Tag Archives: Deborah L. Sherman
Mixtapes are by definition quirky, passionate, uninhibitedly self-expressive to the edge of self-indulgence, sometimes puzzling, sometimes touching, sometimes hilarious. Mad Cat Theatre Company’s theatrical/cinematic Mixtape 2 is all that — a compilation of playlets, snatches of poetry, music videos and short films by the region’s leading progressive, avant-garde theater.
Put Actors’ Playhouse production of Making God Laugh pretty much in the insightful column. Playwright Sean Grennan uses our recognition of the laughter and pain common to most familial relationships and uses it as a building block in his farcical comedy that transmutes into poignant drama.
The Closet, a play by Miami writer Richard Janaro, gets a reading at 7:30 p.m. Monday at GableStage at the Biltmore Hotel, 1200 Anastasia Avenue, Coral Gables.
Donald Margulies’ drama Time Stands Still which enjoys a solid production at GableStage is not a thrilling or enthralling production; it’s one that keeps you thinking long after the lights come back up about whether we are jettisoning our responsibility as human beings to, first, feel something and, second, act on it.
Joy and uncertainty imbued the 36th annual Carbonell Awards on Monday night, reflecting a period marked by the greatest concentration of theatrical excellence in recent memory, yet also the closure of two companies and tenuous survival of others. The juxtaposition was no more evident than the Caldwell Theatre production, Stuff, earning three awards – four days after the company revealed it had hired a receiver and was postponing its last play of the season because of cash flow problems.
The cruel irony is that The Unseen, the last show before The Promethean Theatre closes its doors forever, is one of the finest productions that the company has mounted in its eight-year history. Craig Wright’s tale depicting two political prisoners tortured in a Kafkaesque dungeon is one of the most incisive explorations of existentialism since Waiting For Godot and No Exit. But the script is elevated to agonizing, visceral life by actors Antonio Amadeo, Andrew Wind and Alex Alvarez, led by the inestimable insight of director Margaret M. Ledford.
In the sense that economics are the root cause, observers might group The Promethean Theatre’s imminent closing with the high profile problems plaguing other South Florida theaters during the past year.
But co-founder Deborah L. Sherman makes a distinction. The eight-year-old theater in Davie is closing in the black, before it owes a dime, and, most important to her, while the quality of its productions allows her colleagues to hold up their heads with pride.
Book-learning and collegiate productions provide theater students the basics of the craft they hope to follow, but The Promethean Theatre is providing Nova Southeastern University students with real world experience that is far more rigorous and revealing than class work.
Laura Hodos as Ifeginia the Rabbit / Photo by Bachi Frost By Bill Hirschman Like a precocious pre-teen who has just discovered sex, the fifth annual 24-Hour Theatre Project was frequently raunchy, silly and drenched with carnal preoccupation. The joyously …
Scenes from a (Mentally Ill) Marriage — Mosaic Scores with a Powerful Production About a Marriage in Crisis
Side Effects by Michael Weller, a raw, visceral look at a marriage at the mercy of the wife’s mental illness, comes to stunning life at Mosaic Theatre in Plantation.