Tag Archives: Steven A. Chambers

Small Town Seniors Entertain In Pigs Do Fly’s Helen On Wheels

Few an resist feisty, foul-mouthed septuagenarians such as Helen Wheeler because, well, we do not normally expect a woman in her 70’s to tackle someone into submission, or use a blowtorch to free an inmate from jail as is depicted in Helen on Wheels, a delightfully funny and moving, sweet, but not syrupy peek into small town eccentricity.

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Pigs Do Fly Gains A Bit More Altitude With New “Flying High!”

The writing seems a little sharper, the direction more incisive and the acting a bit more credible at Pigs Do Fly Productions’ new Flying High. Some of the playlets still are a bit lamer than others and some still limp along a bit, but there’s a noticeable uptick in the quality of this evening meant to provide a quiet, gentle smile.

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New Theatre’s Twelve Angry Men Plays With Conviction

This 61-year-old Twelve Angry Men gets an effective production in New Theatre’s edition of what it rightfully deems an American classic. A dozen actors give some of the better performances of their careers in Reginald Rose’s well-crafted incisive dissection of human behavior as much as the process of judicial sausage making.

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New Theatre’s Bird In The Hand Is A Flawed But Intriguing Hoot

By Bill Hirschman There’s a moment in New Theatre’s quirky and surprisingly pleasant production of Bird In The Hand that captures the offbeat vibe in this bittersweet comedic memoir about growing up in Miami. Actors are dressed to resemble flamingos, …

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New Theatre’s Educating Rita Is Graded An Underachiever

It’s not encouraging when all through New Theatre’s production of Educating Rita you keep thinking what a great script Willy Russell wrote. This edition sloughs listlessly in the opening 45 minutes or so and really only begins to be mildly engaging near the end of the first act.

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New Theatre & Nilo Cruz’s Bicycle Country Is Moving Gem

The quality of New Theatre’s work is famously variable, but every season or so, they deliver a moving, finely crafted gem of theater to be unreservedly proud about. In this case, it’s the production of Nilo Cruz’s, A Bicycle Country, a lyrical tragedy about three friends who escape Cuba on a raft.

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