Tag Archives: Matt Corey
Seatbelts Advised For Theatre Lab’s Roller Coaster Ride in The City in the City in the City
Theater Lab ‘s world premiere of Matthew Capodicasa’s kaleidoscopic, fantastical The City in the City in the City is a roller coaster ride, full of twists, turns, blind corners and about-faces. To keep up you’ll have to glue your eyes to the stage for a gripping 100 minutes.
Rooted at Theatre Lab
By Jan Sjostrom Something magical is happening at Theatre Lab, the new-play incubator based at Florida Atlantic University in Boca Raton. Deborah Zoe Laufer’s play Rooted is a not-to-be missed experience. The show is both a love letter to female …
Ich Bin Ein Berliner Links Fall of Berlin Wall, Oppression in Cuba
Theatre Lab invests its growing expertise in multi-media theater performance in Vanessa Garcia’s premiere of Ich Bin Ein Berliner, a heartfelt memoir of a Cuban-American girl who grows up perceiving a growing, resonance between Berlin escaping Communism when the Wall fell in 1989 and the unrealized-as-yet dream of Cuba escaping Communism.
Theater Artists Struggle With Unique Fears, Fallout And Uncertainty From Virus Drama
Six months into the pandemic, theater artists are struggling with a profoundly damaging dimension particular to their purgatory-like limbo: The calling that gives their lives meaning requires interaction with other people in the same room. Late this summer, 33 South Florida storytellers agreed to draw back the curtain on their backstage battles that form the spine of an all too real three-act drama.
GableStage Opens Season Of Premiered Multi-Media Work
The actual stage at GableStage may be dark, but the company has replaced the rest of its virus-interrupted 2019-2020 season with a glimpse of what may be one of the evolving facets of the future of theater. It has commissioned 12 area artists to produce nine online projects that meld traditional theater with digital storytelling.
The Storm-Tossed Seek Hope And Salvation In Dramawork’s The Night Of The Iguana
The emotional histrionics and pyrotechnic acting in the first act notwithstanding, it’s the quiet poignant moments of compassion and connection in the second act that are the most deeply affecting in Palm Beach Dramaworks’ skillful resurrection of Tennessee Williams’ The Night of the Iguana.
City Theatre’s Summer Shorts Kicks It Up A Notch Once Again
Efforts by City Theatre staffers to improve the consistency of its offerings has paid off: This edition of Summer Shorts is not only lushly and imaginatively produced with a noticeable extra bit of polish, but is more consistently funny and entertaining than any edition in recent memory.
Mad Cat’s Well-Named Mixtape Is Quirky, Passionate, Puzzling And Did We Forget Funny?
Mixtapes are by definition quirky, passionate, uninhibitedly self-expressive to the edge of self-indulgence, sometimes puzzling, sometimes touching, sometimes hilarious. Mad Cat Theatre Company’s theatrical/cinematic Mixtape 2 is all that — a compilation of playlets, snatches of poetry, music videos and short films by the region’s leading progressive, avant-garde theater.
Mosaic’s Birds Is Insightful Sociological Drama Not Hitchcockian Thriller
Cannily, there is not a feather in sight during the entire 85-minute The Birds at the Mosaic Theatre — appropriate because the subject is not an eerie avian apocalypse, but how humanity reacts under extreme pressure. Conor McPherson’s adaptation is far more a sociological morality tale than Daphne du Maurier’s 1952 suspenseful novelette or Alfred Hitchcock’s 1963 pure thriller.

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