Tag Archives: Dennis Creaghan
A deeply polarized citizenry, partisans with irreconcilable ideas about the role of government, a stalled deliberative body, confusion, anxiety. Sound familiar? The current political climate has spurred Palm Beach Dramaworks to reinvent that July perennial musical 1776 to highlight the similarities between us and the Founding Fathers in its production July 1-24.
At the marrow of Eugene O’Neill’s masterpiece Long Day’s Journey Into Night at Palm Beach Dramaworks is its compassionate sorrow that the ultimate human tragedy is the death of hope. The final tableau of four devastated souls irrevocably adrift in the fog-bound damnation of inescapable failures and unconquerable frailties is an endgame so harrowing that the audience can hardly breathe.
Entirely well-acted, thoughtfully directed, in a evolved play about past loves we can’t leave behind, Fighting Over Beverley by Israel Horovitz has its way way off Broadway tryout at Theatre at Arts Garage.
Human beings have to dream – no matter their likelihood, no matter the cost. This sampler cliché find its truth in the tactile tragedy that is Palm Beach Dramaworks’ muted but moving revival of John Steinbeck’s Of Mice And Men.
A nameless terror has upended the fragile homeostasis in Agnes and Tobias’ carefully-ordered uppercrust existence, all the more frightening because its anonymity makes it uncomfortably universal for the audience at Palm Beach Dramaworks’ production of Edward Albee’s A Delicate Balance. What starts in this laudable production as a play about a troubled family of privilege, which keeps our attention simply because they are engagingly hyper-articulate, then ends as a shattering indictment of self-deception and hypocrisy in human interaction.
Regular South Florida theatergoers will recognize many local stalwarts headlining productions this fall as well as some folks new to these parts – and their parts. Palm Beach Dramaworks revealed much of its casting for the entire season this week, featuring the boldface name of Tony Award nominee and part-time local resident Maureen Anderman in December.
By Bill Hirschman A gentle, compassionate smile at human folly suffuses The Fantasticks when it’s produced as well as Palm Beach Dramaworks has. Tom Jones and Harvey Schmidt’s classic chamber musical is a refreshing tumbler of iced lemonade on a …
Neither protagonists nor antagonists, the haunted trio at the center of A Measure of Cruelty are desperately seeking compassion and redemption for their separate sins when all they can find in themselves are levels of self-disgust. Your awareness of your own transgressions and your ability to muster forgiveness for others is jammed into a crucible for self-examination by the spectacle of flawed humanity in this stunning world premiere at the Mosaic Theatre of Joe Calarco’s play.
To clarify misconceptions, the drama formerly entitled The Michael Brewer Project did not end up being specifically about Michael Brewer. A Measure of Cruelty, having its world premiering at Mosaic Theatre on Thursday, only uses the burning of the Deerfield Beach teenager in 2009 as the inciting incident, said playwright Joe Calarco and director Richard Jay Simon.
Art as an ennobling sanctification for both the artist and the observer whose interpretation completes the symbiotic circle is just one of a dozen themes swirling around Palm Beach Dramaworks’ stimulating production of The Pitman Painters.Dramawork’s skilled ensemble of character actors led by director J. Barry Lewis delivers a thought-provoking, if not especially emotionally moving, evening of theater.