In an exceedingly timely appearance, Island City Stage mounts a scathing production mirroring current tumult about race in America — a taut, intense, drama The Niceties.
Theatre Lab invests its growing expertise in multi-media theater performance in Vanessa Garcia’s premiere of Ich Bin Ein Berliner, a heartfelt memoir of a Cuban-American girl who grows up perceiving a growing, resonance between Berlin escaping Communism when the Wall fell in 1989 and the unrealized-as-yet dream of Cuba escaping Communism.
A superb evocation of the soul of Emily Dickinson from actress Margery Lowe and director William Hayes marks the video co-production from Palm Beach Dramaworks and Actors’ Playhouse of The Belle of Amherst, filmed from live performances.
It was only a matter of time until one of South Florida’s most experimental companies would find a way to produce theater outside of a theater. Nine months into a pandemic, the sheer existence of Miami New Drama’s experiential short-play collaboration 7 Deadly Sins feels as surreal as it is miraculous.
MNM Theatre Company’s filmed cyber-distributed pandemic production of Closer Than Ever needs no excuses, no politely lowered expectations. Just as it would if produced live in an intimate venue, this effort mesmerizes and moves with the emotional power of performers acting this song cycle rather than performing them as if they were in a cabaret setting.
Thinking Cap Theatre, “a steadfast champion of gender, racial, and sexual equality on- and off-stage,” is using their current, strong world premiere production of Laced as a “Get Out The Vote Theatre Initiative.”
The Helen in Helen on Wheels is Helen Wheeler, a spirited, allegedly 70-something widow who speaks her mind and challenges anyone who crosses her as she continues to mourn her husband. But Helen on Wheels, from Pigs Do Fly Productions is more than an amusing story about a feisty widow. It also looks at the devastation of losing a loved one, of moving on with your life and keeping your independence.
Oh, those mean girls. If you were unlucky to encounter them, they made your high school days unbearable, humiliated you so you felt inferior and tried to dictate who your friends were. They weren’t fun to be around—even if you were in their inner circle. But Mean Girls, the Broadway musical making its South Florida premiere at the Broward Center through March 15, sure is fun
Gay men, characterized as deviants in 1920s New York City, populate prolific playwright Ronnie Larsen’s new musical, Come Out! Come Out! at the Wilton Theatre Factory. Come Out! Come Out! is experiencing its world premiere in a vivacious production with promise, but needs more development.
Home is the place where they have to take you in, to paraphrase Robert Frost. It’s also the place where every family dynamic plays out — love, resentment, growing pains, conflict, chaos, worry and secrets — as shown in the Maltz Jupiter Theatre’s superb production of Brighton Beach Memoirs, smoothly directed with a first-class cast, the Maltz production hits all the high notes