Reviews
Rising Action’s amateurish “Fit To Be Tied” unfit for any stage
David Goldyn, producing artistic director of Rising Action Theatre, has a talent for creating theatre spaces. His previous storefront location in Oakland Park had a decidedly non-strip mall intimate ambiance. His new space on the Sunshine Cathedral campus in Fort …
“Pandemonium” makes a beautiful noise at Arsht Center
If you close your eyes, the music wafting from the Arsht Center stage occasionally sounds as if an orchestra of oboes and trumpets is playing. But for most of two hours, Pandemonium delivers a glorious symphony of banging, slapping, toots, …
Amid the cliches, “bare” offers a breakout performance
The Carbonell Award limits eligibility to shows that run a minimum number of performances so the judges can see it. That’s the only thing keeping dynamic Marissa Rosen from nabbing a best supporting actress nomination for her turn in an …
Mosaic scores with manic movie madness
In the darkness, an announcer intones in movie-trailer voice, full of cultural import and dire portent: ‘From Akira Kurosawa and Walt Disney comes . . .’ A spotlight hits a bearded man wearing full Snow White regalia. Then the light …
New Theatre’s uneven “Tempest” lacking command at the eye of the storm
One joy of Shakespeare is his sublime language, but mastering the words is only the starting point for any staging. When pressed for rehearsal time, a cast might worry less about conquering the poetry and more about bringing truth to …
Herman’s “Mack and Mabel” sparks musical magic at Stage Door
The real-life story of director Mack Sennett and actress Mabel Normand is the stuff that movies–and musicals–are made of. Their romance, and the scrappiness of the silent movie era, are brought to vivid life in the Stage Door Theatre’s production …
“Evil Dead The Musical” is a bloody great time
Demonic dismemberment is played for laughs in Evil Dead The Musical, the stage homage to the cult horror movie franchise, which kicks off the sixth season at the Promethean Theatre in Davie. ‘You’re not going to learn a thing tonight,’ …
GableStage’s harrowing “Fifty Words” speaks volumes about marriage
People are work. Relationships are serious work. Marriage is’ . . . well, marriage is what is so incisively depicted in the harrowing domestic drama Fifty Words, given a superb opening-night performance Saturday night in GableStage’s season-closing production. The disintegration …
Caldwell’s historical romance proves less than mesmerizing
It is difficult to tell whether Joel Gross’s script for the world premiere of The Comfort of Darkness is as ham-handed as it sounded Friday night at the Caldwell Theatre. More likely, its modest virtues were flattened by the two-dimensional …
“Wicked Sisters” proves a muddled mix of comedy and drama
Australia is home to strange creatures that seem pasted together: the cuddly but prickly koala, the grounded emu and the duck-billed platypus. None are as strange an ill-fitting hybrid as Alma De Groen’s play from down under, Wicked Sisters, seen …

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