Here’s a look back at 2014 including a very subjective subjunctive reductive list of outstanding shows, performances and developments guaranteed to make someone unhappy they were not on the list. Take comfort in that there was so much good work that this is the crème de la crème de menthe.
Posted in Features
Tagged 42nd Street, A Chorus Line, Abby Perkins, Abigail Berkowitz, Actors’ Playhouse at the Miracle Mile, Alexander Zenoz, Amy Miller Brennan Anne Chamberlain, Andy Barbosa, Angie Radosh, Antonio Amadeo, Arca Images, Arsht Center, Arts Garage, Assassins, Back of the Throat, Bad Jews, Blythe Gruda, Bruno Vida, Carrie, Centralia, Chaz Mena, Chess, Chris Crawford, Christina Groom, Church, Clark Gable Slept Here, Clay Cartland, Coconut Grove Playhouse, Dana Castellano, David Arisco, Edges, Elizabeth Dimon, Ellis Tillman, Eric Alsford, Ethan Henry, Faiza Cherie, GableStage, Gidion's Knot, H2OMBRE, Hedda Gabler, Hurricane, Island City Stage, Jerry Gulledge, Jerry Waxman, John Archie, Julie Kleiner, Karen Stephens, Katherine Amadeo, Keith Garsson, Laura Ruchala, Lela Elam, M Ensemble, Mad Cat Theatre, Makeba Pace, Maltz Jupiter Theatre, Marcia Milgrom Dodge, Margaret Ledford, Mariand Torres, Mark Sanders, Michael McKeever, Mike Eidson, Miracle on South Division Street, Mothers And Sons, Murder Ballad, My Old Lady, Natalia Coego, New Theatre, Nicholas Richberg, Nicole Piro, Nilo Cruz, outre theatre company, Palm Beach Dramaworks, Parade, Patrice DeGraff Arenas, Patrick Fitzwater, Paul Reekie, Pembroke Pines Theater of the Performing Arts, Peter and the Starcatcher, Plaza Theatre, Primal Forces Productions, Ricky J. Martinez, Robert Johnston, Ron Hutchins, Serafín Falcón, Shane Tanner, Slow Burn Theatre Company, Summer Shorts, Sunset Baby, Terry M. Cain, The King and I, The Marvelous Wonderettes, The Mountaintop, The Trouble With Doug, The Wick Theatre, Thinking Cap Theatre, Tim Altmeyer, Tom Wahl, University of Miami, What's New Pussycat, William Hayes, Yoshinori Tanokura, Zoetic Stage
This is why we go to theater. New Theatre’s Gidion’s Knot – wrenching, thought-provoking, shocking, visceral in ways no film can be– exemplifies why we spend time in dark rooms watching live people pretend to be people they’re not.
The American Theatre Critics Association (ATCA) has selected Robert Schenkkan’s meditation on power and pragmatism, All The Way, as the recipient of the Harold and Mimi Steinberg/American Theatre Critics Association New Play Award, recognizing playwrights for scripts that premiered professionally outside New York City during 2012. Schenkkan’s play about Lyndon Johnson’s dogged campaign to pass the Civil Rights Act of 1964 received the top award of $25,000 and a commemorative plaque during the Humana Festival of New American Plays at Actors Theatre of Louisville on April 6. Two citations that carry $7,500 each were also presented to Lucas Hnath for Death Tax and Johnna Adams for Gidion’s Knot.