As if it was even needed, molten lava in the guise of scalding verbal acrimony ravages the apartment where incendiary family strife already was poised to detonate into devastation in GableStage’s uproarious and upsetting Bad Jews.
For all the derision and adoration that the basic material has engendered over 28 years, the thoroughly-retooled The Phantom of the Opera gliding over a fog-shrouded lake into the Broward Center remains a sturdy craft buoyed by a soaring muscular score delivered by a talented crew.
Donald Margulies’ The Country House riffs on Chekhov’s The Seagull but stands as its own as a compassionately sad-funny portrait of an emotional landscape.
In 2014, no one should be able to make the ludicrous thrust of Madama Butterfly remotely credible, yet Florida Grand Opera’s 74th season opener produces a perfectly plausible tale of an abandoned woman’s impossible devotion to a love unworthy of her goodness. Much of this is due Kelly Kaduce’s enchanting performance.
Old Jews Telling Jokes at Broward Stage Door is precisely what it wants to be and precisely what you think it will be. If it sounds mildly engaging, you will love it, for what they want to do, they do well. But if this isn’t your cup of kreplach, stay far away.
Boca Raton Theatre Guild’s Everyday Rapture is bliss and it’s the reason to get yourself to the Willow Theatre. Jodie Langel, Ann Marie Olson and Leah Sessa possess some of the best voices you’ll hear in Florida musical theater. Yet no matter how hard they try to sell it, the work itself never really hits a peak.
Fine acting and direction elevate a script that navigates intellectual mazes and human emotions in The How and the Why at Theatre At Arts Garage.
Detroit, Lisa D’Amour’s finalist for the Pulitzer Prize, is a thought-provoking piece of theater. The Zoetic Stage production finds its own complex groove in Detroit to present a must see in Miami.
Rodgers + Hammerstein’s Cinderella is a lush, imaginative and polished production nearly guaranteed to delight audiences of all ages. That said, if you’re looking for Rodgers and Hammerstein’s Cinderella in “Rodgers + Hammerstein’s Cinderella,” you’re going to have to look very, very hard in the new tour.
The tempest dies down, but the emotional tumult rages on in Nilo Cruz’s superbly staged world premiere of Hurricane, getting a criminally brief run at Arca Images in Miami. Rarely do South Floridians see such a highly polished and boundlessly inventive alloy of words, sounds, movement and stage pictures as Cruz does here directing his work.