Tag Archives: Sean Dorazio

Once More With Feeling, A Local ‘Hair’ Cavorts At The Kravis

Hair never was and isn’t now accurate reportage on the 1968 counter-culture,any more than Oklahoma was a faithful account of homesteading on the eve of statehood. But what the raw material got right and MNM Productions’ engaging edition gets right at the Kravis Center is the infectious vitality, youthful optimism and the genuine sense of communal love.

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Passable Dial M For Murder Doesn’t Quite Ring Any Bells

The classic 1952 crime play Dial M For Murder is a brilliantly-designed timepiece of plotting and dramatic construction. Unfortunately, Broward Stage Door’s barely serviceable production of this supposed thriller lacks much sizzle or suspense.

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Trot Out The Superlatives For Actors’ Playhouse’s Ragtime

As far as large-scale Broadway musicals, Ragtime stands as Actors’ finest mainstream work ever, as accessible and satisfying as it is passionate and thoughtful. Anyone who cares about musical theater, or theater in general, should make a special effort to see this production.

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Island City Stage’s The Pride Joins Worlds Apart Eras With Skillful Perfection

Island City Stage’s production of the thought-provoking The Pride understands the beauty and depth of this remarkable play —and, done right here, makes us question our history, both individually and collectively.

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Slow Burn Prevails Over Difficult Chess Match

Slow Burn Theatre Company has once again tackled a difficult show in Chess that few if any Florida companies would attempt. And once again, it has come out the victor, at least as victorious as any production can be of this work that divides audiences.

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Slow Burn’s Sweeney Todd Is Competent But Not Thrilling

So much is right about Slow Burn Theatre Company’s scaling of that Everest of musical theater, Sweeney Todd, that there’s no shame to acknowledge that it’s a competent not a transporting production.

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