Tag Archives: New Theatre

Westfall’s Intriguing Premiere ‘Two Weekends and a Day’ Has Promise But Needs More Work

Susan J. Westfall’s Two Weekends and a Day at New Theatre is a classic example of a world premiere that has admirable virtues worth exploring further, but a serious need for more re-tooling.

Posted in Performances, Reviews | Tagged , , , , , , , | Leave a comment

Not Your Grandma’s Theater: The 2015-2016 Season In SoFla

South Florida theaters still mount familiar warhorses, but the 2015-2016 season is proof that companies realize the future of theater is to attract pre-retirement audiences with shows steaming fresh out of Manhattan, edgy intellectually challenging works, imaginative takes on familiar titles, regional premieres of shows you only read about in The New York Times over the past few years and some shows you have never heard of, period.

Posted in Features | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Women Playing Hamlet Wryly Examines An Actor’s Inner Life

For such a very funny play, the world premiere of Women Playing Hamlet at New Theatre digs deeply into that alchemical process when an actor draws on their own life experience to create a creature nearly impossible to discern as a character in a play on a stage.

Posted in Performances, Reviews | Tagged , , , , , , , | Leave a comment

The Best Of Times Is Now: Memorable Moments Of 2014

Here’s a look back at 2014 including a very subjective subjunctive reductive list of outstanding shows, performances and developments guaranteed to make someone unhappy they were not on the list. Take comfort in that there was so much good work that this is the crème de la crème de menthe.

Posted in Features | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

News Of Slow Burn, New Theatre And Infinite Abyss

News about a fundraiser for Slow Burn Theatre Company, the semi-annual 1-Acts at New Theatre and the resurrection of Infinite Abyss

Posted in News | Tagged , , | Leave a comment

Well-Acted If Flawed Look At Race In Gospel According To Jerry At New Theatre

Sometimes when the company is engaging, it doesn’t matter whether the journey itself is a little bumpy or overly-familiar. Such is the power of winning performances by Christina Alexander and John Manzelli under Stephen Neal’s direction in New Theatre’s production on The Gospel According To Jerry.

Posted in Performances, Reviews | Tagged , , , | Leave a comment

New Theatre’s Cuban Spring Plumbs How Generations Define Their Identity As Cubans

The overall picture may seem a bit disjointed and fuzzy, but the world premiere of The Cuban Spring at New Theatre incisively depicts the complexities of Cuban-American families in modern Miami as their American-born generation conflicts with parents struggling with ghosts of their birthplace.

Posted in Performances, Reviews | Tagged , , , , , , , , | Leave a comment

The Coming South Florida Theater Season Is As Much About Where As What

Usually there isn’t anything sexy or newsworthy about real estate in the world of theater unless it’s Glengarry Glen Ross. But as the season approaches, South Florida hasn’t seen so much packing and unpacking, opening tubes of Ben Gay, filling out of change-of-address cards, remodeling, scanning blueprints and updating websites as in the past season and the one coming up

Posted in Features | Tagged , , , , , , , , , , , , , , , , , , , , , | Leave a comment

New Theatre Hosts A 4th With BBQ, Fireworks & Short Plays

Hot dogs, fireworks and… theater? New Theatre is hoping you’ll join them this holiday weekend for its bi-annual Miami 1-Acts Festival of 16 fully-staged short plays which doubles as a fund-raiser.

Posted in News | Tagged | Leave a comment

New Theatre Neatly Untangles A Gordian Knot In Gidion’s Knot

This is why we go to theater. New Theatre’s Gidion’s Knot – wrenching, thought-provoking, shocking, visceral in ways no film can be– exemplifies why we spend time in dark rooms watching live people pretend to be people they’re not.

Posted in Performances | Tagged , , , , | Leave a comment