Tag Archives: Carey Brianna Hart
Mixtapes are by definition quirky, passionate, uninhibitedly self-expressive to the edge of self-indulgence, sometimes puzzling, sometimes touching, sometimes hilarious. Mad Cat Theatre Company’s theatrical/cinematic Mixtape 2 is all that — a compilation of playlets, snatches of poetry, music videos and short films by the region’s leading progressive, avant-garde theater.
Thinking Cap Theatre’s production of Nick Hadikwa Mwaluko’s Waafrika is a deeply earnest and illuminating if imperfect examination of the tragic toxicity of tradition. But even Waafrika’s flaws are washed away by one of the most harrowing finales seen on a local stage.
There’s more to Thinking Cap Theatre’s inventive The Rover than staging a 300-year-old play with oomph enough to keep a 21st century audience interested. What director Nicole Stodard (who is also the artistic director of Thinking Cap Theatre) has done is to craft an inventive, ambitious and quite delicious offering of England’s first professional female playwright’s navel gazing study of the dating games people play. And watching Stodard’s adaptation of Aphra Behn’s The Rover proves that the battle of the sexes hasn’t changed much since 1677.
The success of theater often depends on the audience plugging in their own experiences to enhance what’s happening on stage. So perhaps part of this reviewer’s hot-and-cold reception of Keeping A-Breast at New Theatre – an earnest, heartfelt examination of the agonizing upheaval resulting from breast cancer – is because I’m a man.