Author Archives: Bill Hirschman

Formulaic Newsies Still Enchants With Joyous Dancing

It’s fortunate that Newsies is a dance-centric musical because much of the lyrics and dialogue were nearly impossible to understand in the national tour visiting the Arsht Center from Broadway Across America. But that dancing is spectacular and well-worth seeing.

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Dogfight Features Talented Cast, But A Problematic Script

By Hap Erstein In the same way that Slow Burn Theatre Company’s artistic director Patrick Fitzwater has a good eye for spotting performance talent, he also is savvy at identifying worthy new composers and lyricists. Sometimes, however, his ability to …

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Despite Snazzy Tech Design, Political Satire Angry Fags Wanders Off-Message

Immersive technology goes a long way in elevating Topher Payne’s Angry Fags at Island City Stage, but the play still suffers from elephantine pacing and a sense of crippling logorrhea. Yet there is a modicum of brilliance awaiting patient audiences.

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Stop The Presses — Interview With A Veteran “Newsie”

By Keren Moros Special to Florida Theater On Stage Just because something isn’t a success at first, it doesn’t mean it can’t be a success later. Take Disney’s Newsies, a success story more than 20 years in the making. Newsies …

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Lee Roy Reams’ Dolly Is At His/Her Best Inhabiting The Widow’s Resurrecting Reveries

The first question that everyone wants answered is: Is it possible to buy Lee Roy Reams as Dolly Levi in The Wick Theatre’s Hello, Dolly! The answer is “sometimes.” The answer also depends on how willing you are to accept the theatrical conceit of Reams being the second man ever to play the part, even with composer Jerry Herman’s blessing.

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Demos-Brown / Zoetic Stage’s Shattering ‘Stripped’ Is Incisive Thought-Provoking Evening

In Christopher Demos-Brown’s shattering world premiere Stripped at Zoetic Stage, the audience is faced with a complex child custody case is forced to judge past the surface facets of a case in which it will be impossible to “do no harm.”

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Passable Dial M For Murder Doesn’t Quite Ring Any Bells

The classic 1952 crime play Dial M For Murder is a brilliantly-designed timepiece of plotting and dramatic construction. Unfortunately, Broward Stage Door’s barely serviceable production of this supposed thriller lacks much sizzle or suspense.

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Sex With Strangers: Art Isn’t Easy In The 21st Century

What does a man profiteth if he gains technology and loses his artistic soul? And can romance survive ambition when the two collide? Those issues, along with scores of corollaries, swirl through the entertaining thought-provoking Sex With Strangers, accurately subtitled “a romantic comedy for the digital age” kicking off Theatre at Arts Garage’s second incarnation.

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Hello, Dolly! At The Wick, Lee Roy Reams Asks If “It Takes A Woman” To Play Dolly Levi

It’s not a drag show. Broadway veteran Lee Roy Reams may become only the second man to play Dolly Levi in a sanctioned production of Hello, Dolly! when it bows this week at The Wick Theatre in Boca Raton, but he is committed to playing it straight.

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Hoary, Dependable Mousetrap Springs Again At The Maltz

The Mousetrap at the Maltz is indeed a hoary old chestnut chock full of clichés which weren’t even new when it bowed in 1952. But director Peter Amster and his cast wisely don’t try to fight it or update it. Instead they embrace it with gusto and with hardly a post-modern wink other than playing up everyone’s suspicious facets with a gleeful melodramatic flair that is usually, but not always under control.

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