Author Archives: Bill Hirschman
GableStage’s Venus In Fur Reveals Dazzling Dual Performance By Betsy Graver
In the case of GableStage’s production of the message comedy about sexual politics, Venus In Fur, the only thing to be certain of is the stunning performance by Betsy Graver.
Miami Theater Center Plans Three Sisters To Move Audience In More Than One Way
By Bill Hirschman What will likely have people talking as they walk into the Miami Theater Center this weekend for its new adaptation of Chekhov’s Three Sisters is where they’ll sit: a black riser taking up a third of the …
Alliance’s roomies Is A Welcome Entry Of, By And For A New Generation Of Theatergoers
Alliance Theatre Lab’s world premiere “roomies” by Mark Della Ventura is a welcome entry in the fledgling development of a South Florida theater of, by and for young adults that focuses on their concerns, references their cultural touchstones and reflects their attitudes – not to mention giving them an artistic outlet that they can’t find in mainstream venues.
The Naked Stage’s A Man Puts On A Play Is Antonio Amadeo’s Audacious And Ambitious Entry
The first hour of meta-theater in A Man Writes A Play in which students build a set, will fascinate civilians and amuse veterans and serves as the delightful curtain raiser to the more traditional scripted second act, an engaging and intriguing world premiere written, produced, designed, directed and co-starring Antonio Amadeo in a feat reminiscent of Orson Welles’ Mercury Theater productions on stage and in film.
Entrances & Exits in SoFlorida Openings & Closings Nov. 7-13
Openings Nov. 9-Dec. 2 roomies Alliance Theatre Lab at Main Street Playhouse 6766 Main Street, Miami Lakes (305) 259-0418 thealliancetheatrelab.com Mark Della Ventura’s world premiere about five 20-somethings, who all just graduated from a four-year acting conservatory, in a …
Million Dollar Quartet Rocks The House: Four Musical Legends Come to Life
The roots of rock and roll are encapsulated in Million Dollar Quartet, a rollicking yet poignant musical about one historic night in Memphis when four country boys turned icons sang and played their way into history.
Diva-licious: In TWTP’s Delval Divas, Crime Pays Very Well
Well-heeled society matrons, now inmates in prison for white collar crimes, is the premise of Delval Divas, a comedy by Barbara Pease Weber, which is getting a fun and frothy treatment by The Women’s Theatre Project
Arsht Center’s New Musical ‘Girls vs. Boys’ No Knockout
Give the Arsht Center for the Performing Arts an A for effort for taking on a Herculean task of mounting an original show, and a rock musical for that matter, in times when theater audiences are more apt to settle for My Fair Lady or Fiddler on the Roof. Trouble is, Girls vs. Boys, which is being promoted as high-energy with a “throbbing” and “soul-bearing” score never reaches its potential.
M Ensemble Mounts A Royal Production of King Hedley II
Volcanic rage at bigotry and inequities that erode dignity pour out of these characters in streams of scalding toxicity in M Ensemble’s uneven but affecting production of King Hedley II. Performances from Ethan Henry and Makeba Pace, among other virtues, propel Hedley to the ranks of M Ensemble’s most memorable productions.
Maltz’ Amadeus Is Lovely To Look At, Even When You Can’t See The Actors’ Faces
Set in a gloriously decrepit 18th century theater created in the mind of an insane old man, the Maltz Jupiter Theatre’s production of Amadeus is a visually stunning and highly inventive vision of Peter Shaffer’s meditation on whether Great Art is divinely inspired, or even if God exists. But as beautiful as the stage pictures are, it does not reach its full dramatic potential here because it’s lit like an opera – meaning you can’t see the actors acting past the seventh row.
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