Tag Archives: Gregg Weiner

GableStage’s If I Forget: Powerful Tale of Family Strife Over Cultural History

Raging family dysfunction played against an equally volatile backdrop of social upheaval makes for two seemingly separate but brilliantly acted and directed plays united in GableStage’s production of If I Forget — the emotional equivalent of a skiff tossed about in a raging tempest in the middle of a wintry ocean.

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A Last Look Back At 2017, A Fine South Florida Theater Season

One pleasure of a theater critic’s job are these year-end retrospectives that require looking back at reviews and be reminded, “Oh, yeah, that was really great. And right, there was that. And how could I forget that one?”

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City Theatre’s Crackling, Provocative ‘Building the Wall’ Plays a Dystopian Trump Card

City Theatre’s production of Building the Wall opens with audio of then-candidate Donald Trump spewing some of his more incendiary anti-immigration rhetoric. The first line has yet to be spoken, and already you can feel your blood pressure start to rise.

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No Frills, No Problem: Masterly McPherson Monologue Gets the Ground Up & Rising Treatment

Gregg Weiner captures the audience in Ground Up and Rising’s bare bones production of Conor McPherson’s monologue The Good Thief at South Miami-
Dade Cultural Arts Center

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Issues, Not Emotions Rule In MiND’s Intriguing New Courtroom Drama ‘Terror’

In a chilly sleek courtroom as clinical as a laboratory dissection tray, thousands of human lives, morality, principles and the law are piled on opposite pans of the scale – except it’s not blind justice holding the scales, but we in the audience in Miami New Drama’s intellectually-challenging courtroom drama Terror, having its American premiere.

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What Kind Of Year Was It? Our Critics’ “Best Of” 2016 Lists

Critics and award judges have been talking about it for weeks: The sheer amount of high quality work has made evaluating the last 12 months unusually challenging, but also an opportunity to remember one of the most rewarding calendar years in recent memory. So here’s a supremely subjective stab by all three critics here at Florida Theater On Stage at recognizing the shows and performances that stood out from a pack of productions.

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A Hilarious God Sits Down To Explain It All To You, Sort Of

God is just like you and me – genial, well-meaning, chatty and, while omniscient and omnipotent, also flawed enough to make universe-shaking mistakes. At least that’s the God that actor Tom Wahl, director Joe Adler and playwright David Javerbaum offer during a delightful, hilarious and subversively insightful evening in GableStage’s An Act of God.

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Cancel The Cookout: Don’t Miss Ground Up & Rising’s Scorching Our Lady of 121st Street

We’ve written a paragraph like this only two or three times: Stop what you are doing. Stop reading this review. Go to the phone or online and order tickets right now for Ground Up & Rising’s superb production of Stephen Adly Gurgis’ Our Lady of 121st Street.

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Marco Ramirez’s Ferocious Propulsive The Royale Roars Through GableStage

Audiences will relish the superb GableStage production of The Royale — Miami native Marco Ramirez’s insightful pile-driving play about boxing, celebrity, racism, race relations and personal responsibility.

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Hard-Working Cast Can’t Save The Trial Of Ebenezer Scrooge

Actors Playhouse’s production of The Trial of Ebenezer Scrooge has a talented cast working hard under the direction of David Arisco, but good grief, what a waste of the resources of Mark Brown’s lame script. For one hours and forty minutes (including intermission), the audiences waits and waits for a single new riff in the Scrooge story, even a shred of logic explaining Brown’s basic premise.

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