Tag Archives: Laura Turnbull
American Rhapsody, Michael McKeever’s sprawling premiere at Zoetic Stage, is a history play, a bildungsroman, a tribute to fluid families, a cautionary tale about where the zeitgeist might be headed. It spans more than 60 years and feels, perhaps like the American experiment itself.
Unabashed charm is not a quality one associates with modern musicals, but it is the predominant and reasonably satisfying virtue if you take the Wick Theatre’s time machine back 61 years to the opening of Milk and Honey, the first full-length musical by promising newcomer Jerry Herman.
I am begging every critic colleague, everyone who has seen Actors’ Playhouse’s Now and Then to NOT give away anything! One of the many pleasures in this drama laced with humor is watching the story unfold bit by bit, knowing something is going on underneath but enjoying how layers are peeled away by a quartet of superb actors and director.
For older audiences who see the number of expensive pills they take each morning magically multiply over the years, the wicked satire of Big Pharma in the otherwise romantic comedy Rx is welcomed at Boca Stage. But as cutting as Rx can be (one dotty scientist says “If I knew what we were doing, it wouldn’t be called research”) the Rx that playwright Kate Fodor prescribes for the modern malaise is, yes, love.
With the Maltz Jupiter Theatre’s upcoming Brighton Beach Memoirs, director J. Barry Lewis says people need to “come forward with a new perspective on what a Neil Simon play is, not just what you think.”
Actors’ Playhouse’s Doubt is not about guilt or innocence. It’s about doubt. The nature of doubt. The fallout of doubt. Living with doubt. Deciding whether to act when you have doubt. In these extreme days when some people believe truth is fungible or fear that it is can never be divined, John Patrick Shanley’s 2004 play is excruciatingly resonant.
How do you review a play without spoilers when perception-changing revelations occur every few minutes including one halfway through that shoves the play in a 90-degree angle? Just trust us that GableStage’s The Children – eco-thriller, horror story, tale of domestic trouble, and a half dozen other themes – is a stunning experience melding playwriting, direction and acting.
It’s unfair to the Maltz Jupiter Theatre’s Beauty and the Beast — which is as thoroughly charming on its own merits as you could ask — but understandable that the focus is diverted to its use of puppets to portray the enchanted household objects. So, yes, the vision that Producing Artistic Director Andrew Kato and director John Tartaglia came up with does indeed work, .
Palm Beach Dramaworks’ Indecent is precisely the kind of thrilling evening that glories in what theater can be – a unique art form that cannot be matched by anything on film, anything hanging on a wall, anything reproducible on an mp3 or an mp4.
Laura Turnbull in the solo show The Pink Unicorn from Primal Forces places us in the headspace of a widowed mother in a small—and small-minded—Texas suburb who transforms into an unwitting advocate for gender liberation.