Tag Archives: GableStage
It doesn’t take five minutes, maybe barely a minute talking to Bari Newport to realize why she was selected to be the producing artistic director at GableStage. Her voice and her words exude energy, vitality and imagination as she faces the considerable challenges of taking the position left by the death of Joseph Adler, and not just keeping a venerable institution alive during a pandemic but looking ahead at growing it.
Starting April 1, the new leader at the helm of GableStage will be Bari Newport, who has served for the past nine years as producing artistic director of the Penobscot Theatre Co. in Bangor, Maine.
The actual stage at GableStage may be dark, but the company has replaced the rest of its virus-interrupted 2019-2020 season with a glimpse of what may be one of the evolving facets of the future of theater. It has commissioned 12 area artists to produce nine online projects that meld traditional theater with digital storytelling.
The prestigious 2020 Remy Awards honoring “unsung heroes who provide outstanding service behind the scenes” have been announced by the South Florida Theatre League: Matt Stabile, Tim Davis, Steven M. Weinger, Gustavo Meimbiela, Marialaura Leslie, Kenya Anthony-Moore, Art Garcia and Judson Wright
GableStage is coping with the death of Joseph Adler plus the shuttering of live performances, but it has started new initiative meant to originate new material and support artists financially. Engage@GableStage is commissioning original world premieres for online works that mirror the theater’s vein of thought-provoking stories. Proposals/applications for the grants will be accepted through June 12.
Joseph Adler, a titan who helped transform South Florida’s cultural landscape by mounting unblinking, dynamic work and aggressively championing local artists, died Thursday. Passionate and outspoken, curmudgeonly and supportive, gruff and loving, but unassailably a skilled artist, Adler had been a force of nature as producing artistic director of GableStage since 1998.
In-depth report: Sets still standing on stages are silent pledges that these productions and theater itself in South Florida will resume – albeit in what many believe will be a different world. But what that cultural world will look like for audiences and artists could not be more uncertain, say theater professionals who have had to rethink and rethink again their plans. It’s different from when other disasters have struck Florida like hurricanes; this one may be open-ended.
Other than two crippling developments, South Florida theater 2019 was marked by a wide array of what seemed like points on a volatile stock market chart marking the ebb and flow of an evolving arts community. Welcome to our annual idiosyncratic highly-subjective look back on the year.
As the writer with 28 best-selling mystery novels, James Grippando is usually focused on whodunits. But the Florida author is about to see the world premiere of his first playscript, Watson, at GableStage this weekend – as much a howdunit and whydunit about technology, capitalism and responsibility.
Lots of news about Palm Beach Dramaworks’ new play festival, Lois Pope teams up with Jan McArt, Playgroup LLC to close, fundraisers for Slow Burn, GableStage and Insight for the Blind