Cappies Student Reviews of High School Theater 2004-05

Publishing student reviews of high school theater is the cornerstone of a new service from Florida Theater On Stage and the South Florida Critics and Awards Program, better known as The Cappies.

Now in its 20^th year, the Cappies enrolls theatre and journalism students, trains the m as critics and assigns them to attend shows at 25 schools in Broward and Palm Beach counties. The student write reviews under the mentorship of teachers and volunteers.

For more information about the Cappies, visit www.cappies.com/sfc/Home.aspx

The most recent reviews will be at the top of the page, but all of them from this fall-spring season will appear here all year, plus a few from the season before. If you have questions of this site, email muckrayk@aol.com.

By Lila De Almeida of Saint Thomas Aquinas High School

Grab your torches and pitchforks! Cardinal Gibbons High School let their Freak Flags fly in their Big, Bright, Beautiful production of Shrek the Musical!

Once upon a time, William Steig’s 1990 picture book entitled “Shrek!” parodied fairy tales with an unconventional ogre protagonist on a quest to meet a princess. DreamWorks Animation adapted the story for the screen in 2001, although without Shrek’s fire-breathing, lightning-eating powers. The film won the Academy Award for Best Animated Feature in 2002. With themes of tolerance, self-acceptance, and unconditional friendship, the original Broadway version scored twelve Drama Desk Award nominations and eight Tony Award nominations lived happily ever after.

In the same year, writer David Lindsay-Abaire and director Jason Moore began working their magic to bring the story to the stage, and it opened in 2008.

Young Fiona (Maya Petrea), Teen Fiona (Gemma Adrosky), and Fiona’s (Brianna Brochu) harmonies in “I Know It’s Today” were nothing short of heavenly. Brochu’s sassy, goofy mannerisms realistically mirrored the behavior of a princess fresh out of the tower. Even when singing with a growl or through comedic moments, she maintained impressive clarity and enunciation.

 

One word to describe Spencer Levine’s performance as Shrek? Onion. He skillfully portrayed the grossness of an ogre and earnestly expressed his desire to be a hero, all in a Scottish accent. His chemistry with Brochu onstage was enchanting (and slightly gassy), especially in numbers like “I Think I Got You Beat.”

Men of Lord Farquaad’s stature are in short supply, but luckily, Cardinal Gibbons had Jacob Miers to fill his tiny shoes. His stage presence and physicality were anything but small. His facial expressions and tone of voice also sent the audience into fits of laughter with each “Ew, ew, ew!” And of course, I saved the ass for last. Riley Barrett as Donkey showcased excellent vocals and energy when performing her male role in its original key.

The stage would not be as big, bright, or beautiful without the Fairytale Creature ensemble. Each member demonstrated great individual characterization and high energy; together, they had a powerful voice that especially stood out in “Story of My Life” and “Freak Flag.” Aubrey Martin (Pinocchio) exhibited especially skilled vocals and energy. Cristian Cardamone as both the Big Bad Wolf and Captain of the Guard had a humorous stage presence in all of his scenes. Overall, the ensemble excelled in interacting with the set and with one another.

Duloc was infused with fairy-tale magic by the stage management, sound, and props teams. The numerous sound cues for effects such as farts, burps, and roars were accurate throughout the show. Props played a central comedic role, from Farquaad’s trusty toy horse steed to Fiona’s destroyed story book. Although some humorous moments were missed due to quiet microphones and lack of projection, the energy and facial expressions of actors onstage still conveyed the comedy of the show.

It’s time to sing “The Goodbye Song” to Cardinal Gibbons High School’s lively production of Shrek the Musical, whose talented cast reminded us to embrace our layers and let our Freak Flags fly.

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By Jillian Lajoie of Monarch High School

With its mix of blithe comedy, enchanting songs, and magical effects, Cardinal Gibbons High School’s production of Shrek the Musical promises a big bright beautiful world for audiences.

.With music by Jeanine Tesori and book and lyrics by David Lindsay-Abaire, Shrek the Musical is based on the hit 2001 movie Shrek. Originally opening on Broadway in 2008 following a trial run in Seattle, Shrek the Musical has been nominated for several Tony, Drama Desk, and even Grammy awards, winning a Tony for Best Costume Design and several additional Drama Desk awards.

Shining in his viridescent best, Spencer Levine was excellent in the titular role of Shrek, balancing the delivery of emotional ballads like “When Words Fail” with more comedic moments like those shared with co-star Brianna Brochu (Fiona). Brochu herself made a stand-out addition to the cast, with good comedic timing and exceptional vocals. Her ability to bring Fiona to life was made apparent in “I Know It’s Today” and “I Think I Got You Beat,” managing to showcase yet another impressive talent through her tap dancing during “Morning Person.”

Captivating the audience with hilarious physicality and comedy, Jacob Miers as Lord Farquaad provided the perfect fairytale villain for this story, even while remaining on his knees the entire show. With strong vocals matching perfect comedic abilities, Miers’ talents resulted in the audience erupting into laughter several times throughout the show. In her role as Dragon, Valentina Nicholas was able to impressively match movements and vocals to the actions of the stage crew puppeting the large Dragon figure on stage.

With vivacious energy throughout, the ensemble cast of fairytale characters were enchanting, especially during group numbers like “Story of My Life.” With Aubrey Martin leading in the role of Pinocchio, the group brought energy, comedy, and magic to the show. While some ensemble moments fell flat, most were hilarious moments of life and fun in the show.

The intricate sets, props, costumes, and effects all helped transport the audience into the world of Duloc. The props team, led by Deveyn Baptiste and Micah Boyce, managed to create a stunning, life-sized dragon puppet to be operated on stage, a truly magnificent feat for this show. The lighting created a more in-depth experience, and while the volume was too high at times, the sound admirably balanced the actors’ speech with a live orchestra. Additionally, the costumes were beautiful, with intricate detailing on pieces like Fiona’s dress and Farquaad’s regalia.

Cardinal Gibbons High School’s production of Shrek the Musical is a rapturously funny show promising magic and fun, turning audiences into believers.

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By Abby Goldberg of Cooper City High School

Run, run, run as fast as you can, and get your tickets to see Cardinal Gibbons fantastic production of “Shrek the Musical!”

With book and lyrics by David Lindsay-Abaire and music by Jeanine Tesori, “Shrek the Musical” is based off of DreamWorks classic animated movie of the same name. Its plot follows Shrek, a grumpy, green, onion-like ogre, and his quest to remove a crowd of fairytale creatures from his swamp. With the help of his talkative new friend, Donkey, Shrek strikes a deal with the short-tempered Lord Farquaad and embarks on a journey of unexpected love and friendship. Although set on reclaiming his home, Shrek’s trip turns into a heartwarming lesson on finding happiness in your own skin, reminding audiences not to judge others before you truly understand them.

Leading the stage as the brooding ogre was the talented Spencer Levine. His ability to balance both Shrek’s gruff and tender sides showed great range and emotional understanding. Introducing a new definition of princess, Brianna Brochu shined in her performance as Fiona. Her sharp characterization showed the feisty nature of the unclassy princess. Through hilariously competitive songs and witty banter, Levine and Brochu’s were a dynamic duo to watch.

Jacob Miers had audiences swamped with laughter through his hilarious performance as Lord Farquaad. His phenomenal comedic timing, vocal inflection, and ability to maneuver throughout the stage while on his knees, proved that good things really do come in small packages. Every prince charming, no matter how green, must always have a noble steed by his side. Riley Barrett brought Donkey to life with impeccable vocals and comedic inflection, allowing for an outstanding performance throughout.

The cast as a whole was incredible. The “Freak Flag” waving ensemble excelled in creating authentic and individualized characters, ensuring no fairytale creature was lost amongst the crowd. Although at times the cast lacked clear annunciation and diction, their energy remained consistent throughout the production. A standout among the cast was Aubrey Martin as Pinocchio, who captured audiences with her incredible vocals and impressive character voice.

The technical aspects of this show brought each and every fairytale element of “Shrek the Musical” to life. The props, cleverly crafted by Deveyn Baptiste, Micah Boyce, Hailey O’Brien, and Kaelin Moulton, eloquently aided actors and added to both the humor and heart of this production. The hair and makeup team of Makayla Etienne, Kaylla St-Fleur, Iliana Figueroa, and Sarah Ferreiro, must be also commended for their impressive work. Conquering the difficult tasks of prosthetics and quick changes, this fabulous team mastered the art of efficiency and seamless transformations.

With powerhouse vocals, infectious energy, and even tap dancing rats, Cardinal Gibbons production of “Shrek the Musical” was sweeter than gumdrop buttons!

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 By Sydney Margolis of NSU University School

Beyond the smelly swamp and the exuberant town of Duloc lies Cardinal Gibbons’ production of Shrek the Musical, filled with vibrant performances and catchy songs that will be stuck in your head “Forever.”

Originally based on the DreamWorks movie, Shrek the Musical was adapted for the stage using music by Jeanine Tesori and lyrics by David Lindsay-Abaire. The story follows an ogre named Shrek who sets off on a thrilling adventure to save Princess Fiona in exchange for the return of his swamp, which has become infested with exiled fairytale creatures. As the adventure progresses, themes of love and self-acceptance are explored as audience members are transported into a compelling story.

Portraying the grumpy but sarcastic Shrek, Spencer Levine stood out with his unique accent and witty character manners. Playing off of Shrek’s side remarks, Riley Barrett transformed into the traditionally male role of Donkey. Her ability to sing Donkey’s parts in their original key did not go unnoticed. Their characterization throughout showed the progression of the friendship between Shrek and Donkey.

From the moment he strutted at half height onto the stage, Jacob Miers took the spotlight as Lord Farquaad. The arrogance of his character was perfectly expressed with comedic gestures and dramatic strides across the stage. Along with his impeccable comedic timing while singing, Miers’ expressive line delivery displayed his remarkable stage presence. Hoping to get her true love’s kiss from the infamous Lord Farquaad, Brianna Brochu perfectly showcased the untraditional qualities of Princess Fiona with her nuanced movements. Brochu displayed strong vocal abilities, combining characterization with comedy in many numbers, most notably “Morning Person.”

Embodying the unique side of the fairytale creatures, the ensemble brought the show together with their spirited musical numbers and consistent high energy. In “Freak Flag,” ensemble members were able to sweep the audience off their feet with synchronized choreography and a strong vocal blend. Although some ensemble members appeared less engaged at times, the lively dancing was a visual delight. One “freak” that stood out from the rest was Cristian Cardamone. Playing both the Big Bad Wolf and the Captain of the Guard, Cardamone stole the spotlight whenever he was on stage with his dramatic movements.

Helping to create the big, bright, beautiful production were the technical aspects. Though there were some issues with mic volume, the tech team worked simultaneously with those on stage to produce a captivating story. The props, created by Deveyn Baptiste, Micah Boyce, Hailey O’Brien, and Kaelin Moulton, added a comedic flair while also enhancing the fairytale atmosphere. The cast interacted seamlessly with the props, ensuring that every prop served a purpose. The stage management team, including Elyssa Solov, Natasha Pierson, Wendy Nelson, and Gaelle Nelson, did a fantastic job synchronizing sound cues with the action on stage, particularly Shrek’s perfectly timed growls.

So sing the “Travel Song” and come on over to Cardinal Gibbons’ production of Shrek the Musical, where comedy meets fairytales in an unforgettable experience.

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­­­­ By Alexis Adler of Cooper City High School

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It’s a “Big Bright Beautiful World” at Cardinal Gibbons High School’s production of Shrek the Musical! Step into the kingdom of Duloc, where fairytale outcasts, pint-sized royalty, and a smelly ogre create a hilarious and whimsical experience.

With music by Jeanine Tesori and book and lyrics by David Lindsay-Abaire, Shrek the Musical is based off the beloved DreamWorks animation film by the same name. The story follows the grumpy ogre, Shrek, on a quest to reclaim his swamp after it’s overrun by the fairy-tale creatures of Duloc. Joined by the enthusiastic and loyal Donkey, Shrek sets off to find Princess Fiona and take her to marry Lord Farquaad, ruler of Duloc. With plot twists, dragons, and a little romance, Shrek the Musical delivers a happily ever after like never before!

A roar of applause goes to Spencer Levine, playing the audacious Shrek himself. Levine’s grotesque and grumpy behaviors captured the essence of Shrek’s character and added layers to the production. Playing the sassy and independent Princess Fiona, Brianna Brochu was unlike any maiden in the fairytales we know! With her outstanding comedic timing and incredible vocal ability, she could captivate the audience in an instant, especially in “Morning Person.” Together, Brochu and Levine perfectly encapsulated the chaotic romance of burps and farts, bringing the nature of Shrek the Musical to life.

He’ll be your friend when others despise you, and that is the charming Donkey, played by Riley Barrett. With smooth, impressive vocals, Barrett was like a perfect parfait! All Barrett needed was a path, a pal, and a song, and that was found in Levine as Shrek. Their Shrek and Donkey moments shined, especially during “Travel Song,” creating a flawless duo, like donuts and diabetes. Shrek wasn’t the only one to be reckoned with; there was Lord Farquaad, played by Jacob Miers. His vocal inflection and comedic timing grew the laughter throughout the audience, and he was not short of capturing the attention of all in Duloc.

Taking over Shrek’s swamp was an ensemble of magical outcasts, the fairytale creatures who brought notable chemistry and high energy, creating a magical experience. Although there were moments that showed some actors less fully engaged, the group as a whole contributed wholly to the production. Embodying the “real boy” known as Pinocchio, Aubrey Martin was readily amusing. Martin’s lively portrayal made the character unforgettable, even leading the fairytale creatures in a protest!

Adding to the layers of the production was the crew, impeccably bringing the story to life. The hair and makeup team did an extraordinary job at creating the prosthetics and smoothly executing quick changes. Nobody can forget the fearful and romantic 14-foot dragon, created by the special effects team, composed of Deveyn Baptiste, Micah Boyce, Summer Helm, and Angelica Zannella. “I’m a Believer” that they brought the perfect technical aspect to the story!

Cardinal Gibbons’ performance of Shrek the Musical is one for the storybooks, so wave that “freak flag” high and step into a world of unforgettable magic and mayhem!

By Sam Dyer of NSU University School

What would a man do to clear his name? Scale the side of speeding trains? Survive a shootout against enemy airplanes? Come face to face with… a bush?! With action-packed adventure and comedy that’ll make you spit out your tea, the blokes behind The Benjamin School’s “The 39 Steps” (dun dun DUN!) left no questions unanswered!

Based on the eponymous 1915 novel written by John Buchan and the subsequent 1935 film directed by Alfred Hitchcock, this adaptation of “The 39 Steps” (dun dun DUN!) was penned by Patrick Barlow in 2005. With performances across London and the United States, this parody received the Olivier Award for Best Comedy in 2007 as well as two Tony Awards in 2008. The story follows Richard Hannay, a falsely accused murderer dodging British authorities as he attempts to uncover the secretive spy organization, the 39 Steps (dun dun DUN!).

Heading all hijinks was the clever Richard Hannay, portrayed by David Frear. Suave yet sentimental, Frear’s performance was nothing short of mustached mastery; his persistent physicality and comedic timing made for the perfect leading chap! Additionally, Frear sported a consistent accent which not only highlighted his comic presence but convinced the audience he was a bona fide Brit!

Right by Hannay’s side (by handcuffs) was Pamela Edwards, played by Sage Sorenson. With impressive emotional progression and cheeky chemistry with Frear, Sorenson won over the hearts of Hannay and the audience! Sorenson also doubled as Annabella Schmidt, the furtive German spy whose death sparks Hannay’s journey; though her role was short-lived, her comedic prowess was certainly everlasting!

As “The 39 Steps” (dun dun DUN!) was originally performed by four actors, this erudite ensemble took on the challenge of doubling roles across the production. Ilia Peck and Ava Shawe, for instance, performed a plethora of dynamic duos! First, the two put on the Mr. Memory Act, with the Compere (Shawe) flaunting the marvelous Mr. Memory (Peck). Then, the pair put on a couple of crotchety old folks: Mr. Dunwoody (Shawe) hilariously shuffled and stammered while Mr. McQuarrie (Peck) crawled forth with a cane! Lastly, the team took on Mr. and Mrs. McGarrigle (Peck and Shawe, respectively), the quick-spitting Scottish innkeepers who never missed a beat. Throughout their twosomes, Peck and Shawe kept up impeccable physicality while making each character distinct and memorable; their jolly good spectacles were utterly commendable!

Going undercover behind the scenes were tremendous technical teams! The Stage Management team (Michael Alvarez, Betsy Farmer & Crew) stealthily supported the show; calling a total of 242 light cues, these agents mostly acted with utmost accuracy to keep the story engaging. Providing hands-on experience was the Props team (Isabella Anthon & Devin Farmer); from old-timey newspapers to oversized sandwiches, these operatives pulled a convincing collection of props with precision!

Radiant and riveting, the cast and crew of The Benjamin School’s “The 39 Steps” (dun dun DUN!) made sure their excellence was not top secret!

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By Makayla Whelchel of North Broward Preparatory School

Film noir, high speed hijinks, and a relentlessly British chase to the death. For fake police, fiendish fistfights, and the adventure of a lifetime, look no further: Benjamn School’s The 39 Steps has it all.

Based on the 1915 novel of the same name, The 39 Steps follows the story of Richard Hannay, a 38 year old man (with lucious brown hair and a rather attractive mustache), who is drawn into a rich conspiracy centering on a deadly ring of spies. First premiering in London in 2005, The 39 Steps went on to win two Tony Awards, charming audiences with over 770 performances total.

David Frear brought the entire theater along for the ride in his portrayal of Richard Hannay. Frear’s excellent comedic timing allowed Hannay’s delightfully dry British humor to shine, and the actor’s commitment and energy were a joy to watch onstage. Frear anchored the show, providing humor and subtle comedy to each and every scene. Sage Sorenson’s performance was likewise as dangerously dynamic as the many characters she portrayed. Her agility and definition of character as she switched between roles and her onstage chemistry with Frear was lovely.

No undercover surveillance was needed to determine that the performances of Ava Shawe and Ilia Peck were wonderful! Together, Shawe and Peck created distinct and highly funny characters in the shuffling Mr. Dunwoody and the aspiring politician Mr. McQuarrie. Harrison Poulakakos’s portrayal of the Milkman and Paperboy were also commendable, as was the bumbling banter he shared with fellow heavy Rebekkah Merkel.

As a whole, the cast of The 39 Steps shared solid commitment and great comedic timing. Despite a few dips in energy, their creativity and execution in the utilization of props brought the play’s film noir/Afred Hitchcock-inspired world to life. Even though there were some struggles with diction, the cast’s physical acting was enough to make even the most serious secret agent crack a grin.

The best high-tech spy would appreciate the technical elements and crew of this play. Costumes (Hailey Cischke, Adnrea Arendts) provided the perfect mix of simplicity and complexity, and props (Isabella Anthon, Devin Farmer) created a rich and period-inspired world for the actors to play in. The timing of projections and sound cues was flawless, greatly contributing to the humor of the story. Stage management (Michael Alvarez) was exemplary, and the crew cameos in moments like the slapstick and plane chases only added to the spoofy and superbly silly nature of the play.

The 39 Steps at The Benjamin School was an adventure. This high octane escapade proves even the most ordinary of us all have the chance to take part in the thrilling caper of our own lives.

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By Julianna (Jules) Vollaro of North Broward Preparatory School

The Benjamin School’s production of “The 39 Steps” [dun, dun, dun] transformed Patrick Barlow’s comedic adaptation of the Hitchcock classic into an energetic and laughter-filled experience. With a minimalistic staging set up and a focus on their actors’ dynamic performances, the production leaned into the play’s inherent theatrical mischief, delivering an enjoyable evening of clever comedic timing with quite a suspenseful intrigue.

The story, a spoof on the spy genre, follows Richard Hannay, an ordinary man thrown into extraordinary circumstances, as he becomes entangled in a web of international espionage. The show’s fast-paced narrative required its cast to embrace rapid scene changes, larger-than-life characters, and a range of accents.

Sage Sorenson’s performance as Annabella Schmidt, Margaret, and Pamela Edwards was a highlight of the evening. Sorenson displayed remarkable versatility in embodying three distinct characters, each with unique personalities, accents, and emotional arcs. Her ability to shift seamlessly between the mysteriousness of Annabella, the earnestness of Margaret, and the sophistication of Pamela showcased her skill and dedication.

Ava Shawe and Ilia Peck stood out as a comedic duo, particularly in their roles as Mr. Dunwoody and Mr. McQuarrie, Mr. and Mrs. McGarrigle, Mr. Memory and Compere, and others. Their impeccable timing, sharp chemistry, and exaggerated physical comedy added an extra layer of hilarity to every scene they were a part of. Whether breaking the fourth wall while interacting with the audience or navigating slapstick jokes, the pair’s commitment to the absurdity of their characters brought the audience to audible laughter.

Michael Alvarez, who served as stage manager and stepped into two featured roles, demonstrated exceptional dynamics and commitment to the production. Balancing the behind-the-scenes demands of calling around 200 ques while delivering compelling onstage moments, Alvarez’s dual contributions highlighted the teamwork and resourcefulness that made this production successful.

Props played a crucial role in this production and it was clear every actor understood the importance of each prop throughout their scenes. However, the absence of a distinct indication that the onstage gun was not a real firearm (such as a visible cap or an announcement before the show) could have been unsettling for some audience members. Further, the creative use of minimal set pieces and well thought out projections, was effective in transporting the audience to various locations, from foggy atmospheres to cramped train cars. These choices emphasized the performers’ physicality and the precision required to carry the show’s humor.  While many accents were impressively executed, some were underdeveloped, causing dialogue to be lost in a few scenes. Though, the variety of accents featured throughout the production is truly something which differentiated characters and was definitely appreciated.

“The 39 Steps” was an ambitious production that embraced its challenges with dedication by the cast and crew. The overall energy and timing brought this show’s classic charm to another level. The Benjamin School ultimately succeeded in bringing the audience into their world of a Hitchcock classic.

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By Zachary Kopelman of NSU University School

All aboard! The train will be arriving at Fulham… no, Diagon Alley… no! We are arriving at the Benjamin School for their brilliantly constructed production of “The 39 Steps”! DUN DUN DUUUUN!

Originally a captivating 1935 thriller-comedy motion picture by Alfred Hitchcock, “The 39 Steps” was adapted into the stage version by Patrick Barlow which premiered in the West Yorkshire Playhouse. It made its way across the pond in 2008, all the way to New York in which it played on Broadway, and won two Tony Awards and one Olivier Award. Following our hunted man who is running from spies, or using the preferred term, “agents” through a comedically action-packed series of events, “The 39 Steps” breaks down the tale of an innocent man who is outmaneuvering a mistaken murder accusation. And no, Mr. Hannay, “The 39 Steps” is not the name of a pub.

The man who fights battles of thumb-war and finds unexpected romance in train carts while loosely handcuffed, David Frear (Richard Hannay) masterfully navigated a British disposition as well as, through a multitude of cleverly delivered monologues, a physical comedy reminiscent of Alfred Hitchcock’s blockbusters. Frear’s palpable chemistry with Sage Sorenson (Annabella Schmidt) was cut short, literally, by a slapstick death routine from Sorenson that ignited contagious laughter throughout the audience –cue laughing track. NEWS FLASH! Sorenson makes numerous appearances as several roles throughout the production, so her commitment to each and every accent did not go unnoticed.

From being drowsy politicians to an entrancing vaudeville duo, Ava Shawe and Ilia Peck each demonstrated an exceptionally impressive range of five sets of characters; all with their own dialects and demeanors. Successfully using their comedic timing to steal the spotlight, this pair performed with consistently heightened energy, often playing off of each other’s emotions on their expressive, British mugs.

As a whole, the cast made it evident that they had spent time learning their individual tracks as the scene changes moved swiftly, and had you saying “Oh, golly!”. Although some of the dialects were tricky to understand at times, the ensemble’s dedication to keeping the tempo of this 1930s farce at a constant, on-the-run climax was commendable.

From a technical standpoint, the props, designed by the inventive Isabella Anthon and Devin Farmer, conducted the course of this production, –and Richard Hannay’s fate. Mirroring the minimalistic style of Hitchcock’s films, the props, few yet efficient, were thoroughly detailed and paved the dirt path for the supposed outlaw to run on. The actors were well prepared and were certainly not afraid to use their props to take their comedy to the next level –or even train car, if you will.

Have you seen Richard Hannay, the man with the “pretty…sorry, luscious brown wavy hair and the attractive pencil mustache”? Whether you’re an Irish farmer or a Germany spy with a tiny pinky finger, you are bound to cross paths with this electrifying show that is “The 39 Steps”. DUN DUN DUNNN!!

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By Jack Rodman of North Broward Preparatory School

If you combined murder, mystery, and a lot of comedy, you would have the perfect description of The Benjamins Schools production of “The 39 Steps.” “The 39 Steps” is a thrilling, laugh-out-loud play that’s sure to leave you smiling.

“The 39 Steps” originated from a 1935 thriller film written by Alfred Hitchcock that was then adapted by Patrick Barlow and remastered into the play. “The 39 Steps” follows the fascinating story of Richard Hannay, the suave, dashing man with luscious hair. The play is set in London, August 1939, as Mr. Hannay shares his life story before meeting Annabella Schmidt, a secret agent that is on the run. When Annabella is murdered in his apartment, Hannay embarks on a journey to uncover the truth about her death, clear his name, and stop a dangerous spy from succeeding in their devious plot.

David Frear’s portrayal of Richard Hannay is a whirlwind of action, as his character is framed for Annabella Schmidt’s murder, played brilliantly by Sage Sorenson, evades the law, and even finds romance with Pamela Edwards, also played by Sorenson. It is evident that David Frear and Sage Sorenson had remarkable chemistry with one another. These characters were able to maintain high energy throughout the entire show and were ultimately able to lift up the rest of the cast’s energy.

This show was filled with a multitude of characters, all played by 12 actors. It’s no exaggeration to say that Ava Shawe and Ilia Peck were a dynamic duo throughout the entire show. From Mr. Dunwoody and Mr. McQuarrie to Compere and Mr. Memory, these two truly filled the entire theater with laughter. The whole cast had incredible comedic timing; however, it was hard to understand some parts of the story due to the characters thick and committed accents. Fortunately, Frear’s diction and clear speaking was able to clarify the story for the audience, making it a hilarious and unforgettable experience.

Additionally, the use of a minimal set was very effective in getting the audience to use their imagination and to focus on the immense action. The transitions in between scenes were very smooth, and the actors had incredible awareness of what was happening around them. The fast-paced scene changes helped contribute to the on-the-run nature of the plot. During every transition, there was always something going on, keeping downtime to a minimum and ensuring the audience remained engaged. The Benjamin School also incorporated a lot of projections that were able to clarify location and really pay homage to the original film. Unfortunately, there were some times when the projector did seem to fail, but the tech team, led by stage manager Michael Alvarez and assistant stage manager Betsy Farmer, were able to recover quickly and get the projections fixed for the second half. The costumes, led by designer Hailey Cischke and costume assistant Adrea Arendts, and props, managed and collected by freshmen Isabella Anthon and Devin Farmer, were also very effective and time period appropriate. Actors did an incredible job of understanding what each prop was used for and making sure that it was an effective part of the story.

Overall, The Benjamin School put on a hilarious production of “The 39 Steps,” and you really felt like you were transported into a 1935 Hitchcock thriller. There were unexpected twists and turns, and the cast and crew left everyone crying of laughter as they walked out of the theater.

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by Lila De Almeida of Saint Thomas Aquinas High School

Beneath the misty foliage of the Forest of Arden lies a cast of motley fools, love poems posted on tree stumps, and a whole lot of weddings. To kick off this Cappies season, Calvary Christian Academy (CCA) made sure to Shake(speare) it up with their performance of “As You Like It.”

In around 1599, the Bard himself put quill to parchment to craft this comedy (and its complicated family tree). A feud between Duchesses results in one court being exiled to the Forest of Arden, where Rosalind and her best-friend-slash-cousin, Celia, now reside under disguise. Orlando, who is lovestruck for Rosalind, also flees to the forest after learning of his brother, Oliver’s, plot against him. Unknowingly, he confides in the male Ganymede, who is truly Rosalind. A few dramatic reveals and familial forgivenesses later, Orlando and Rosalind, Oliver and Celia, and two more pairs of forest folk are married and welcomed back into the court.

“All the world’s a stage, and all the men and women merely players–” except, of course, for Lily Shein and Aliyah Kallioinen, who went beyond just “players” to truly become Rosalind and Celia, respectively. Shein’s engaging inflection and comedic timing oozed conviction in her role, skillfully avoiding the trap of reciting the antiquated language. Similarly, Kallioinen’s facial expressions and diction drew the audience into the gal talk happening in the forest. The heartfelt chemistry between the actresses was remarkable, whether said aloud or communicated through body language.

The entire cast excelled in utilizing the space of the in-the-round performance area, but Jesse Oliva (Orlando) and Lucas Crossley (Charles) exhibited exceptionally dynamic physicality. The choreography of the wrestling scene between the two must be commended for its complexity and execution. Oliva, as Orlando, also expertly demonstrated brotherly bickering with Oliver (Jadon Wooddell). Oliva’s awkward facial expressions and smitten behavior in interactions with Rosalind prompted plenty of laughs. Wooddell’s characterization was consistent, and his love-at-first-sight moment with Celia was both heartwarming and believable.

The use of an in-the-round theater structure made the show especially intimate, and CCA’s meaningful blocking allowed for each audience member to experience the performance from a unique perspective. The student stage management stood out for precise lighting cues reflecting the action onstage. Although the colors of the lighting successfully contributed to the mood of the forest, it was difficult to distinguish where certain scenes were taking place, since set pieces were fixed.

The production also boasted a strong ensemble, who entered and exited the stage with convincing chatter that advanced the ambient sound in the space. These valuable cast members were excellently led by Desi Sewell-Browne as Duchess Senior, the embodiment of a matronly, calm figurehead. Additionally, the inclusion of live instruments onstage, such as a ukulele, tambourine, and horn, further fostered the folksy atmosphere. Although the interactions between characters were energetic and organic, the occasional lack of diction or pause for laughter led to some lines losing their moment.

Even if you were “sans teeth, sans eyes, sans taste, sans everything,” you could feel the love onstage at Calvary Christian Academy’s production of “As You Like It!”

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by Mia Wilson of Cooper City High School

“All the world’s a stage” as Calvary Christian Academy puts on an incredible performance of “As You Like It!”

“As You Like It” was written by the world-renowned playwright William Shakespeare around 1599. This pastoral comedy surrounds many love stories connected through themes of disguise, family and exile. The central story occurs between Rosalind and Orlando as they experience love at first sight and find their way back to each other in the Forest of Arden after getting banished. Through Rosalind’s disguise, Ganymede, she orchestrates a plan to marry Orlando with the help of her cousin Celia. During this process, she meets many new people and learns more about love along the way.

Lily Shein (Rosalind) did an outstanding job portraying the contrast between her female role and male cover. Her use of vocal inflection and tone created a layered character. Her chemistry with love interest Jesse Oliva (Orlando) radiated as they used strong eye contact and body language to create a passionate lust between the two. Oliva also perfectly used his facial expressions and characterization to illustrate the feeling of love at first sight.

Aliyah Kallioinen (Celia) had a sensational stage presence. Her attention to detail with every movement and commitment to character kept her consistent and authentic. Her comedic timing was impeccable and her use of small gestures gave outstanding comedic relief. Her dynamic relationship with Shein illuminated the audience as they created a light and humorous duo. Their comfort on stage and undeniable friendship led to a connection that was upheld throughout the whole story. Jay Lopes-Silva (Touchstone) had fantastic physicality as he embodied the whimsical jester. His storytelling ability was immaculate and very enticing.

As a whole, the entire ensemble created the environment of the forest flawlessly. Through interactions with audience members and playing many characters, they created an immersive experience. They nicely executed the in-the-round setting as they played to every side of the audience and stayed in character through all angles. Despite some diction issues, their ability to tell the story while using Shakespearean language was extremely impressive. A standout member of the ensemble was Desi Sewel-Browne (Duchess Senior). Her confident energy created a strong maternal figure that stayed consistent throughout the show.

Led by Charleigh Huisman, the stage management team, including Wesley Maye, Josh Godbey, Nicolette Suarez, did a fantastic job keeping the story alive by calling up to 237 cues and designing sound that perfectly encapsulated the moments. Huisman’s timing and execution of cues was fantastic. In addition to this, Maye’s sound design created a cohesive story that paired extraordinarily with the other aspects of the show. The use of modern songs relating to each scene made the story easier to follow and fun to watch.

Calvary Christian Academy’s outstanding production had everything you could wish for just “As You Like It!”

 

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by Sam Dyer of NSU University School

Beneath the canopy of the Forest of Arden, with quaint audience gathering ‘round, muted mist rising from the ground, and sweet sounds of ukulele and tambourine filling the air, the cast and crew of Calvary Christian Academy’s “As You Like It” gave new life to a centuries-old classic!

A comedy of music, marriage and mistaken identity, “As You Like It” is a play by the English playwright William Shakespeare. Written approximately around 1599, the story follows cousins Rosalind and Celia as they are banished to the Forest of Arden, where meetings and mishaps lead them to true love. To put a new spin on this tale, the players performed their production in-the-round with the audience on all four sides, bringing them closer to the text.

Despite her intents, no disguise could hide the remarkable talent of Lily Shein, who portrayed the lovestruck Rosalind. Through fluid expressions and a firm grip on Shakespeare’s language, Shein made Rosalind a convincing character whether she was woefully pining for her lover Orlando or slyly tricking him into believing she were the male shepherd Ganymede. This Orlando was brought to life by Jesse Oliva; switching between commanding champion and yearnful valentine, Oliva delivered a dynamic performance that stole both the hearts of Rosalind and the audience!

Supporting Rosalind in her journey towards matrimony was Celia, played by the outstanding Aliyah Kallioinen. From entrance to exit, Kallioinen captivated the audience with humorous physicality and ditsy delivery. Often, Kallioinen paraded the art of playing the space; commendably, she conveyed moments to the entire audience rather than one side of the theater, engaging each person with undeniable expertise for her craft! The delightful chemistry between her and Shein also emphasized the actresses’ range. Their bond as cousins created compelling interactions whether they were fearing their banishment or gallivanting for love!

Under these greenwood trees, this production was held together by an effervescent ensemble of forest folk and motley fools! While each ensemble member certainly brought energy to moments of jovial dancing, some brilliantly took extra steps to stand out. Heed Duchess Senior, for instance, who was played by Desi Sewell-Browne; through poise and presence, she asserted a motherly leadership over the rest, highlighting her each time she graced the stage.

Within the blossoming Forest of Arden was a grove of grand technical achievements! The Stage Management team (Charleigh Huisman, Nicolette Suarez, Wesley Maye, & Josh Godbey), for example, called each of their 237 lighting and sound cues on time with seamless action, allowing for the actors to flourish in the sun. Additionally, the Sound team (Wesley Maye & Charleigh Huisman) filled the atmosphere with fitting animal ambiance and subtle bardcore covers of pop culture classics. While the latter sometimes distracted from the story unfolding, their choices nevertheless added an extra layer of laughter to an already impeccable comedy!

All the world’s a stage, but the players of Calvary Christian Academy’s “As You Like It” make life a performance worth watching for forever and a day!

 

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by Sydney Lotz of Marjory Stoneman Douglas HS

What happens when Shakespearean dialect fuses with Taylor Swift’s greatest pop hits? None other than As You Like It, where Calvary Christian Academy brings a traditional tale of love and disguise to life, wrestling with the complexities of true love that lies deep within the whimsical wilderness.

First published in 1623, As You Like It is a pastoral comedy written around 1599 by The Bard himself, William Shakespeare. After being banished from the court, Rosalind disguises herself as a young man and escapes to the Forest of Arden alongside her cousin Celia. There, she reunites with Orlando, who has fled his brother’s evil plot, and, unaware of her true identity, confides his love for her. This sets off a clever and playful romance, full of love lessons, new friendships, and culminating in the quintessential Shakespearean ending: a grand wedding!

Lily Shein delivered remarkable stage presence embodying Rosalind, captivating the audience through impeccable comedic timing aided by dynamic physicality, witty vocal inflections, and characterized facial expressions. Her chemistry with Jesse Oliva (Orlando) was brilliant, as Oliva expertly balanced flawless diction with the complex dialect, perfectly portraying the love struck character with great depth and understanding. Shein also shared a strong familial bond with Aliyah Kallioinen (Celia), whose immersive physicality and expressions heightened the show’s comedic energy and seamless storytelling.

While some performers struggled with the pacing and diction of this Shakespearean text, Angelina Uzdavines (Jacqueline) showcased her remarkable skill in all aspects. Uzdavines brought an impressive level of physicality and comedic timing to her engaging storytelling. Jay Lopes-Silva kicked off his portrayal of Touchstone with an impressive flip and cartwheel, captivating the audience with his expressive movements and vocal inflections that perfectly complemented his character’s wit and humor. Overall, the ensemble delivered a fantastic performance, effectively crafting backstories for their characters and breathing life into the 4-walled stage in the round.

Despite the daunting 237 sound and lighting cues, stage managers Charleigh Huisman, Nicolette Suarez, Wesley Maye, and Josh Godbey executed each one with flawless precision and impeccable timing. From the subtle ambience of sheep noises to funky modern hits featuring Taylor Swift, Britney Spears, and Shakira, the team effortlessly wove the soundscape into the performance, allowing the audience to easily piece together the shows context with song titles. While there were occasional moments when sound cues slightly overpowered the actors’ voices, the design and execution remained precise with a high degree of professionalism throughout.

With beats so true and swift of pace, where every cue found perfect grace. Calvary Christian Academy shone so bright, in As You Like It, love’s essence filled the night.

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by Abby Goldberg of Cooper City High School

Calvary Christian Academy’s charming production of “As You Like It” transported audiences to the mystical Forest of Arden, where the only thing that’s certain is life’s unpredictability.

Written by William Shakespeare in the late 16th century, “As You Like It” is a timeless pastoral comedy. The show follows Rosalind and her cousin Celia, as they seek refuge after being banished from their families’ court. Disguised as Ganymede and Aliena, the two escape to the Forest of Arden where friendships and love bloom in the most unexpected ways. Exploring themes of romance, identity and disguise, “As You Like It” tells a collection of intertwining stories, teaching a captivating lesson of the transformative power of love.

Possessing a quick-witted mind and a courageous heart, Lily Shein’s portrayal of Rosalind exuded nobility. From strong line delivery to subtle mannerisms, she demonstrated clear understanding of her character, effortlessly bringing her to life. Shein’s dynamic performance showed great range, as she hilariously shifted between Rosalind and Ganymede with ease. She had remarkable chemistry with each character she encountered, most notably Jesse Oliva. As Orlando, Oliva’s boyish spirit and clear expressions made for an entertaining performance. Together, Shein and Oliva created an authentic relationship, capturing the playful nature of the lovestruck characters.

Embodying Celia, Rosalind’s cousin and partner-in-crime, was the talented Aliyah Kallioinen. Her impeccable comedic timing and lively facial expressions conveyed vibrance in every scene. With a natural connection, Kallioinen and Shein exhibited chemistry that was both heartfelt and engaging. Portraying the colorful Touchstone, Jay Lopes-Silva brought hilarious comedic relief to the audience. He displayed exceptional storytelling abilities and an energy that never faltered throughout the performance. Led by Duchess Senior, eloquently portrayed by Desi Sewel-Browne, the ensemble of folk amidst the forest brought life to the stage through their genuine interactions and captivating use of on-stage sound effects.

The cast as a whole must be commended for their outstanding performance. Although at times they struggled with diction and flow, their high energy and well-developed characters radiated enthusiasm and depth. The cast also remarkably conquered the difficult task of “performing in the round,” skillfully remaining immersed in each scene. A standout amongst the cast was Ryan Columna Melo as William. Although his time on stage was short, his effortless comedy and impressive accent made for a lasting impression.

The stage management team, led by Charleigh Huisman, deserves high praise for their exceptional work. Despite working with an audience on stage, Huisman executed both lighting and sound cues with incredible smoothness, masterfully managing over 200 cues. Her skill and professionalism allowed the show to flow with seamless precision.

If “all the world’s a stage,” then the cast and crew of Calvary Christian Academy’s “As You Like It” proved some of the most memorable performances unfold within their auditorium.

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by Annie Frischkorn of South Plantation High School

 

Through an inspiring journey of self-discovery, where identities shift like the seasons and the boundaries between truth and vulnerability blur, love blossoms like spring flowers in the ethereal Forest of Arden. This enchanting vision is brought to life in the remarkable performance of Shakespeare’s classic As You Like It at Calvary Christian Academy.

As You Like It, written by William Shakespeare in the late 16th century, is a timeless romantic comedy set in the enchanting Forest of Arden. Premiering sometime around 1599-1600, the play explores themes of love and identity as Rosalind, disguised as Ganymede, navigates the complexities of romance and friendship. The vibrant forest serves as a symbol of liberation from societal constraints, inviting characters and audiences alike to embrace their true selves. This beloved classic continues to inspire countless adaptations, resonating with audiences across generations.

Every actor brought an alluring presence to the stage, weaving their Shakespearean lines into a tapestry of natural flow and charm. While a few may have stumbled occasionally, the overall performance was truly mesmerizing. Lily Shein’s portrayal of Rosalind was captivating, drawing the audience into her world, while her chemistry with Orlando, played by Jesse Oliva, perfectly captured a whirlwind of emotion and clarity. Aliyah Kallioinen’s comedic moments as Celia sparkled with laughter, showcasing the challenge of delivering Shakespearean humor with delightful timing. Despite the complexities of the text, the cast masterfully maintained comedic rhythm throughout, enveloping the audience in warmth and sincerity. The entire performance felt like a heartfelt journey, leaving a lasting impression in its wake.

The forest folk enriched the mythical ambiance of the show, infusing it with a sense of wonder and magic. Each character was imbued with depth, as they reacted naturally to the main events unfolding around them. Their vibrant personalities developed in the background, creating a dynamic tapestry of life. This lively ensemble not only complemented the primary narrative but also captivated the audience, drawing them further into the enchanting world of the play. Their subtle interactions and expressive presence transformed the stage into a truly lively experience, making the forest feel alive with stories waiting to be discovered.

The immersive 360-degree set transported you into an enchanting experience, richly detailed to evoke the magic of the Forest of Arden, allowing you to feel as though you were truly wandering through the woods. But with its seamless design, it occasionally became difficult to discern any other locations. The lighting and sound cues were expertly timed by Stage Manager Charleigh Huisman, enhancing the spellbinding atmosphere, though there were minor delays in turning on some microphones. Nonetheless, the stage management was exceptional, ensuring a captivating journey through this delightful tale.

Sometimes, we must lose ourselves to truly be found, and the cast and crew at Calvary Christian Academy did just that, capturing this experience with remarkable authenticity in their performance of As You Like It.