Tag Archives: Michael Ursua

MNM ‘s Less Zesty But More Heartfelt La Cage aux Folles

For a show that shattered a ceiling in 1983, La Cage aux Folles has become a warhorse in 2017. MNM Productions’ edition embraces the spangles, glitz and sheer Jerry Herman of it all. So if you haven’t seen it in a while, this is an entertaining reminder. What sets this apart is how it emphasizes the heart rather than the heat – and that’s a welcome emphasis for those who may have seen this classic once too often.

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Gorgeous Music Elevates Stage Door’s The Most Happy Fella

Some directors say if you cast a show well, you’re more than halfway home to a successful production. So while the acting is just barely adequate in Broward Stage Door’s The Most Happy Fella, have they ever casted the voices beautifully and that makes for some stirring satisfying moments well worth the ticket.

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Wick Theatre Resurrects Revival Of ‘Sister Act’ With Winning Charm And Verve

Sister Act is not a great musical, not even a good one, but the Wick Theatre’s resurrection is so engaging, so energetic, so much pure fun that it will convert you and make you glad you bought a ticket.

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Tight Harmonies Transport the Audience Back to the 1950s In The Wick’s Forever Plaid

The Wick Theatre has nearly mastered the musical revue genre by hiring solid talent and adding in a few extra production values – all of it evident in this summer’s frothy paean to middle-class America’s music of the 1950s, the venerable Forever Plaid.

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Wick’s Take On I Love A Piano Is How To Do A Musical Revue

Not everyone is a fan of musical revues, but if you’re going to mount I Love A Piano, that justifiably popular evergreen staple of regional theaters over the past decade or so, this is the way to do it.

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Wick’s Curtains Is Musical For The Theater Nerd In All Of Us

Curtains is a show designed for anyone who loves musical comedy, or anyone who has ever played Toto in a community theater production of The Wizard of Oz. Envisioned as a no-calories hoot of a love letter to the quirky dysfunctional denizens of the theater, it is accurately promoted with tongue firmly in cheek as “A New Backstage Murder Mystery Musical Comedy.”

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The Music Does Make Some Enchanted Evening At The Wick’s South Pacific

In the end, the success of the Wick Theater’s South Pacific is something so obvious and simple: It’s the music, the glorious Rodgers and Hammerstein score and lyrics delivered by a talented and skilled corps of actors who plunge us into unadulterated but adult romance.

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Lee Roy Reams’ Dolly Is At His/Her Best Inhabiting The Widow’s Resurrecting Reveries

The first question that everyone wants answered is: Is it possible to buy Lee Roy Reams as Dolly Levi in The Wick Theatre’s Hello, Dolly! The answer is “sometimes.” The answer also depends on how willing you are to accept the theatrical conceit of Reams being the second man ever to play the part, even with composer Jerry Herman’s blessing.

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Forum’s Funny Bone Missing In The Wick’s Vaudevillian Farce

The Wick Theatre’s production of A Funny Thing Happened On The Way To The Forum benefits from Stephen Sondheims’s score and lyrics, but the cast and director need to inject more vaudevillian humor to overcome the material’s inherent sexism,

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The Wick’s Peter Pan Soars When The Music’s Playing

The Wick Theatre’s lush Peter Pan is thrilling whenever it breaks into song, spinning spell of gently whimsical fantasy. Otherwise, with a few notable exceptions, it settles for being a modestly entertaining evening worth bringing your kids or just yourself if you don’t have kids.

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