Dan Kelley, the tall rubber-faced actor-director who has been a fixture in South Florida musicals for nearly 30 years, has been named artistic director of Broward Stage Door.
The Wick Theatre’s production of A Funny Thing Happened On The Way To The Forum benefits from Stephen Sondheims’s score and lyrics, but the cast and director need to inject more vaudevillian humor to overcome the material’s inherent sexism,
Awash in issues of Arab-American assimilation and Anglo antipathy, GableStage’s Disgraced is the classic contemporary example of the topical, thought-provoking drama that forces you to revalidate, even reexamine your perception of the tumult around us.
If you like your theater schematic, clear-cut and requiring little cogitation, you will absolutely hate A Map of Virtue. But if you don’t mind wrestling with a production while it’s underway, if you enjoy trying to dope out what it meant on the ride home, then Thinking Cap’s production may well intrigue, perplex and unsettle you if you let it.
Broward Stage Door’s earnest intriguing revival of Promises, Promises embraces its up-to-the-moment pop score for 1968, a witty and insightful script, frenetic choreography that caught the zeitgeist of the time, and some deceptively subtle performances to become a wildly-popular hit just as the social fabric of the country was in transition.
By Bill Hirschman It’s Stephen Sondheim redux for veteran Broadway actor Ken Jennings, although a bit backwards. It might seem a long, long stretch for the man who created the mentally challenged apprentice Tobias in Sondheim’s pitch-dark blood-red musical Sweeney …