By Bill Hirschman The future of the Arts Garage in Delray Beach is in serious jeopardy, its executive director said, because of a nearly depleted cash flow, crucial operating funds being withheld by a funder and an impossible-to-meet March 15 …
At the marrow of Eugene O’Neill’s masterpiece Long Day’s Journey Into Night at Palm Beach Dramaworks is its compassionate sorrow that the ultimate human tragedy is the death of hope. The final tableau of four devastated souls irrevocably adrift in the fog-bound damnation of inescapable failures and unconquerable frailties is an endgame so harrowing that the audience can hardly breathe.
It might drip with sentimentality, but Riverside Theatre’s Over the River and Through the Woods will nudge out a few tears and win you over, due in no small part to the handsome and well-acted production.
The world premiere of Miamian Sandra Riley’s badly flawed Footprints at New Theatre clearly establishes the playwright’s deep love and extensive research into the early history of South Florida and the efforts of a real-life married couple to preserve its natural wonders over 35 years. But theater is not a history lesson, even when taught through the lives of loving creative souls who encourage each other’s dreams.
Actors’ Playhouse pulls out all the stops to mount its annual winter centerpiece production. Director David Arisco molded a troupe of actor-singer-dancers who deliver a vibrant evening remarkable for its prolonged sections of power and verve.
Sometimes, as with Marquee Theater’s Jekyll & Hyde, the performances are so powerful that you forget the material isn’t worthy. Wildhorn’s pop-infused power ballad-addicted aesthetic divides fans. But there’s no ambivalence in this company’s enthusiasm and strong performances of Ben Sandomir in the title roles and, Alexandria Lugo as Lucy, the hooker-with-a-heart-of-gold and vocal-chords-of-steel.
If Arthur Miller were also a doctor on the side, he might have written a play like Unlikely Heroes. A family drama full of long-harbored resentments and new ones stemming from intimate secrets revealed, this world premiere on view at Boca Raton’s Mizner Park Cultural Arts Center also hinges on a potentially fatal condition that will require an organ donation
Arts Garage’s Reborning is a thought-provoking work hints at many weighty topics—the anxieties of pending motherhood, the conflicting desires to both nurture and destroy, the futility of trying to re-create what is lost—but none are fleshed out to a degree of dramaturgical satisfaction.