The line in the legal play A Class Act, ““For the right money, I’d settle with Hitler,” stands out as much as it does because the virtuous play and JCAT’s heavy-handed production are otherwise absent this moral slipperiness, favoring a reductive arc of cardboard villains earning their comeuppance.
In an exceedingly timely appearance, Island City Stage mounts a scathing production mirroring current tumult about race in America — a taut, intense, drama The Niceties.
Theatre Lab invests its growing expertise in multi-media theater performance in Vanessa Garcia’s premiere of Ich Bin Ein Berliner, a heartfelt memoir of a Cuban-American girl who grows up perceiving a growing, resonance between Berlin escaping Communism when the Wall fell in 1989 and the unrealized-as-yet dream of Cuba escaping Communism.
A superb evocation of the soul of Emily Dickinson from actress Margery Lowe and director William Hayes marks the video co-production from Palm Beach Dramaworks and Actors’ Playhouse of The Belle of Amherst, filmed from live performances.
As live arts and entertainment return in fits and starts, and our culture continues its tortoise crawl toward normal, one thing has become apparent: Face masks may be vital in impeding the spread of COVID-19, but they equally hamper the spread of comedy. The debut of Zoetic Schmoetic showed the more physical the show becomes—the more the actors’ bodies, not their voices, drive the storytelling—the better it gets.
Most biographies factually mirror the life and times of their subject in a chronological narrative. But few mirror the complexity and structure of the subject’s own work with the stunning faithfulness of Hermione Lee’s exhaustive and exhausting epic examination of one of the greatest playwrights in English or any other language, Tom Stoppard: A Life.
Every emotion associated with pregnancy and pending parenthood is present in the 95 minutes of Hannah Manikowski’s smart and promising play Compensation. In fact, most of them appear on the playbill cover photo for Island City Stage’s world-premiere production, an image that encapsulates the disconnected expectations that propel the drama.
Area Stage revives its imaginative 2018 production of Shrek the Musical as conceived, directed and designed by Giancarlo Rodaz, but with mostly new cast members, on an outdoor stage near its new home at a shopping center.
It was only a matter of time until one of South Florida’s most experimental companies would find a way to produce theater outside of a theater. Nine months into a pandemic, the sheer existence of Miami New Drama’s experiential short-play collaboration 7 Deadly Sins feels as surreal as it is miraculous.
MNM Theatre Company’s filmed cyber-distributed pandemic production of Closer Than Ever needs no excuses, no politely lowered expectations. Just as it would if produced live in an intimate venue, this effort mesmerizes and moves with the emotional power of performers acting this song cycle rather than performing them as if they were in a cabaret setting.