Latest Articles

  • Report From New York: A Terrifying Portrait Of Dementia In The Waverly Gallery

    If you are or have been the caregiver to a senior suffering with dementia, delusions and/or Alzheimer’s disease, the revival of The Waverly Gallery is a pain-riven reminder of the mutual agony. If you aren’t in that dilemma yet, be assured that this production featuring an unforgettable performance by Elaine May is a precise preview of the agony to come.

  • Buyer & Cellar: The Price Of Celebrity And Celebrity Worship

    Jonathan Tolins’ satirical Buyer & Cellar provides a steady supply of giggles and guffaws in this tale about an actor hired by Barbra Streisand to staff in shops that she built in the basement of her estate’s barn in Malibu. But Island City Stage’s production, while certainly funny, lets us view Tolins’ more serious glimpses of just how different life is for celebrities cut off from the real world.

  • Pull The Wig Down Off The Shelf With Slow Burn’s Hedwig

    Slow Burn Theatre hembraces this glam/grunge rock musical headlined by a protagonist who suffered a botched sex-change operation. It’s an in-your-face raunchy celebration of alternative sexuality, a show that recognizes absolutely no bounds and revels in it.

  • The Report From New York : King Kong’s Beast Is Amazing; The Musical Not So Amazing

    “Amazing” is a word you don’t read in too many theater reviews. So keeping in mind that it’s well-considered use here requires a lot of contextual “yets” and “buts,” King Kong is amazing, both the creature and the show. Its flaws and shortcomings as a musical are impossible to ignore, but as spectacle and entertainment, it’s hard to deny that King Kong is a jaw-dropping experience.

  • Thinking Cap’s King Lear Is A Study In Imagination

    Peter Wayne Galman in Thinking Cap Theatre’s production is a likeable Lear. He’s also narcissistic, ego-centric, driven, demanding, confused, playful and timeless. It helps that Galman delivers William Shakespeare’s poetry like the masters – think Ian McKellen, Sir John Gielgud. There isn’t a word that isn’t sacrosanct. He relishes the work, and, in turn, audiences will, too.

  • Report From New York: American Son Is Powerful Meld of Racial Strife And Parenting

    The publicity for Christopher Demos-Brown’s racially-charged play on Broadway, American Son, has focused on its inescapable resonance with the zeitgeist – a virtue championed by its star, Kerry Washington. But what Demos-Brown wrought is a fusion of the intense racial issues with the universal terror of parents struggling to prepare a teenager to graduate into an antagonistic and unforgiving world.

  • FGO’s Authentic La bohème; Results Are Perfect Puccini

    Florida Grand Opera’s presentation of La bohème is authentically true to Puccini’s original right down to the pink bonnet. Besides an impressive visual production, this would still stand because of the incredible matchups of the performers.

  • Maltz’s Steel Magnolias Wilts

    The perennial tear-jerking Steel Magnolias, now at the Maltz Jupiter Theatre ought to work, but doesn’t succeed this time.. But those objectivity. Those seeking theater that provokes or stimulates, that questions our biases or expands our worldviews — catnip to critics and adventurous audiences — will find little nourishment in Robert Harling’s provincial 1987 dramedy.