White Guy on the Bus at GableStage is a merciless dissection of race relations in the 21st Century, but stunning plot twists prevent us from explaining much further than a wealthy white businessman strikes up an acquaintanceship with an African-American nursing student on a bus. But superb performances and a fierce script make this a don’t miss.
Area Stage Company’s Cabaret underscores how this warhorse musical still serves, not as a cautionary tale, but as a flat out warning to our current socio-political climate: The production’s fresh vision forces even veteran audiences to appreciate the aforementioned themes with renewed discomfiture.
It’s almost paternalistic to praise New City Players as one of the gutsiest theaters in the region. But with its carefully-wrought and moving production of Constellations, the Players have outgrown the well-meant but limited expectations that arts patrons have of a so-called “fledgling theater.”
No one could accuse the cast of Shorts Gone Wild 6 of being low energy. They spend the production’s interstitial moments cartwheeling, performing splits, engaging in slapdash chicken dances, telling jokes, winking through bawdy double entendres. But most of the plays are less memorable than their spirited introductions.
Unsung heroes who provide outstanding service behind the scenes in local theater will receive recognition this year from the South Florida Theatre League’s 2018 Remy Awards.
When Elena Maria Garcia, one of the finest comediennes in the region, and Stuart Meltzer, one of the finest directors, team up to co-write Fuácata! (Or a Latina’s Guide to Surviving the Universe) at Zoetic Stage, it’s cause for celebration.
Worse than Spiderman Turn Off The Dark, the mega-epic The Big Bang may be the most bloated, overwrought, inept, politically incorrect, painfully lame, downright stupidest musical of all time. That Big Bang would be the imaginary extravaganza being hawked at a fictional backer’s audition, not the identically-named romp now at Actors Playhouse and just as delightfully daft and demented as it was there in 2003 and 2005.
If you’re over 40 and you heard that some theater was reviving that chamber musical I Love You, You’re Perfect, Now Change… come on, you said, “Again?” So here’s the really good news: The venerable work about male-female relationships has been updated and overhauled in MNM Theatre’s vibrant production.