Tag Archives: Michael Focas

Wick’s Cautionary Evita Reminds How Relevant It Remains Today

Later we’ll get to the surprisingly strong performance of an America’s Got Talent semi-finalist in the title role; more importantly, the Wick Theatre’s production of Evita is a painful reminder of just how current the 1976 work remains as a cautionary tale of faux populism harnessed by unscrupulous power seekers.

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Cast Your Vote For The Maltz’s The Mystery Of Edwin Drood

Exuding a lushness, attention to technical detail and an overarching sense of fun, the Maltz Jupiter Theatre’s The Mystery of Edwin Drood is a prime example of its skill. Proof is that the mid-week opening night patrons were happily clapping along to the tunes, even singing along when prompted.

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Slow Burn’s Legally Blonde Is An Early Christmas Gift — In Pink

The Christmas season officially opened this weekend wrapped in pink. Elle Woods, leading a perky singing and dancing ensemble in Slow Burn Theatre Company’s ebullient Legally Blonde, lit up the Broward Center with a positive attitude that probably allows that Santa Claus might yet exist

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Home For The Holidays: Comedy In Making God Laugh Morphs Into Poignancy At Playhouse

Put Actors’ Playhouse production of Making God Laugh pretty much in the insightful column. Playwright Sean Grennan uses our recognition of the laughter and pain common to most familial relationships and uses it as a building block in his farcical comedy that transmutes into poignant drama.

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Laughing Through The Pain Suffuses Sons of the Prophet

GableStage’s Sons of the Prophet is a comedy about suffering. It’s a serio-comedy, to be sure, a wry compassionate look at the inescapable downside of being human. But humor drawn from the awkward collision of quirky characters suffuses Stephen Karam’s Pulitzer-nominated script, even though every major character is in emotional and even physical pain.

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Harriet Oser Is the Reason To Travel GableStage’s 4000 Miles

GableStage’s production of Amy Herzog’s play 4000 Miles is a puzzle. We can tell you the intriguing premise, we can sketch out the plot, we can describe the engaging characters, we can praise the strong performances and even identify the touching and funny moments. But we can’t tell you what the play is about or the pattern those jigsaw pieces create.

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