Tag Archives: Theatre Lab
Across South Florida, 37 artists accustomed to performing in front 1,000 people sat alone in their bedrooms, kitchens, patios, backyards emoting just as earnestly inches away from their laptops. For more than 3 hours Sunday, performers acted monologues written by local playwrights and directed by local colleagues in Theatre Lab’s Online Original Monologue Festival fundraiser to counteract vanished contracts.
To help with donations – and viewing your favorite performer – this is a list of every piece. The first figure is when the piece appears on the programs; the second item in italics is the title of the piece. …
South Florida stages are dormant, but the theaters themselves are not. Already, the community is trying to adapt to the exigencies of the current brave new world by offering imaginative initiatives to serve their patrons and their fellow artists. We will update this story as more projects are announced.
In-depth report: Sets still standing on stages are silent pledges that these productions and theater itself in South Florida will resume – albeit in what many believe will be a different world. But what that cultural world will look like for audiences and artists could not be more uncertain, say theater professionals who have had to rethink and rethink again their plans. It’s different from when other disasters have struck Florida like hurricanes; this one may be open-ended.
There’s something irresistibly intriguing when a whimsical fairy tale is invoked to teach life lessons to adults. Theatre Lab’s The Glass Piano may have a befuddled king, a savvy servant and a lovely princess. But tAlix Sober’s delightfully fanciful and imaginative work is absolutely not a children’s play.
Other than two crippling developments, South Florida theater 2019 was marked by a wide array of what seemed like points on a volatile stock market chart marking the ebb and flow of an evolving arts community. Welcome to our annual idiosyncratic highly-subjective look back on the year.
As we get older, the reality of loss becomes an inescapable fact of life. How we deal with that is the core of Stephen Brown’s Everything is Super Great at Theatre Lab (subtitled “a comedy about what’s missing”). Brown’s look at four troubled lonely people struggling to cope is quietly mordantly funny, but the humor is infused into underlying poignancy and compassion.
Theatre Lab’s family-friendly production of When She Had Wings posits a young girl, convinced she could fly before she could walk, trying to regain her power of flight.
Theater Cues & News: Matilda Jr., New City Reading, A New Patsy, Moving Measure, Theatre Lab Experiments, Traffic Woes
News of Broward Center & local students create Matilda Jr., New City Players seeks feedback on new play, Wick extends and gets new Patsy Cline, TCG brings 1,000 artists to Miami, Measure for Measure gets new home, Theatre Lab to have longer runs
Self-absorbed celebrities adopting babies, patients bonding in an asylum and a batty New Age retreat featuring a large plastic cow – just a few of the offbeat moments in Theatre Lab’s Overnight Theatre Project on Monday in which theater professionals volunteered to spend a mostly sleepless 24 hours creating playlets from scratch.