Author Archives: Bill Hirschman

The Music Does Make Some Enchanted Evening At The Wick’s South Pacific

In the end, the success of the Wick Theater’s South Pacific is something so obvious and simple: It’s the music, the glorious Rodgers and Hammerstein score and lyrics delivered by a talented and skilled corps of actors who plunge us into unadulterated but adult romance.

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Sound Undercuts Joyful/Flawed Diva Diaries About Drag Queens

The latest edition of Diva Diaries about three aging drag performers lands inconsistently – sometimes entertaining or moving, other times feeling thin, perfunctory and artificial. But it;s hard to say because it was difficult to understand what anyone was saying or singing.

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Thrilling A Chorus Line Step Kicks Into Riverside Theatre

There’s more than one singular sensation in Riverside Theatre’s thrilling production of A Chorus Line. It takes that heady combination of Michael Bennett’s choreography and Marvin Hamlisch’s music and adds a cast brimming with talent and production values polished to a high sheen. The result is the realization that although A Chorus Line is 40 years old, it’s got legs up to here.

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Oy Vey! So Jackie Mason and a Belly Dancer Walk Into Wolfie’s

Both Sides of a Famous Love Affair – The Jackie Mason Musical, the semi-autobiographical comedy about a young South Florida woman whose affair with the famed comedian results in a love child, flat does not work despite the earnestness of the cast and creative team.

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Percussive Polished 42nd Street Tour Delights At The Kravis

From the sequin-bright sparkle to the propulsive power of the 20th Century Limited, the new national tour of 42nd Street at the Kravis on Broadway series is a polished, energizing and thoroughly winning edition of the venerable warhorse.

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Stage Door’s “Pompadour” Is Eclectic But Not Exciting Stroll Down Memory Lane Of Pop Hits

By Bill Hirschman Pompadour, the new musical subtitled Hits, Harmony and Hairspray bowing at Broward Stage Door, is what it is and is what it wants to be. So the question that only you can answer is whether it’s what …

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Report From New York: King Charles III Is Season’s Crowning Drama But It’s Leaving Soon

This is the power of the play King Charles III: Six weeks after seeing it, I found myself at intermission of a local show last weekend still raving about it to other audience members. So much for the ephemeral nature of theater.

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The Hills Come Alive With Fresh Take On The Sound of Music

How do you solve a problem of taking a 56-year old American musical classic and making it fresh for a modern audience? If you’re director Jack O’Brien, you lovingly dust the tarnish off of The Sound of Music and imbue it with a freshness that’s as crisp as the snow-covered Austrian Alps.

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Looking Back At South Florida Theater’s 2015: Taking Chances Financially And Artistically

2015 produced a wild variety of snapshots to paste in the theatrical scrapbooks: a male Dolly Levi, a homicidal dimwit slicing carrots, a kidnapper forcing her captives to learn nonsense, a tsunami engulfing a Japanese village, a green-gunked survivor of toxic sludge singing love songs to his blind librarian girlfriend. You know, just another year for regional theater in South Florida.

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Holiday Spirit Litmus Test: The Grinch Returns To Broward

The tour of Dr. Seuss’ How The Grinch Stole Christmas is a reliable litmus test of just how deep into or disaffected you are with the holiday spirit.

This definitively children’s musical with a few sugar plum crumbs thrown to the adults in tow will likely increase the cheery level of those already in a cheery mood and do little to make merry those fighting the holiday blahs

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