Tag Archives: Michel Hausmann
Amid the rise of the #metoo movement, the surprise in the new play Queen of Basel, subtitled “Or an unapologetic response to Strindberg’s Miss Julie,” is just how closely this modern-day riff still echoes the sadly timeless themes of the 1888 original. But Hilary Bettis’ script, expand and dig deeper into Strindberg’s naturalistic examination of a war between the sexes mingled with a war of economic class distinctions.
Amazingly, in 2017 with its video games, alt right-antifa strife and uber-sophistication, Our Town is still our town. And no more so than in Miami New Drama’s inventive and often touching production that underscores the values of community in a time when our country seems as divided as it has ever been.
With genuine uncertainty of how successfully it will play, Miami New Drama artistic director Michel Hausmann keeps calling his unique undertaking “an experiment.”
He’s mounting Our Town with one little twist: In his turn-of-the-century New Hampshire village of Grovers Corners, some families speak English, some speak Spanish, some speak Creole.
A different season advance: Quietly, oh so quietly, the 2016-2017 theater season in South Florida is shaping up to be as notable for tidal growth, contraction, ebb and flow as it is for the actual productions scheduled.
With its short run production of “A Special Day” this week, Michel Hausmann and the fledgling Miami New Drama company begin an ambitious slate of projects that began earlier this year with The Golem of Havana.
Miami New Drama’s musical The Golem of Havana melds warm comedy and profound tragedy in an intriguing, sometimes moving, often thought-provoking evening. It encompasses the Holocaust, the Castro revolution, a hymn to a Yoruban deity, and Old World klezmer music pivoting instantly into a hot salsa celebration.