Raw. The same carefully chosen adjective emerges in separate interviews with the two leading actors and their director to describe Equus, the shattering drama they are rehearsing for an opening this weekend at Palm Beach Dramaworks.
Daimien J. Matherson and his new South Florida theater company Measure for Measure are finally about to put an undesired nickname — and Hurricane Irma — behind them Almost exactly eight months after the storm invaded South Florida, they’re ready to forget about the storm that postponed their original debut production.
Emily Dickinson is huddling in her bed when Edgar Allen Poe barges into her bedroom pulling his coffin behind him. This is even stranger than it sounds since Poe is believed to have died about 15 years earlier. Such is opening of the world premiere, Edgar and Emily, opening this weekend at Palm Beach Dramaworks.
Audiences sitting down this weekend to see Palm Beach Dramaworks’ production of the venerable play On Golden Pond will get a visual shock. It’s intentional, but not quite as originally planned.
Christopher Demos-Brown has a world premiere Friday of Wrongful Death And Other Circus Acts at Zoetic Stage, but his play American Son is slated to open on Broadway in November.
One pleasure of a theater critic’s job are these year-end retrospectives that require looking back at reviews and be reminded, “Oh, yeah, that was really great. And right, there was that. And how could I forget that one?”
Some works of art are born in a long gestation period of mulling almost in the unconscious; others leap gloriously to life in an exultant flash that is one of joys of being a creative person. Billy and Me, Terry Teachout’s play about the relationship between playwrights William Inge and Tennessee Williams premiering this month at Palm Beach Dramaworks, is both.
Tune will headline a one-night-only benefit concert Nov. 18 for the Maltz Jupiter Theatre and its education programs. The theater hired a ten-piece orchestra and re-orchestrated the more modest score that Tune has been using in a recently reconstituted tour. He will also provide a master class for students earlier in the day.
With genuine uncertainty of how successfully it will play, Miami New Drama artistic director Michel Hausmann keeps calling his unique undertaking “an experiment.”
He’s mounting Our Town with one little twist: In his turn-of-the-century New Hampshire village of Grovers Corners, some families speak English, some speak Spanish, some speak Creole.
Greed. Sexism. Conscienceless businessmen. Blackmail. Rebellious youth. Women fighting to break the glass ceiling. Women using sex to manipulate men. Bank embezzlement. Even murder. No, not the latest installment of The Real Housewives. It’s Palm Beach Dramaworks’ revival opening this week of The Little Foxes.