Tag Archives: August Wilson
News: Primal Forces Reborn; In The Heights @ Arsht; Dramaworks’ Wilson & Wendy; Audio Plays @ Theatre Lab
Lots of News: Primal Forces reorganizes as Boca Stage, Dramaworks series on August Wilson and Wendy Wasserstein, Local production of In The Heights set for Arsht, Theatre Lab reads new audio plays by Andie Arthur and Juan C. Sanchez
In Palm Beach Dramaworks’ triumphant production of August Wilson’s Fences, this Troy Maxson rages. Whether this physical kinetic Troy is delivering a defiant challenge to death, railing at the racial prejudice that has undercut his dreams, or privately excoriating his own guilt for making destructive choices — this Troy unleashes a lifetime of festering wrath in a basement barrel baritone.
In the current production of The M Ensemble Company, August Wilson’s legendary Seven Guitars almost plays like a musical or a folk opera akin to Porgy and Bess or Floyd Collins.
Imagine white water rapids raging past you; now imagine the liquid is molten lava – a heedless force of nature threatening to destroy everything. Such images are the by-product of watching the incomparable Ethan Henry bringing one of August Wilson’s tragic heroes to three-dimensional life in M Ensemble’s The Piano Lesson.
The power of storytelling – swapping tales on the porch or watching a familial drama unfold on stage – is the keystone of AAPACT’s production of August Wilson’s Fences. The earnest edition noticeably lacks the Shakespearean power of other productions, but the accretion of calamities grows through its second act until the audience is moved by the tragedy.
M Ensemble moved into the performance space last June, and makes good use of the comfortable black-box theater for the first presentation of its 40th anniversary season, August Wilson’s Radio Golf.
A new book serves a sort of tourist guide through the real locations in Pittsburgh that correlate to the scenes in August Wilson’s plays.