overpowering microphones, causing some clipping, and a few sound effects that were too quiet compared to the voices on stage. However, the special effects, including the smoke-filled scenes representing Gatsby’s foggy memories, added intense atmosphere but were perhaps overused. Impressively, the crew built Gatsby’s car with utter attention to detail even if it was only used for a few scenes. Additionally, the costumes and set were period-accurate and gave the authentic production a voice full of money.
So we beat on, boats against the current, admiring the efforts of the talented cast and crew as they brought Gatsby’s world to life. You can’t repeat the past, but Saint Thomas Aquinas High School’s gave this classic story a fresh and unforgettable outlook that will for sure make audience’s dream of it.
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By Avery Garfinkel of Cooper City High School
Raise your glass and get ready, because the party is at Saint Thomas Aquinas High School! With their charming performance of “The Great Gatsby,” this production appeals to everyone from old sports to delicate dancers.
“The Great Gatsby,” written by F. Scott Fitzgerald and adapted for the stage by Simon Levy, is set in the Golden Age of the 1920’s. It follows Nick Carraway as he explains his past encounters with some extravagant characters, most notably the suave millionaire Jay Gatsby. As Gatsby attempts to rekindle a lost love, madness ensues, causing more mayhem than he could ever imagine.
The title character, Jay Gatsby (Cole Christianson), stole the stage with his impressive characterization and emotion. Christianson was able to play the dignified millionaire, along with the lovestruck personage with ease. The moments between Christianson and his lost love, Daisy Buchanan (Mallory McKeon), were enhanced by the believable passion shown on his face. Together they wowed audiences, particularly with their intimate dancing sequences.
Nicolas Barreiros Plata, portraying Daisy’s husband, Tom Buchanan, showed an incredible depiction of the character. During his exceptional dramatic scenes, Plata’s ability to show believable rage was spectacular and must be commended. Alexi Arocho, playing the role of Jordan Baker, had extraordinary emotion and physicality. Her ability to be a present, intent listener in the moments where she wasn’t actively participating, was a minor yet integral feat. Arocho’s chemistry with her stage partner Dylan Saito (Nick Carraway) both during verbal and silent moments was believable and mesmerizing, leaving audiences enamored with her performance.
The Partygoers ensemble was engaging, enhancing the ambiance of the environment. Their small background moments added to the busy atmosphere of the parties, making them feel real and alive. Their dances were executed with grace, once again aiding in the immersion of the famous Gatsby parties. Also attending these parties was Myrtle Wilson, played by the immaculate Avery Patterson. Patterson’s physicality, storytelling, and range of emotion left audiences both laughing during her comedic scenes and engaged in her tense moments.
The Light, Sound, and Stage Management teams must be praised for the intense work they showed throughout the performance. The lights and sound design was engaging and executed with great precision. While at times some cues may have been called late, overall, the team must be complemented. Another aspect of the technical team that should be recognised is the costume department. The team accomplished many quick changes with ease, allowing for smooth transitions when changing scenes. Their attention to detail was impeccable, using color to enhance the atmosphere of the characters.
So, follow that green light all the way to Saint Thomas Aquinas High School’s production of “The Great Gatsby” to see a performance like no other.
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By Hayley Schachter of American Heritage Broward
Step into the Roaring Twenties, where jazz, flappers, and extravagant celebrations steal the show and Saint Thomas Aquinas High School’s production of “The Great Gatsby” is sure to blow you away!
Adapted from F. Scott Fitzgerald’s timeless novel, the 2006 play “The Great Gatsby,” written by Simon Levy, highlights the major themes of this classic, including love, ambition, and the elusive American Dream. Whether through the rekindling of a lost love or the journey to reaching a distant goal, this tragic story zeroes in on the importance of seizing the moment and never taking anything for granted.
Gracing the stage for the first time and introducing the audience to this heartbreaking tale, Dylan Saito’s sharp attentiveness and subtle reactions enhance his performance as Nick Carroway, our observant narrator. As a bystander to many conflicts, Saito stayed focused and committed to every scene, emphasizing his role as the storyteller. His dedication to the character shines through his interactions with other characters, including Jordan Baker, his love interest, and Jay Gatsby, his wealthy neighbor, brought to life by Cole Christianson. Christianson matched Saito’s devotion to their friendship, setting it apart from his romantic feelings for Daisy. Thinking on his feet, Christianson cleverly improvised his way out of a prop malfunction without breaking character, showing his connection to Gatsby’s character traits and demeanor.
Alexi Arocho, portraying Jordan Baker, an independent, modern woman of the 1920s, excelled in her active listening and mature composure. Her posture and facial expressions showcase Jordan’s wit and charm, allowing the audience to see the cynical nuances in her character. Adding an element of laughter, Avery Patterson, in her role Myrtle Wilson, eased the tension in some of the most stressful scenes. Patterson’s wide range of emotions, physicality, and vocal inflections spotlight Myrtle’s ambitious attitude and desire for affection. Her dedication to her character is most clearly highlighted in the scenes following her death, as she remained perfectly still and lifeless as other moments continued around her. Although at times it felt as though the partygoers lacked cohesion, their assistance in set changes was seamlessly integrated, creating a fluid visual experience that kept the audience engaged.
The glitz and glamor of any show is never complete without tech! The isolations, textures, and colors implemented by lighting designers Emily Reich, Alistair Bass, and Michaela George beautifully complemented the performance and other technical elements. Notably, in the paparazzi scene towards the end of the show, the lighting sequence aligned marvelously with the sound cues, designed by Isabella Albensi, Natalie Llanos, Arianna Lizzul, and Olivia Lizzul. The unified design concept shared by the two disciplines elevated the overall production immensely.
Don’t miss the fun! Join us at the Gatsby Manor at Saint Thomas Aquinas High School for an unforgettable evening that captures the loves and losses of the Roaring Twenties. Grab a seat and immerse yourself in the most captivating 1920s experience in town!
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By Matthew Squeri of American Heritage Broward
The party’s roaring on over at Saint Thomas Aquinas High School’s production of The Great Gatsby! This cast and crew truly came together to produce a show filled with excitement, deceit, and glamor, keeping the audience at the edge of their seats the entire time.
Written by Simon Levy, the play made its stage debut in 2006 at the Seattle Repertory Theater. Based on F. Scott Fitzgerald’s 1925 novel of the same name, it tells the story of Jay Gatbsy and the extravagant parties he throws in the pursuit of reuniting with his former love, Daisy Buchanan. Throughout the show, it shines a “green” light on the themes of social class, love, and wealth.
Cole Christianson, playing the role of Jay Gatsby, put on an extremely engaging performance. By fully encapsulating Gatsby’s uptight manner and love for Daisy through his strong characterization and acting choices, he successfully brought the character to life. One could even say, “Good job, old sport!” Further elevating the stage was Mallory McKeon as Daisy Buchanan. From the moment she appeared lounging on an elegant sofa, we could already tell she was a demanding presence. Her comedic energy and delightful attitude really made the audience fall for her. Her commitment to the character assisted in the portrayal of her indecision between the choice of Gatsby or her husband, Tom.
Another notable character who shined throughout the entire show was Alexi Arocho as Jordan Baker. Her characterization was marvelous, as it efficiently highlighted her character’s cynical and sophisticated demeanor. This made her all the more magnetic and captivating. One of the most prominent characters was Avery Patterson as Myrtle Wilson. Her comedic abilities and dedication to the role truly had the audience enthralled. Although not appearing on stage as much as the other characters, she undoubtedly was a show-stopping presence. This made her dramatic and climactic death in the end all the more effective and profound.
By far, the most compelling aspect of the production was the technical components. Costumes, arranged by Abigail Hilbert, Elizabeth Gerhardt, Amanda Henry, and Mickenna Desroches, incorporated specific attention to detail that accurately portrayed the time period and added a sense of glamor to the show. In addition, they implemented colors to represent emotions, such as Gatsby’s pink suit to represent love and Myrtle’s red dress to represent passion. The set thoroughly brought the show together with the elaborate archway and astonishingly realistic car. Carolina Reverte, Victoria “Bird” Patten, and Vincent Poehnelt stole the show with their remarkable special effects. Each lighting choice felt inspired and appropriate, specifically when each death was lit in an ominous red light. Another example is the glowing of TJ Eckleburg’s eyes, symbolizing an all-seeing, judgmental presence watching over the characters throughout the show. From the costumes to the special effects, the inspiration behind each technical decision was masterfully shown.
Saint Thomas’ production of The Great Gatsby is sure to be remembered as a night of entertainment and bewilderment, leaving the audience roaring on from the second they enter to the moment they leave
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by Lila De Almeida of Saint Thomas Aquinas High School
Beneath the misty foliage of the Forest of Arden lies a cast of motley fools, love poems posted on tree stumps, and a whole lot of weddings. To kick off this Cappies season, Calvary Christian Academy (CCA) made sure to Shake(speare) it up with their performance of “As You Like It.”
In around 1599, the Bard himself put quill to parchment to craft this comedy (and its complicated family tree). A feud between Duchesses results in one court being exiled to the Forest of Arden, where Rosalind and her best-friend-slash-cousin, Celia, now reside under disguise. Orlando, who is lovestruck for Rosalind, also flees to the forest after learning of his brother, Oliver’s, plot against him. Unknowingly, he confides in the male Ganymede, who is truly Rosalind. A few dramatic reveals and familial forgivenesses later, Orlando and Rosalind, Oliver and Celia, and two more pairs of forest folk are married and welcomed back into the court.
“All the world’s a stage, and all the men and women merely players–” except, of course, for Lily Shein and Aliyah Kallioinen, who went beyond just “players” to truly become Rosalind and Celia, respectively. Shein’s engaging inflection and comedic timing oozed conviction in her role, skillfully avoiding the trap of reciting the antiquated language. Similarly, Kallioinen’s facial expressions and diction drew the audience into the gal talk happening in the forest. The heartfelt chemistry between the actresses was remarkable, whether said aloud or communicated through body language.
The entire cast excelled in utilizing the space of the in-the-round performance area, but Jesse Oliva (Orlando) and Lucas Crossley (Charles) exhibited exceptionally dynamic physicality. The choreography of the wrestling scene between the two must be commended for its complexity and execution. Oliva, as Orlando, also expertly demonstrated brotherly bickering with Oliver (Jadon Wooddell). Oliva’s awkward facial expressions and smitten behavior in interactions with Rosalind prompted plenty of laughs. Wooddell’s characterization was consistent, and his love-at-first-sight moment with Celia was both heartwarming and believable.
The use of an in-the-round theater structure made the show especially intimate, and CCA’s meaningful blocking allowed for each audience member to experience the performance from a unique perspective. The student stage management stood out for precise lighting cues reflecting the action onstage. Although the colors of the lighting successfully contributed to the mood of the forest, it was difficult to distinguish where certain scenes were taking place, since set pieces were fixed.
The production also boasted a strong ensemble, who entered and exited the stage with convincing chatter that advanced the ambient sound in the space. These valuable cast members were excellently led by Desi Sewell-Browne as Duchess Senior, the embodiment of a matronly, calm figurehead. Additionally, the inclusion of live instruments onstage, such as a ukulele, tambourine, and horn, further fostered the folksy atmosphere. Although the interactions between characters were energetic and organic, the occasional lack of diction or pause for laughter led to some lines losing their moment.
Even if you were “sans teeth, sans eyes, sans taste, sans everything,” you could feel the love onstage at Calvary Christian Academy’s production of “As You Like It!”
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by Mia Wilson of Cooper City High School
“All the world’s a stage” as Calvary Christian Academy puts on an incredible performance of “As You Like It!”
“As You Like It” was written by the world-renowned playwright William Shakespeare around 1599. This pastoral comedy surrounds many love stories connected through themes of disguise, family and exile. The central story occurs between Rosalind and Orlando as they experience love at first sight and find their way back to each other in the Forest of Arden after getting banished. Through Rosalind’s disguise, Ganymede, she orchestrates a plan to marry Orlando with the help of her cousin Celia. During this process, she meets many new people and learns more about love along the way.
Lily Shein (Rosalind) did an outstanding job portraying the contrast between her female role and male cover. Her use of vocal inflection and tone created a layered character. Her chemistry with love interest Jesse Oliva (Orlando) radiated as they used strong eye contact and body language to create a passionate lust between the two. Oliva also perfectly used his facial expressions and characterization to illustrate the feeling of love at first sight.
Aliyah Kallioinen (Celia) had a sensational stage presence. Her attention to detail with every movement and commitment to character kept her consistent and authentic. Her comedic timing was impeccable and her use of small gestures gave outstanding comedic relief. Her dynamic relationship with Shein illuminated the audience as they created a light and humorous duo. Their comfort on stage and undeniable friendship led to a connection that was upheld throughout the whole story. Jay Lopes-Silva (Touchstone) had fantastic physicality as he embodied the whimsical jester. His storytelling ability was immaculate and very enticing.
As a whole, the entire ensemble created the environment of the forest flawlessly. Through interactions with audience members and playing many characters, they created an immersive experience. They nicely executed the in-the-round setting as they played to every side of the audience and stayed in character through all angles. Despite some diction issues, their ability to tell the story while using Shakespearean language was extremely impressive. A standout member of the ensemble was Desi Sewel-Browne (Duchess Senior). Her confident energy created a strong maternal figure that stayed consistent throughout the show.
Led by Charleigh Huisman, the stage management team, including Wesley Maye, Josh Godbey, Nicolette Suarez, did a fantastic job keeping the story alive by calling up to 237 cues and designing sound that perfectly encapsulated the moments. Huisman’s timing and execution of cues was fantastic. In addition to this, Maye’s sound design created a cohesive story that paired extraordinarily with the other aspects of the show. The use of modern songs relating to each scene made the story easier to follow and fun to watch.
Calvary Christian Academy’s outstanding production had everything you could wish for just “As You Like It!”
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by Sam Dyer of NSU University School
Beneath the canopy of the Forest of Arden, with quaint audience gathering ‘round, muted mist rising from the ground, and sweet sounds of ukulele and tambourine filling the air, the cast and crew of Calvary Christian Academy’s “As You Like It” gave new life to a centuries-old classic!
A comedy of music, marriage and mistaken identity, “As You Like It” is a play by the English playwright William Shakespeare. Written approximately around 1599, the story follows cousins Rosalind and Celia as they are banished to the Forest of Arden, where meetings and mishaps lead them to true love. To put a new spin on this tale, the players performed their production in-the-round with the audience on all four sides, bringing them closer to the text.
Despite her intents, no disguise could hide the remarkable talent of Lily Shein, who portrayed the lovestruck Rosalind. Through fluid expressions and a firm grip on Shakespeare’s language, Shein made Rosalind a convincing character whether she was woefully pining for her lover Orlando or slyly tricking him into believing she were the male shepherd Ganymede. This Orlando was brought to life by Jesse Oliva; switching between commanding champion and yearnful valentine, Oliva delivered a dynamic performance that stole both the hearts of Rosalind and the audience!
Supporting Rosalind in her journey towards matrimony was Celia, played by the outstanding Aliyah Kallioinen. From entrance to exit, Kallioinen captivated the audience with humorous physicality and ditsy delivery. Often, Kallioinen paraded the art of playing the space; commendably, she conveyed moments to the entire audience rather than one side of the theater, engaging each person with undeniable expertise for her craft! The delightful chemistry between her and Shein also emphasized the actresses’ range. Their bond as cousins created compelling interactions whether they were fearing their banishment or gallivanting for love!
Under these greenwood trees, this production was held together by an effervescent ensemble of forest folk and motley fools! While each ensemble member certainly brought energy to moments of jovial dancing, some brilliantly took extra steps to stand out. Heed Duchess Senior, for instance, who was played by Desi Sewell-Browne; through poise and presence, she asserted a motherly leadership over the rest, highlighting her each time she graced the stage.
Within the blossoming Forest of Arden was a grove of grand technical achievements! The Stage Management team (Charleigh Huisman, Nicolette Suarez, Wesley Maye, & Josh Godbey), for example, called each of their 237 lighting and sound cues on time with seamless action, allowing for the actors to flourish in the sun. Additionally, the Sound team (Wesley Maye & Charleigh Huisman) filled the atmosphere with fitting animal ambiance and subtle bardcore covers of pop culture classics. While the latter sometimes distracted from the story unfolding, their choices nevertheless added an extra layer of laughter to an already impeccable comedy!
All the world’s a stage, but the players of Calvary Christian Academy’s “As You Like It” make life a performance worth watching for forever and a day!
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by Sydney Lotz of Marjory Stoneman Douglas HS
What happens when Shakespearean dialect fuses with Taylor Swift’s greatest pop hits? None other than As You Like It, where Calvary Christian Academy brings a traditional tale of love and disguise to life, wrestling with the complexities of true love that lies deep within the whimsical wilderness.
First published in 1623, As You Like It is a pastoral comedy written around 1599 by The Bard himself, William Shakespeare. After being banished from the court, Rosalind disguises herself as a young man and escapes to the Forest of Arden alongside her cousin Celia. There, she reunites with Orlando, who has fled his brother’s evil plot, and, unaware of her true identity, confides his love for her. This sets off a clever and playful romance, full of love lessons, new friendships, and culminating in the quintessential Shakespearean ending: a grand wedding!
Lily Shein delivered remarkable stage presence embodying Rosalind, captivating the audience through impeccable comedic timing aided by dynamic physicality, witty vocal inflections, and characterized facial expressions. Her chemistry with Jesse Oliva (Orlando) was brilliant, as Oliva expertly balanced flawless diction with the complex dialect, perfectly portraying the love struck character with great depth and understanding. Shein also shared a strong familial bond with Aliyah Kallioinen (Celia), whose immersive physicality and expressions heightened the show’s comedic energy and seamless storytelling.
While some performers struggled with the pacing and diction of this Shakespearean text, Angelina Uzdavines (Jacqueline) showcased her remarkable skill in all aspects. Uzdavines brought an impressive level of physicality and comedic timing to her engaging storytelling. Jay Lopes-Silva kicked off his portrayal of Touchstone with an impressive flip and cartwheel, captivating the audience with his expressive movements and vocal inflections that perfectly complemented his character’s wit and humor. Overall, the ensemble delivered a fantastic performance, effectively crafting backstories for their characters and breathing life into the 4-walled stage in the round.
Despite the daunting 237 sound and lighting cues, stage managers Charleigh Huisman, Nicolette Suarez, Wesley Maye, and Josh Godbey executed each one with flawless precision and impeccable timing. From the subtle ambience of sheep noises to funky modern hits featuring Taylor Swift, Britney Spears, and Shakira, the team effortlessly wove the soundscape into the performance, allowing the audience to easily piece together the shows context with song titles. While there were occasional moments when sound cues slightly overpowered the actors’ voices, the design and execution remained precise with a high degree of professionalism throughout.
With beats so true and swift of pace, where every cue found perfect grace. Calvary Christian Academy shone so bright, in As You Like It, love’s essence filled the night.
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by Abby Goldberg of Cooper City High School
Calvary Christian Academy’s charming production of “As You Like It” transported audiences to the mystical Forest of Arden, where the only thing that’s certain is life’s unpredictability.
Written by William Shakespeare in the late 16th century, “As You Like It” is a timeless pastoral comedy. The show follows Rosalind and her cousin Celia, as they seek refuge after being banished from their families’ court. Disguised as Ganymede and Aliena, the two escape to the Forest of Arden where friendships and love bloom in the most unexpected ways. Exploring themes of romance, identity and disguise, “As You Like It” tells a collection of intertwining stories, teaching a captivating lesson of the transformative power of love.
Possessing a quick-witted mind and a courageous heart, Lily Shein’s portrayal of Rosalind exuded nobility. From strong line delivery to subtle mannerisms, she demonstrated clear understanding of her character, effortlessly bringing her to life. Shein’s dynamic performance showed great range, as she hilariously shifted between Rosalind and Ganymede with ease. She had remarkable chemistry with each character she encountered, most notably Jesse Oliva. As Orlando, Oliva’s boyish spirit and clear expressions made for an entertaining performance. Together, Shein and Oliva created an authentic relationship, capturing the playful nature of the lovestruck characters.
Embodying Celia, Rosalind’s cousin and partner-in-crime, was the talented Aliyah Kallioinen. Her impeccable comedic timing and lively facial expressions conveyed vibrance in every scene. With a natural connection, Kallioinen and Shein exhibited chemistry that was both heartfelt and engaging. Portraying the colorful Touchstone, Jay Lopes-Silva brought hilarious comedic relief to the audience. He displayed exceptional storytelling abilities and an energy that never faltered throughout the performance. Led by Duchess Senior, eloquently portrayed by Desi Sewel-Browne, the ensemble of folk amidst the forest brought life to the stage through their genuine interactions and captivating use of on-stage sound effects.
The cast as a whole must be commended for their outstanding performance. Although at times they struggled with diction and flow, their high energy and well-developed characters radiated enthusiasm and depth. The cast also remarkably conquered the difficult task of “performing in the round,” skillfully remaining immersed in each scene. A standout amongst the cast was Ryan Columna Melo as William. Although his time on stage was short, his effortless comedy and impressive accent made for a lasting impression.
The stage management team, led by Charleigh Huisman, deserves high praise for their exceptional work. Despite working with an audience on stage, Huisman executed both lighting and sound cues with incredible smoothness, masterfully managing over 200 cues. Her skill and professionalism allowed the show to flow with seamless precision.
If “all the world’s a stage,” then the cast and crew of Calvary Christian Academy’s “As You Like It” proved some of the most memorable performances unfold within their auditorium.
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by Annie Frischkorn of South Plantation High School
Through an inspiring journey of self-discovery, where identities shift like the seasons and the boundaries between truth and vulnerability blur, love blossoms like spring flowers in the ethereal Forest of Arden. This enchanting vision is brought to life in the remarkable performance of Shakespeare’s classic As You Like It at Calvary Christian Academy.
As You Like It, written by William Shakespeare in the late 16th century, is a timeless romantic comedy set in the enchanting Forest of Arden. Premiering sometime around 1599-1600, the play explores themes of love and identity as Rosalind, disguised as Ganymede, navigates the complexities of romance and friendship. The vibrant forest serves as a symbol of liberation from societal constraints, inviting characters and audiences alike to embrace their true selves. This beloved classic continues to inspire countless adaptations, resonating with audiences across generations.
Every actor brought an alluring presence to the stage, weaving their Shakespearean lines into a tapestry of natural flow and charm. While a few may have stumbled occasionally, the overall performance was truly mesmerizing. Lily Shein’s portrayal of Rosalind was captivating, drawing the audience into her world, while her chemistry with Orlando, played by Jesse Oliva, perfectly captured a whirlwind of emotion and clarity. Aliyah Kallioinen’s comedic moments as Celia sparkled with laughter, showcasing the challenge of delivering Shakespearean humor with delightful timing. Despite the complexities of the text, the cast masterfully maintained comedic rhythm throughout, enveloping the audience in warmth and sincerity. The entire performance felt like a heartfelt journey, leaving a lasting impression in its wake.
The forest folk enriched the mythical ambiance of the show, infusing it with a sense of wonder and magic. Each character was imbued with depth, as they reacted naturally to the main events unfolding around them. Their vibrant personalities developed in the background, creating a dynamic tapestry of life. This lively ensemble not only complemented the primary narrative but also captivated the audience, drawing them further into the enchanting world of the play. Their subtle interactions and expressive presence transformed the stage into a truly lively experience, making the forest feel alive with stories waiting to be discovered.
The immersive 360-degree set transported you into an enchanting experience, richly detailed to evoke the magic of the Forest of Arden, allowing you to feel as though you were truly wandering through the woods. But with its seamless design, it occasionally became difficult to discern any other locations. The lighting and sound cues were expertly timed by Stage Manager Charleigh Huisman, enhancing the spellbinding atmosphere, though there were minor delays in turning on some microphones. Nonetheless, the stage management was exceptional, ensuring a captivating journey through this delightful tale.
Sometimes, we must lose ourselves to truly be found, and the cast and crew at Calvary Christian Academy did just that, capturing this experience with remarkable authenticity in their performance of As You Like It.