Most critics despise adding a letter grade to their review. But watching Broward Stage Door’s admirable production of A Chorus Line kept bringing up over and over the idea of a “B” and what that means. That’s not any kind of insult. In fact, given Stage Door’s resources, it’s a genuine compliment.
Lanford Wilson’s wistful and whimsical play Redwood Curtain postulates that the past we stock our psyche with becomes something integral to our being that has to be faced down if we are to move beyond it. It gets a well-meaning outing from the fledgling Primal Forces Production. It’s an intriguing evening that starts the brain cogitating about the themes, but as theater it doesn’t land solidly.
More than a decade after efforts began to rescue the financially failing Coconut Grove Playhouse, the Miami-Dade County Commission voted to hire an architect to design a $20 million theater complex and approved signing a long-term agreement with the existing GableStage to operate and manage the facility.
In theory, Vita and Virginia details the relationship between Virginia Woolf and Vita Sackville-West. But the real romance is a profligate, glorious love affair with words, with language, with literate expression.
Superb performances luxuriate like bodies lounging on the elegant chaises in Thinking Cap Theatre’s measured production.