Author Archives: Bill Hirschman
What FGO’s Figaro Lacks In Farce It Makes Up For In Gusto
Florida Grand Opera does daring works (we’re looking forward to the upcoming final two of the season, Frida and Werther), but, to satisfy audiences who prefer to see the familiar, there is company’s latest offering The Marriage of Figaro (Le nozze de Figaro).
Fascinating But Flawed Fake Makes Promising Debut
Passions erupt as art, commerce and international politics collide and conflict in the world premiere of Carmen Pelaez’s intriguing Fake at Miami New Drama. This play centering on a possible forged masterpiece about to be auctioned needs a good deal of additional work, but its promise gleams and begs for further productions.
GableStage Mounts Its Unique Passionate Take On Indecent
GableStage’s rendering of Paula Vogel’s Indecent is freshly distinctive from Rebecca Taichman’s New York staging and from the rapturously received version that Palm Beach Dramaworks delivered last season. It’s not better or worse; it is its own. And its quality takes a back seat to no one.
One Man, Two Guvnors Is Entertaining If A Bit Long
There are probably 27 synonyms for the word funny and 157 familiar tropes. All the words apply and all the classic bits can be found in Actors’ Playhouse’s farce One Man, Two Guvnors.
The Vision Is The Star In Highly Theatrical Curious Incident
Usually, Zoetic Stage’s director Stuart Meltzer’s deft work is almost invisible to audience members other than bringing a fresh vision to familiar titles. But his masterful work in The Curious Incident of the Dog in the Night-time is so clearly displayed that his reinvention becomes the “star” of the production.
Maltz Let’s Mamma Mia! Sing Keeping Stage Version Intact
The Maltz Jupiter Theatre’s Mamma Mia! gets its mojo from a strong, consistent cast to carry out the sitcom-esque plot that is held together as if by taffy – twenty 1970s radio hits that are ingrained in pop culture.
SoFla Symphony Delivers Many High Notes With Porgy and Bess
If there is one disappointment about the South Florida Symphony’s ambitious staging of Porgy and Bess it is that there aren’t more opportunities to see the production. The Wilton Manors-based symphony scheduled only three performances and the third Wednesday, Jan. 23 at the Broward Center for the Performing Arts, where a grand gala will close the run.
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