Author Archives: Bill Hirschman

Please, Sir, We Want Some More: Maltz Jupiter’s Magical Oliver!

It’s expected the Maltz Jupiter Theatre’s Oliver! would be a tuneful, well-executed evening. But those mild adjectives would not begin to do this justice to a benchmark for this company. This easily scores as a vibrant celebration brimming with life, lovingly delivered with talent and skill wrapped in joy.

Posted in Performances, Reviews | Tagged , , , , , , , , , , , , , , | 1 Comment

Tosca Returns to FGO With Veteran Scarpia Todd Thomas

Florida Grand Opera brings back Tosca for nearly the 12th time with veteran villain Todd Thomas. Conductor Gregory Buchalter says this is the opera for people who haven’t been to an opera. “Even if you don’t know much about opera, it’s like going to a movie.”

Posted in Features | Tagged , , | Leave a comment

More Titles for 23-24: Moulin Rouge, Funny Girl, Ragtime, Rent, Pinter and Sartre

In the early spring, flowers bloom and South Florida theaters announce 2023-24 seasons. Broadway In Fort Lauderdale will have Funny Girl and Moulin Rouge; Lake Worth Playhouse’s season includes Ragtime , Rent, Jean-Paul Sartre and Harold Pinter.

Posted in News | Tagged , , | Leave a comment

Teens Deal With Tumultuous ’80s in Defacing Michael Jackson At Miami New Drama

Michael Jackson never appears in the incisive Defacing Michael Jackson, although his influence is infused into the journey at Miami New Drama stage. But Aurin Squire’s insightful tale recreates a portrait of black teenagers growing up in the tumultuous Opa-Locka in 1984 amid race riots and the transformation from ghetto to multi-ethnic suburbia.

Posted in Performances, Reviews | Tagged , , , , , , , | Leave a comment

Wick’s Damn Yankees Is a Joyful Return to Classic 1950s Musical

If you’re younger than Boomers and wonder what it felt like seeing a musical in the 1950s, or if you’re older and you yearn for what you saw in the 1950s, then take full advantage of the time machine humming at the Wick Theatre, a satisfyingly faithful revival of Damn Yankees, the kind of long fly to the bleachers as pin-striped athletes high-step to infectious hoedown music using bats instead of canes.

Posted in Performances, Reviews | Tagged , , , , , , , , | Leave a comment

Pretty Woman The Musical’s Echoes of the Film Should Please the Movie’s Fans

You’ll probably love Pretty Woman: The Musical if you adored the 1990 hit movie that launched Julia Roberts’ career. The story about a hooker who lands a fabulously rich guy and lives happily ever after is ripped almost word for word from the film.

Posted in Performances, Reviews | Tagged , , , | Leave a comment

Book Review: Gorgeous, Insightful View of Collaboration in ‘Designing Broadway’

Designing Broadway, which looks like a coffee-table book jammed with gorgeous color photos and insider illustrations, is one of the finest examinations for both artists and people sitting in the seats for detailing the actual creative process in theater.

Posted in Book Reviews, Reviews | Tagged , , | Leave a comment

Complex Modern Relationships X-rayed In Island City’s “I Wanna F%&ing Tear You Apart”

The strength and vulnerability of non-sexual but emotionally intimate friendships are not focuses in 20th Century theater. But in works written by a new generation of playwrights, these relationships are increasingly in the spotlight. Such is I Wanna Fucking Tear You Apart, a dive into the deterioration  of the bond of two would-be writers.

Posted in Performances, Reviews | Tagged , , , , , | Leave a comment

Laughs, Drama, Death Jointly in Cemetery Pub At Pigs Do Fly

Cemetery Pub, a play in its second production by playwright-actor Tom Dugan at Pigs Do Fly Productions, is a mash-up of multiple genres as three relatives hash out troubled pasts and an uncertain future in a blue collar New Jersey bar.

Posted in Performances, Reviews | Tagged , , , , , , | Leave a comment

Swirling ‘Sequel’ to A Doll’s House Provokes Incisive Thought

The intense and dense cyclonic swirl of ideas expertly delivered in GableStage’s production of Lucas Hnath’s A Doll’s House Part 2 is the theatrical embodiment of “thought-provoking.” This deep-diving examination of human relationships – but especially marriage – is some of the best work since Bari Newport inherited the mantle of producing artistic director.

Posted in Performances, Reviews | Tagged , , , , , , | Leave a comment