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Part 4: I’m Still Here: SoFla Theater’s Epic Journey Through the Pandemic and Beyond
Part 4 of a 4-part in-depth series tracking South Florida theater’s arc of paralysis and pivot through the pandemic and into the future, certainties becoming uncertain, and an unquenched drive to not just survive but prevail, worthy of a Shakespearean epic. Today, theaters and artists plan for the what you will see and how it will be delivered.
Area Stage’s Enveloping Beauty and the Beast Charms Again
Area Stage’s Giancarlo Rodaz’s visionary, deeply moving new production of Beauty and the Beast, a near identical production as it mounted last summer, but with two new leads, is as radical a restaging as John Doyle’s Sweeney Todd.
I’m Still Here: SoFla Theater’s Epic Journey Through the Pandemic and Beyond
Part 2 of a 4-part in-depth series tracking South Florida theater’s arc of paralysis and pivot through the pandemic and into the future, certainties becoming uncertain, and an unquenched drive to not just survive but prevail, worthy of a Shakespearean epic. Today, theaters and artists begin their struggle back.
I’m Still Here: SoFla Theater’s Epic Journey Through the Pandemic and Beyond
Part 1 of a 4-part in-depth series tracking South Florida theater’s arc of paralysis and pivot through the pandemic and into the future, certainties becoming uncertain, and an unquenched drive to not just survive but prevail, worthy of a Shakespearean epic
Milk and Honey Is Charming Musical, But Very Much the ’60s
Unabashed charm is not a quality one associates with modern musicals, but it is the predominant and reasonably satisfying virtue if you take the Wick Theatre’s time machine back 61 years to the opening of Milk and Honey, the first full-length musical by promising newcomer Jerry Herman.
Hollywood’s Homophobic Hypocrisy Examined in The Code
The soul-killing inherent in the film dream factory’s deconstruction and then sanitized reconstruction of its icons has been a popular topic, from 1932’s What Price Hollywood to four versions of A Star is Born. But Michael McKeever’s incisive world premiere The Code at The Foundry attacks it from a different fresh angle that is painfully topical.
Theatre Lab Postpones Next Show, Hoping to Outlast Surge
Joining dozens of companies locally and across the country hoping a delay will outlast the worst of the surge, Theatre Lab has postponed its premiere of Last Night in Inwood slated for Feb. 2.
Although not necessarily tied directly to positive tests, setbacks were aggravated by the spike. The company also postponed its New Play Festival from January to an undisclosed date in the spring.
Savor the Flavor of This ‘Tootsie’ Pop at the Broward Center
Sometimes, all we want is to just sit in a chair and be entertained by full-throated singers, appealing actors, solid dancing and a script that offers more than a few laughs. That sheer entertainment factor is on the boards—spanglely red dress and all—in the musical Tootsie, at the Broward Center for the Performing Arts.
Stephen Sondheim: An Appreciation Of What He Taught Us About Art And Ourselves
There will be hundreds of appreciation pieces in print and online memorializing Stephen Sondheim who died Friday. There will be tens of thousands of mourning Facebook posts and emails spun around the globe. But this one will be slightly different from the majority, although thousands and thousands of devotees feel the same way.
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