Tag Archives: Broward Stage Door

Dreamgirls Cast Scorches The Paint Off Broward Stage Door

If producers mount the musical Dreamgirls, it’s a given that they have hired as Effie some astounding young diva capable of punching a hole in the back of the auditorium with her melisma. Indeed, Broward Stage Door has the Cat 5 voice of Sarah Gracel to headline this 35-year-old rousing examination about the interplay of fame, pop music, racism and the dangers of pursuing the American Dream.

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Stage Door’s Tickling The Ivories Turns Revue On Tuneful Ear

Right off the bat, Broward Stage Door’s Tickling the Ivories shows the artistry of the piano wizards and of the inventiveness of a show that turns the typical musical revue theme on its ear.

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Not Enough Heat Or Coherence In Saturday Night Fever

Talent, energy and enthusiasm strut across the Broward Stage Door production of Saturday Night Live – The Musical. Unfortunately, this company does not have enough of those virtues to rescue this misconceived material that should stayed a film.

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Growing Old Ain’t All Sunshine For The Boys At Stage Door

Seniors and caretaking Boomers recognize the real pain informing the facile catchphrase “Growing old is not for sissies” – a quality sharing the stage with copious laughs in Broward Stage Door’s production of Neil Simon’s The Sunshine Boys.

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‘No Way To Treat A Lady,’ About A Serial Killer Is Just A Light Musical Comedy — Really

There have been few musicals about a homicidal maniac. As far as peppy musical comedies with the accent on comedy, there’s only been one about a schizophrenic serial killer, No Way To Treat A Lady. Broward Stage Door has taken on this off-beat tuner about a put-upon detective tracking a failed actor who dons different personas to get in the apartments of lonely ladies he plans to strangle.

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Danny Kaye Musical Entertains But Danny Himself Is AWOL

The Kid From Brooklyn, a bio-musical about Danny Kaye at Broward Stage Door, is blessed with strong singers, likable performers, a peppy period score, a fine live band, a few touching moments and other virtues – everything but one missing element. Danny Kaye.

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What Kind Of Year Was It? Our Critics’ “Best Of” 2016 Lists

Critics and award judges have been talking about it for weeks: The sheer amount of high quality work has made evaluating the last 12 months unusually challenging, but also an opportunity to remember one of the most rewarding calendar years in recent memory. So here’s a supremely subjective stab by all three critics here at Florida Theater On Stage at recognizing the shows and performances that stood out from a pack of productions.

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Hirschman’s Solely Subjective Summation Of Shows That Shouldn’t Be Missed 2016-17

These are not at all necessarily what we predict will be the best shows this season (although they may be) or the best attended or the most popular or the most award-winning. We don’t care. These are the shows we most want to see for a variety of reasons. The list is woefully incomplete, likely with major but unintentional omissions.

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