In this tarnished time of disaffection, divisiveness and abandoned ideals, the synergistic resonance of the musical Man of La Mancha is more than a welcome opportunity for director Bruce Linser. The hope-laden messages of aspiration for a better world could not be more timely than this month when MNM Theatre Company mounts the classic musical at the Kravis Center.
It took a crushed femur for Boca Raton resident Bonnie Logan to find her passion – writing for the stage. Indeed, if Logan hadn’t broken the thickest bone of the human skeleton, she wouldn’t be preparing to mount her first theater piece, Boca Bound: A New Musical. The world premiere run from Sept. 19-22 at Boca Raton’s Wick Theatre.
Growth and evolution occur across an arc, but when you’re living through the middle of it, sometimes it’s difficult to realize we’ve reached a new level. On top of one of the most memorable seasons in South Florida theater’s history, the coming season – its courage, its ambition, its diversity in every sense of the word — may qualify as one of those benchmarks.
Anticipation is one of the real joys of scanning a coming season. What follows is a completely subjective and personal list of titles we’re looking forward to (besides the return of Hamilton), some because the material is so good, some because the troupe has a strong track record, some because the premise sounds interesting.
What follows is a partial list of shows listed by producing company or venue from school auditoriums to strip malls to shipping containers to 1,000-plus seat houses. It’s as complete as we could make it contingent on the cooperation of the theaters although several companies did not respond to a request for a schedule.
Hialeah-born actor Nick Duckart is coming home again from New York City. But he is a long way from the days struggling to sell televisions at Circuit City or vending souvenirs for shows at Lincoln Center. This visit fulfills a long-time dream: appearing in the national tour of the musical Come From Away— but being a crucial part of an emotionally powerful musical with an unusually close-knit company.
This year’s Carbonells with its all-white roster of winners in the performance and directing categories was simply the boiling point in a discussion that has long simmered behind the curtain of South Florida theater. Where all sides seem to agree is that there isn’t a tremendous amount of work being produced by and for black and Hispanic talent, even though, at least in Miami, they constitute a vast majority population.
Palm Beach Dramaworks is reviving the funny, poignant The House of Blue Leaves about a Queens family whose life is turned inside out when the Pope visits NYC in 1965. Ordinary people spurred by the papal visit will seek validation of their own worth by pursuing celebrity for themselves – or at least vicariously by their idol worship.
Its creators acknowledge that the drama Amparo has familiar elements, especially the story of a family escaping Cuba and finding success in a new land. But the way the story is designed to surround and immerse patrons so that they see, hear and feel what the characters are undergoing – thereby making a unique connection even for viewers who are not Cuban-American.
Last July, Lester Purry had just finished playing the volcanic Troy Maxson in August Wilson’s most popular play Fences at Portland Playhouse in Oregon. “I told my wife, I’m never doing this play again,” he recalled last week. Then the phone rang.