Déjà vu is inevitable for John Rubinstein as he portrays the father of the title protagonist in Pippin revival’s national tour coming to the Broward Center next week. After all, Rubinstein created the young man’s role in his Broadway debut 42 years ago. So while he’s on stage acting in one show, another one sometimes nibbles at his consciousness.
Director J. Barry Lewis has a way of approaching a play like Sam Shepard’s Buried Child, the Pulitzer Prize-winning work that gets a staging by Palm Beach Dramaworks beginning March 27 and through the month of April.
As the conductor of the pit orchestra at the national tour of Motown the Musical, Darryl Archibald is the person most accessible to the revved-up audience in the white hot afterglow of fans staying in the house after the last note has been played. He expects the same when it comes to the Broward Center through March 8.
For years, George Schiavone has been documenting life back stage. Since the beginning of rehearsals of Actors’ Playhouse’s Ragtime, he has been shooting photos of the rehearsal and production process. His shots document the sweat, concentration and even boredom required of theatrical artists.
Miamians J.J. and Natalie Caruncho built their careers as thespians in New York City, but now in their mid-20s, the siblings have returned home with the new company DreamCatcher Theatre to produce the Stephen Sondheim musical Into The Woods with the Arsht Center’s Theater Up Close series.
Mad Cat Theatre Company’s approaching 15th anniversary is cause to assess its place in the local arts scene. Mad Cat may not have been the first company in South Florida to produce the thespian equivalent of rock n’ roll theater. But it was among the first and it remains the sole survivor of that vanguard.
Welcome to a regular, if intermittent feature: Irreverent, lighthearted question & answer sessions with some of South Florida’s best known professionals Producer, director, fight arranger, educator, arts advocate, and artistic director, John Manzelli has been best known in recent years …
Here’s a look back at 2014 including a very subjective subjunctive reductive list of outstanding shows, performances and developments guaranteed to make someone unhappy they were not on the list. Take comfort in that there was so much good work that this is the crème de la crème de menthe.
When Brian Stokes Mitchell comes to the Broward Center with the Cincinnati Pops Orchestra and his deep, lush baritone on Dec. 8, he will be among numerous stage stars swinging through South Florida this winter and spring to feed their aesthetic soul.
Estelle Parsons, Angelica Page, Tim Altmeyer, about to open in Israel Horovitz’s My Old Lady at Dramaworks, talk about the life of “a working actor.”