Tag Archives: Sahid Pabon
Franklin Graham, the homophobic alt-right son of Billy Graham, just finished a revival tour of Florida this weekend. Too bad he didn’t attend the revival of the musical Altar Boyz at Island City Stage that energetically, if gently, teases boy bands and evangelistic Christian pop rock by infusing a decidedly gay undercurrent. It would have driven him crazy.
Starmaker, getting its world premiere at Island City Stage, is about Henry Willson, the agent behind the hunky male stars of the 1950s, who, while fooling the cameras as straight sex symbols, are hiding their biggest secret: they’re all gay, notably Rock Hudson.
The Christmas season officially opened this weekend wrapped in pink. Elle Woods, leading a perky singing and dancing ensemble in Slow Burn Theatre Company’s ebullient Legally Blonde, lit up the Broward Center with a positive attitude that probably allows that Santa Claus might yet exist
Put aside your expectations that the musical Freaky Friday is going to be yet another manipulative Disney raid on its popular film titles, designed primarily for those who fondly recall one of three cinematic versions. Instead, Slow Burn Theatre Company has delivered a thoroughly enchanting evening, one of most polished and downright fun productions it has offered in recent years.
If there’s any way to get folks to the theater who don’t usually go, Slow Burn’s Rock of Ages can do it. Director/choreographer Patrick Fitzwater knows exactly how to squeeze every inch of character out of this cheesy, goo fest of a jukebox musical to entertain aforementioned non-theater types, who can’t wait to re-live the glory days of the 1980s, of which the soundtrack of the show relies.
Be grateful that Slow Burn Theatre Company with its audacious affection for large scale challenging musicals has decided to mount The Secret Garden, that ode to rebirth, memorable for its lush unconventional score that resembles streams of music intertwining into an aural waterfall.
Tarzan: The Stage Musical, by regional theater troupe Slow Burn Theatre plays just fine in the smaller, almost 600-seat Amaturo Theater at the Broward Center for the Performing Arts, but, truth be told, it could have easily passed for a touring road show version that’s usually on stage next door in the more than double-the-size Au-Rene Theater. Yes, it’s just that good.
The MNM production of Monty Python’s Spamalot is silly and stupid.
Thank goodness. This edition of one of the funniest musicals of the past couple of decades revels in, savors, exults, wallows in the anarchic wacky vibe enshrined in the source material, the film Monty Python and the Holy Grail.
You know you wanted to murder some abusive soul-crushing bullies and snobs when you were in high school. Heathers knows it and wants to liberate your daydream. So do the cool kids and not-so-cool kids at Slow Burn Theatre Company giving a hilarious don’t-miss production of the 2014 off-Broadway musical version of the 1988 cult classic film.
At Entr’acte Theatrix’s production of Into The Woods, the special pleasure was watching nascent talent taking unsteady but ever more sure steps in their evolution en route to fully-blossomed professionalism.