Theater buffs are the easiest people to shop for on your holiday list, as our Brad Hathaway proves in his annual roundup.
Any production of Gypsy that spotlights Ann Marie Olson’s golden voice can be forgiven nearly anything. But otherwise, much of this production is as thin as the tinny tracks and high school quality scenery, and sits there as unenthusing as Electra’s intentionally lackluster bump-and-grind.
A low-rent motel room on the edge of the Mojave Desert has never been more claustrophobic—nor more intense—than the shabby one in which three people collide against each other in Sam Shepard’s 1983 Fool for Love, getting a superb revival by the Manhattan Theatre Club at the Samuel J. Friedman Theatre.
Nine people who have changed the face of South Florida culture will receive the South Florida Theatre League’s Remy Awards at the League’s annual holiday celebration on December 7 in Fort Lauderdale – the same event during which the Silver …
Susan J. Westfall’s Two Weekends and a Day at New Theatre is a classic example of a world premiere that has admirable virtues worth exploring further, but a serious need for more re-tooling.
Like a spinning gem with an infinite number of glittering facets, GableStage’s kaleidoscopic production of Constellations is an outstanding achievement in playwriting, direction and some of the most skilled acting you may see this season.