Audiences sitting down this weekend to see Palm Beach Dramaworks’ production of the venerable play On Golden Pond will get a visual shock. It’s intentional, but not quite as originally planned.
Christopher Demos-Brown has a world premiere Friday of Wrongful Death And Other Circus Acts at Zoetic Stage, but his play American Son is slated to open on Broadway in November.
One pleasure of a theater critic’s job are these year-end retrospectives that require looking back at reviews and be reminded, “Oh, yeah, that was really great. And right, there was that. And how could I forget that one?”
Some works of art are born in a long gestation period of mulling almost in the unconscious; others leap gloriously to life in an exultant flash that is one of joys of being a creative person. Billy and Me, Terry Teachout’s play about the relationship between playwrights William Inge and Tennessee Williams premiering this month at Palm Beach Dramaworks, is both.
Tune will headline a one-night-only benefit concert Nov. 18 for the Maltz Jupiter Theatre and its education programs. The theater hired a ten-piece orchestra and re-orchestrated the more modest score that Tune has been using in a recently reconstituted tour. He will also provide a master class for students earlier in the day.
With genuine uncertainty of how successfully it will play, Miami New Drama artistic director Michel Hausmann keeps calling his unique undertaking “an experiment.”
He’s mounting Our Town with one little twist: In his turn-of-the-century New Hampshire village of Grovers Corners, some families speak English, some speak Spanish, some speak Creole.
Greed. Sexism. Conscienceless businessmen. Blackmail. Rebellious youth. Women fighting to break the glass ceiling. Women using sex to manipulate men. Bank embezzlement. Even murder. No, not the latest installment of The Real Housewives. It’s Palm Beach Dramaworks’ revival opening this week of The Little Foxes.
Gloria and Emilio Estefan once again are bringing it back home. The national tour of On Your Feet!, an autobiographical Broadway musical powered by their iconic songbook, will open this week at the Arsht Center in their hometown.
Branden Jacobs-Jenkins’ An Octoroon virtually defines the adjective “provocative.” No matter the quality of the production that the courageous Area Stage Company actually delivers next week, it is inarguably going to be unlike much, if anything, that audiences have seen on a South Florida stage.
If you’re coming to see Charles Busch camping it up in high drag at Palm Beach Dramaworks’ inaugural event in its OutStage @pbd series on Sept. 16, you’ll be disappointed. But if you’re intrigued by a theatrical meld of song and story revealing the universal resonances inside a gay icon of modern times, Busch is betting audiences will enjoy his one-night stand, An Evening With Charles Busch.