Features

2021-22 SoFla Theater Will Be A Season Of Asterisks (Part 3 of 3)

The show will go on for South Florida theater, but 2021-2022 will be a season of asterisks, what ifs and when. In a three-part series, we talk to artistic and managing directors about why this season will be unlike any other: from COVID to diversity. While local theaters survived the past 17 months the coming season may determine whether every Florida company will still be here a year from now.

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2021-22 SoFla Theater Will Be A Season Of Asterisks (Part 2 of 3)

The show will go on for South Florida theater, but 2021-2022 will be a season of asterisks, what ifs and when. In a 3-part series, we talk to artistic and managing directors about awhy this season will be unlike any other: from COVID to diversity. While local theaters survived the past 17 months the coming season may determine whether every Florida company will still be here a year from now.

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2021-22 SoFla Theater Will Be A Season Of Asterisks (Part 1 of 3)

The show will go on for SoFla theater, but 2021-22 will be a season of asterisks, what ifs and when. In a three-part series, we talk to artistic and managing directors about why this season will be unlike any other: from COVID to diversity. While local theaters survived the past 17 months the coming season may determine whether every Florida company will still be here a year from now.

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The Ingenue Of Theatre Lab’s Next Show Is …. Well, Unusual

Not exactly svelte, and, yes, her taste in clothing leaves a bit to be desired, her grooming is decidedly askew and her gait will never be described as slinky. But the lovely Jess will likely score as the most memorable ingénue in South Florida in the coming season.

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Studying Themselves Instead Of Lines, SoFla Artists Look At Lessons From Pandemic

Many artists define themselves by a calling that relies on faith that their art form will always be there. But in 2020, the foundation of their sense of who they were and what they believed made their lives worthwhile vanished. They were forced into introspection about the primacy of their profession and their art in their lives. Here, they reveal what they learned about South Florida theater and especially themselves.

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Story of a Life Traces Harrowing Journey of Alzheimer Caregivers

It’s an obvious truism that most theater art – from dialogue to the lighting design – is partly a product of the artists’ past experience. But playwright-director Amy London’s Story of a Life, a harrowing examination of generations caring for loved ones suffering from Alzheimer’s disease, is ripped directly from the marrow of her own painful past.

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8 Actors, No Kids: Area Stage To Bow ‘Annie’ Like None Other

For its next professional production, South Miami’s Area Stage Company promises the musical Annie “like you’ve never seen before” later this month. It’s set in a speakeasy, has eight adult actors doubling and tripling parts, Miss Hannigan is a man in drag — and there are no children.

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M Ensemble’s Hosts A Cowboy John Wayne Never Knew

In Cowboy, the new dramatic play opening in June at M Ensemble in Miami, the gun-totin’ U.S. Marshal Bass Reeves, traditionally garbed down to the required Stetson, strides through the double doors of the saloon, secretly on the trail of two wanted criminals. But there’s a slight difference from the oaters in which Sheriff John Wayne restored justice to a sleepy town.

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“It’s a Marathon, Not a Sprint,” Assures New Leader At GableStage, Bari Newport

It doesn’t take five minutes, maybe barely a minute talking to Bari Newport to realize why she was selected to be the producing artistic director at GableStage. Her voice and her words exude energy, vitality and imagination as she faces the considerable challenges of taking the position left by the death of Joseph Adler, and not just keeping a venerable institution alive during a pandemic but looking ahead at growing it.

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Theatre Lab Offers ‘Berliner’ 3 Ways Including Live – Sort Of

Imaginative theatricality has imbued Theatre Lab’s projects, but this month’s just-outside-the-box venture is breaking the traditional paradigm even further. The premiere of Vanessa Garcia’s Ich Bin Ein Berliner offers three different ways to experience the same raw material, including a live in-person presentation — of sorts.

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