Tag Archives: Niki Fridh
Not Just For Kids, Theatre Lab’s Initial Family-Friendly Ronia Elevates And Inspires
Ronia, the Robber’s Daughter — the first offering of Theatre Lab’s family-friendly series — satisfies the parameters of youth theatre but with a pedigree that transcends its genre, a production bristles with imagination, wit and pathos that resonate across all generations.
FAU Theatre Lab Reels Out Meta-Meta-Meta Revolutionists
Theatre Lab’s production of Lauren Gunderson’s The Revolutionists resembles a blindingly scintillating gem-like puzzle with an infinite number of moving parts that twist in on itself over and over endlessly.
Florida Road Trip Weaves From Off-Beat To Poignant In Peter Sagal’s Most Wanted
Most Wanted starts out like one of those wacky only-in-Florida tales, but as Peter Sagal’s world premiere at Theatre Lab, evolves the weirdness gives way to poignancy that eclipses the humor and reveals the heartfelt message.
Thinking Cap’s Grounded Soars With Not-To-Be Missed Effort
Niki Fridh gives a tour de force performance under Nicole Stodard’s direction in Grounded at Thinking Cap Theatre
Chekhov’s Sisters Waiting To Exhale In Beckett’s New Jersey
Deborah Zoe Laufer’s world premiere The Three Sisters of Weekhawken is, indeed, funny in its daffy way, but this imaginative mashup of Chekhov’s meditation on yearning refracted through Beckett’s existentialism and a shred of Neil Simon has a serious and eventually moving moral about the perils of paralyzing procrastination.
Feeding The Bear Has Promise, But It Needs More Feeding
Feeding The Bear, a serio-comedy focused on caring for a father succumbing to Alzheimer’s (featuring a drag queen with a cooking TV show), has all the necessary ingredients for a tasty confection, but this work in progress hasn’t yet found the culinary magic to be a fully satisfying dish.
Bawdy And Droll Evening of Shel Silverstein Shorts At Vanguard
But with one significant caveat, An Adult Evening of Shel Silverstein at the Vanguard lands most of the ten quirky gems of satirical and somewhat blue comedy with a skill, energy and polish missing from many local anthologies of 10 or 15-minute playlets.
Thinking Cap’s Droll “Or,” Is 21st Century Restoration Comedy
“Or,” is a delightful daffy farce underpinned with social commentary that fits Thinking Cap’s eclectic bent for thought-provoking comedies and dramas that are aggressively off-beat, have a literary bent, or at a minimum are a step away from predictable mainstream fare.
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