Tag Archives: Slow Burn Theatre Company
When the 9 to 5 bowed in 1980 , the movie about women rebelling against being taken advantage of was downright funny, even if the injustice and sexism it depicted was universally acknowledged as all too common. The musical version revived by Slow Burn Theatre Company is still pretty funny, but in the wake of the #metoo movement, it inherently contains a bit more topspin on the revenge fantasy against behavior now deemed inexcusable.
Frank Wildhorn’s Jekyll & Hyde is one of those Continental Divides in musical theater: You either love it – or tolerate it. But if you’re going to perform a work by the pioneering prince of the pop power ballad, you have to go all in, and Slow Burn has done just that.
The Christmas season officially opened this weekend wrapped in pink. Elle Woods, leading a perky singing and dancing ensemble in Slow Burn Theatre Company’s ebullient Legally Blonde, lit up the Broward Center with a positive attitude that probably allows that Santa Claus might yet exist
Slow Burn Theatre hembraces this glam/grunge rock musical headlined by a protagonist who suffered a botched sex-change operation. It’s an in-your-face raunchy celebration of alternative sexuality, a show that recognizes absolutely no bounds and revels in it.
Put aside your expectations that the musical Freaky Friday is going to be yet another manipulative Disney raid on its popular film titles, designed primarily for those who fondly recall one of three cinematic versions. Instead, Slow Burn Theatre Company has delivered a thoroughly enchanting evening, one of most polished and downright fun productions it has offered in recent years.
If there’s any way to get folks to the theater who don’t usually go, Slow Burn’s Rock of Ages can do it. Director/choreographer Patrick Fitzwater knows exactly how to squeeze every inch of character out of this cheesy, goo fest of a jukebox musical to entertain aforementioned non-theater types, who can’t wait to re-live the glory days of the 1980s, of which the soundtrack of the show relies.
Tight choreography, outstanding leads, a solid supporting cast and a fluid band infuse Slow Burn Theatre’s trip to Memphis. The rousing production hits the ground running in the opening scene set in a black nightclub in Memphis’ Beale Street area and doesn’t slow down until the last “Na, na, na, na” of the ovation.
If it’s February, then theater companies are taking advantage of the visiting snowbirds presence to announce what they hope will be an enticing slate of titles for the 2018-19 season.
If you are a Boomer (and be warned, maybe only if you’re a Boomer or their progeny), Slow Burn Theatre Company’s hilarious spoof Disaster! will be in contention for one of the silliest, stupidest and downright funniest nights you have had in theater in recent years.
Slow Burn Theatre Company’s production of The Bridges of Madison County is what critics save up our credibility for – so that when a work of art is this effective, this moving, this captivating, then you’ll know we are urging you to see something truly special.