Tag Archives: Ann Marie Olson

Parade Productions’ Undo Charts Divorce By Replaying Wedding In Reverse

Undo’s premise – a Jewish divorce ceremony that rewinds a couple’s wedding day — sounds so much like a sitcom episode that you keep expecting it to slide into shallow farce. But it doesn’t. The script is shot through with mordant gallows humor, but Parade Productions’ edition keeps excavating the marrow of marital and familial relationships.

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Boca Theatre Guild’s Everyday Rapture Captivates Musically, Speck of a Story Less Appealing

Boca Raton Theatre Guild’s Everyday Rapture is bliss and it’s the reason to get yourself to the Willow Theatre. Jodie Langel, Ann Marie Olson and Leah Sessa possess some of the best voices you’ll hear in Florida musical theater. Yet no matter how hard they try to sell it, the work itself never really hits a peak.

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Performances In Slow Burn’s Carrie The Musical Prevail Over Flaws In Script And Lyrics

The primary pleasure of Slow Burn Theatre Company’s run at the legendarily miserable (but subsequently overhauled) musical Carrie is enjoying how glowing talent, unbridled earnestness and total commitment provides a worthy reason to watch what remains a flawed piece of raw material.

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Thinking Cap’s Off-Beat Immersive Theater Piece “Church” Is Pure Hallelujah

Sitting under a tent, sweating through the swelter, watching a faithful facsimile of a revival might not seem appealing to your everyday theatergoer. But bring an open mind to Thinking Cap Theatre’s play Church and savor a thought-provoking, exuberant even entertaining evening.

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Thinking Cap’s Absurdist Dramedy Lets Sleeping Dogs Die

Thinking Cap’s U.S. premiere of Sarah Kosar’s Hot Dog comes across as a mean-spirited hate letter to a dying parent whose time can’t come soon enough. It’s a play about caring, yet we hardly care about anyone in it.

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Slow Burn Holds Courageous, Dark And Difficult Parade

Even if Slow Burn’s moving production of the dark and dangerous musical Parade wasn’t the success that it indeed is, the troupe would deserve honor for the fearlessness in choosing a pre-ordained tragedy about anti-Semitism that mixes soaring melodies with discomforting dissonance. But this company has again delivered an enviable piece of theater that challenges the audience as well as its artists.

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Slow Burn Theatre Takes On Anti-Semitism In Parade

It’s been 100 years since Leo Frank’s trial in 1913 for the death of Mary Phagan. And on Thursday, the Boca Raton-based Slow Burn Theatre Company – which prides itself on presenting challenging works of musical theater to its audiences – will take on the musical Parade, which was inspired by the Frank case a century ago.

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Wick Theatre Proves Itself With Solid Soaring Sound Of Music

To answer the question that most folks are wondering after The Wick Theatre’s bow Friday night: Yes, there is a credible, substantial new player in town. The inaugural production of The Sound of Music has the feel of a fully-realized no-excuses production because it is, indeed, a polished, three-dimensional work of theater.

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Slow Burn’s Sweeney Todd Is Competent But Not Thrilling

So much is right about Slow Burn Theatre Company’s scaling of that Everest of musical theater, Sweeney Todd, that there’s no shame to acknowledge that it’s a competent not a transporting production.

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Slow Burn’s Avenue Q Is An Irreverent And Joyous Winner

Life isn’t fair. That’s one of the bittersweet themes in Slow Burn Theatre Company’s Avenue Q. But what’s really unfair is that there’s only five performances left and unless you hustle this weekend or next, you might miss it. Once again, the little theater with a below-modest budget and full-scale ambitions has simply nailed another production, this time delivering a raunchy, irreverent and joyous opener to their fourth season in way west Boca Raton.

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