Miamians J.J. and Natalie Caruncho built their careers as thespians in New York City, but now in their mid-20s, the siblings have returned home with the new company DreamCatcher Theatre to produce the Stephen Sondheim musical Into The Woods with the Arsht Center’s Theater Up Close series.
Mad Cat Theatre Company’s approaching 15th anniversary is cause to assess its place in the local arts scene. Mad Cat may not have been the first company in South Florida to produce the thespian equivalent of rock n’ roll theater. But it was among the first and it remains the sole survivor of that vanguard.
Welcome to a regular, if intermittent feature: Irreverent, lighthearted question & answer sessions with some of South Florida’s best known professionals Producer, director, fight arranger, educator, arts advocate, and artistic director, John Manzelli has been best known in recent years …
Here’s a look back at 2014 including a very subjective subjunctive reductive list of outstanding shows, performances and developments guaranteed to make someone unhappy they were not on the list. Take comfort in that there was so much good work that this is the crème de la crème de menthe.
When Brian Stokes Mitchell comes to the Broward Center with the Cincinnati Pops Orchestra and his deep, lush baritone on Dec. 8, he will be among numerous stage stars swinging through South Florida this winter and spring to feed their aesthetic soul.
Estelle Parsons, Angelica Page, Tim Altmeyer, about to open in Israel Horovitz’s My Old Lady at Dramaworks, talk about the life of “a working actor.”
For someone who has been singing virtually the entire Jerry Herman songbook for decades, it’s ironic that only now is Leslie Uggams getting to play the title role of Mame in the musical bowing next week at The Wick Theatre.
The devastation from a hurricane outside is only a reflection of the greater emotional destruction already crippling the protagonists in Nilo Cruz’s play Hurricane set for only five performances this week from Arca Stages in Miami.
The magic of serendipity: It’s difficult to imagine — without being boxed into it as Miami Theater Company was — how an artistic director would thematically put together a season encompassing Hedda Gabler and The Seven Year Itch.
They know. It seems beyond hubris for Slow Burn Theatre to mount a musical whose debut has become a catchphrase for famous flops, as in “Not since Carrie has there been such a theatrical disaster.” But they think the reworked piece has virtues worth saving.