Tag Archives: Jerel Brown
Zoetic Stage’s Mlima’s Tale is a theatrically-lush indictment of illegal ivory trafficking and shared responsibility for the slaughter of animals, not so much for the artistic trinkets that result, but for human greed. Imagine a Discovery Channel documentary dramatically told as a fever dream awash in lights, sound, music and movement.
Get yourself down to where Slow Burn is delivering a gift you’ll prize for a long time to come: Once On This Island is a glorious evening of storytelling and song, myth and magic infused with joy, passion and a deep belief that love is that saving grace of complex human existence.
The Christmas season officially opened this weekend wrapped in pink. Elle Woods, leading a perky singing and dancing ensemble in Slow Burn Theatre Company’s ebullient Legally Blonde, lit up the Broward Center with a positive attitude that probably allows that Santa Claus might yet exist
Tight choreography, outstanding leads, a solid supporting cast and a fluid band infuse Slow Burn Theatre’s trip to Memphis. The rousing production hits the ground running in the opening scene set in a black nightclub in Memphis’ Beale Street area and doesn’t slow down until the last “Na, na, na, na” of the ovation.
If you are a Boomer (and be warned, maybe only if you’re a Boomer or their progeny), Slow Burn Theatre Company’s hilarious spoof Disaster! will be in contention for one of the silliest, stupidest and downright funniest nights you have had in theater in recent years.
Tarzan: The Stage Musical, by regional theater troupe Slow Burn Theatre plays just fine in the smaller, almost 600-seat Amaturo Theater at the Broward Center for the Performing Arts, but, truth be told, it could have easily passed for a touring road show version that’s usually on stage next door in the more than double-the-size Au-Rene Theater. Yes, it’s just that good.
Hair never was and isn’t now accurate reportage on the 1968 counter-culture,any more than Oklahoma was a faithful account of homesteading on the eve of statehood. But what the raw material got right and MNM Productions’ engaging edition gets right at the Kravis Center is the infectious vitality, youthful optimism and the genuine sense of communal love.
Even if Slow Burn’s moving production of the dark and dangerous musical Parade wasn’t the success that it indeed is, the troupe would deserve honor for the fearlessness in choosing a pre-ordained tragedy about anti-Semitism that mixes soaring melodies with discomforting dissonance. But this company has again delivered an enviable piece of theater that challenges the audience as well as its artists.
There is more passion pouring off the stage in Slow Burn Theatre Company’s thrilling Side Show than in ten other musicals we’ve seen in the past year put together. That may result in one too many deafening power ballad after power ballad for some tastes and eardrums, but for those wanting to be touched by a poignant, but very dark tale skillfully delivered, Side Show is a powerful example of what the modern musical can be.