Author Archives: Bill Hirschman

StageBill’s Blog: Time To Crack Down On Audience Misbehavior

It is long past time for theaters and theater patrons to come down hard on audience members who text, talk incessantly, photograph set designs, video production numbers, check messages from their daughter-in-law, unwrap candy and Christmas presents, eat entire Kentucky Fried Chicken dinners, change babies, sing along off key and other thoughtless, self-centered and disruptive behavior during a production

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Our Holiday Gift List For The Theater Buff In The House

Theater buffs are the easiest people to shop for on your holiday list, as our Brad Hathaway proves in his annual roundup.

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Ann Marie Olson’s Performance Rescues Stage Door’s ‘Gypsy’

Any production of Gypsy that spotlights Ann Marie Olson’s golden voice can be forgiven nearly anything. But otherwise, much of this production is as thin as the tinny tracks and high school quality scenery, and sits there as unenthusing as Electra’s intentionally lackluster bump-and-grind.

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Report From New York: Revival Of Shepard’s Fool For Love Is Tightly-Coiled Intimate Evening

A low-rent motel room on the edge of the Mojave Desert has never been more claustrophobic—nor more intense—than the shabby one in which three people collide against each other in Sam Shepard’s 1983 Fool for Love, getting a superb revival by the Manhattan Theatre Club at the Samuel J. Friedman Theatre.

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SoFla Theatre League Announces Remy Award Recipients At Dec. 7 Gala

Nine people who have changed the face of South Florida culture will receive the South Florida Theatre League’s Remy Awards at the League’s annual holiday celebration on December 7 in Fort Lauderdale – the same event during which the Silver …

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Westfall’s Intriguing Premiere ‘Two Weekends and a Day’ Has Promise But Needs More Work

Susan J. Westfall’s Two Weekends and a Day at New Theatre is a classic example of a world premiere that has admirable virtues worth exploring further, but a serious need for more re-tooling.

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Enthralling ‘Constellations’ Explores Infinite Multi-Verse

Like a spinning gem with an infinite number of glittering facets, GableStage’s kaleidoscopic production of Constellations is an outstanding achievement in playwriting, direction and some of the most skilled acting you may see this season.

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Thinking Cap’s Wilde Ride Takes ‘Earnest’ To A 1978 Disco Ball

Thinking Cap Theatre sets The Importance of Being Earnest in a madcap lampoon of New York City’s disco era. The urbane and farcical elements are irreconcilably at war, but each facet – one of the funniest literate scripts ever written and a zany hoot of a production – is so strong on its own merits that the result is a mostly satisfying gigglefest worth the investment.

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Report From New York: Estefans’ ‘On You Feet’ Is Electric Meld Of Cuban-American Joy & Pride

Start the clock, Florida. The moment tickets go on sale for the national tour of On Your Feet!, get on line. In fact, if you’re planning to be anywhere near the Big Apple, shell out the ducats. Because if the exhilarating musical version of the lives of Emilio and Gloria Estefan is enchanting Broadway audiences, South Florida audiences will be enraptured.

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FGO’s The Barber of Seville Suffused With Comedy

Even the Bugs Bunny The Barber of Seville (which gets a subtle nod in Florida Grand Opera’s new outing) never featured the tenor and baritone-bass dueling with a plumber’s plunger and a toilet bowl brush.

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