If you can accept that film is a different storytelling medium from theater, this version of Into The Woods is not only faithful to Sondheim and Lapine’s vision of darkness and light, it actually clarifies and deepens the musical’s themes and narrative. This present opening Christmas Day is an unalloyed triumph.
Actor’s Playhouse at the Miracle Theatre’s production of ,Miracle on South Division Street has all the makings to become a perennial holiday comedy favorite.
Whenever Leslie Uggams lets loose that glorious voice, whenever the live band swings into one of Jerry Herman’s standards, the Wick Theatre’s production of Mame is an irresistible pleasure. But when the music stops, so does the show. The non-musical scenes – and some of the musical ones – just lie there on the stage limp and colorless.
Delray Beach Center for the Arts’ first in-house theater production, A Chorus Line, delivers a faithful recreation with young local talent, although it’s almost a carbon copy of the original.
Israel Horovitz’s My Old Lady at Palm Beach Dramaworks is a cornucopia of delightful wordplay and an insightful examination of human relationships, featuring superb performances by Estelle Parsons, Angelica Page and Tim Altmeyer
More than a dozen shows are open and a lot of holiday/family demands are battling for space on your calendar. But shoehorn in Primal Force’s stunning production of a scorching play few have heard of, Sunset Baby, by a playwright few have heard of, Dominique Morisseau.
Audiences need to savor the undeniable virtues of local Shakespearean productions — even when counter-balanced by well-intentioned but equally undeniable shortcomings. Such is the case with the laudable Outré Theatre Company production of Othello imaginatively directed by Christina Groom and featuring Troy Davidson in a persuasive central performance.
Director Marcia Milgrom Dodge triumphed reinventing Hello Dolly! in 2012; this time she hasn’t been quite as unassailably successful, but the overall evening grows on you as it swells into a moving second act, in part because the music, lyrics and script are so strong that it cannot possibly fail when executed by such a first-rate cast and creative team.
Hallelujah, children! We are delivered from the bondage of political correctness, the oppression of reactionary repression and the tyranny of the status quo. Raise up your voice and praise the bringer of these blessings — the national tour of the Broadway musical, The Book of Mormon now at the Arsht Center and en route to the Kravis Center (where it is already sold out).
Timekeepers bowed at Island City Stage in October 2013. In April, the production won Carbonells for best play, best director, best actor Michael McKeever, best sound, best lighting and best set design. The production is being remounted with all the …