The primary pleasure of Slow Burn Theatre Company’s run at the legendarily miserable (but subsequently overhauled) musical Carrie is enjoying how glowing talent, unbridled earnestness and total commitment provides a worthy reason to watch what remains a flawed piece of raw material.
Teo Castellanos’ solo work Third Trinity, a commissioned work by Miami Light Project, is bold in its presentation, mostly because it’s an autobiographical story of Castellanos’ growing up — a story that, when said aloud, is like something out of a movie. Castellanos thought that too.
The Plaza Theatre in Manalapan declared bankruptcy and closed its doors Friday on the day that it was poised to begin its third season due to a precipitous drop in ticket sales and an inability to attract wealthy underwriters.
They know. It seems beyond hubris for Slow Burn Theatre to mount a musical whose debut has become a catchphrase for famous flops, as in “Not since Carrie has there been such a theatrical disaster.” But they think the reworked piece has virtues worth saving.