Tag Archives: Alex Jorth
“Shuffle Off to Buffalo” with 42nd Street at the Maltz Jupiter Theatre
By Britin Haller Behind every successful theatrical production are the people who help the stars shine, and given how crowded with controlled chaos the 42nd Street stage is, the backstage during showtime must sometimes seem like a madhouse. But that’s …
I Love a Piano at the Wick Theatre
By Jan Sjostrom They really ought to have a starting gun to fire off I Love a Piano. The song-and-dance tribute to Irving Berlin that opens the season at the at The Wick Theatre in Boca Raton races through about …
“Come On Along And Listen To…..” In Lauderhill-ACM
If you’ve got a competent, committed team as the Broadway at LPAC series does for 42nd Street, you’re nearly guaranteed a rousing gift of pure hallelujah as the love of musical theater grows into the triumphantly cresting cakewalk of “Lullaby of Broadway.”
Tight Harmonies Transport the Audience Back to the 1950s In The Wick’s Forever Plaid
The Wick Theatre has nearly mastered the musical revue genre by hiring solid talent and adding in a few extra production values – all of it evident in this summer’s frothy paean to middle-class America’s music of the 1950s, the venerable Forever Plaid.
Wick’s Take On I Love A Piano Is How To Do A Musical Revue
Not everyone is a fan of musical revues, but if you’re going to mount I Love A Piano, that justifiably popular evergreen staple of regional theaters over the past decade or so, this is the way to do it.
Wick’s Curtains Is Musical For The Theater Nerd In All Of Us
Curtains is a show designed for anyone who loves musical comedy, or anyone who has ever played Toto in a community theater production of The Wizard of Oz. Envisioned as a no-calories hoot of a love letter to the quirky dysfunctional denizens of the theater, it is accurately promoted with tongue firmly in cheek as “A New Backstage Murder Mystery Musical Comedy.”
Slow Burn Theatre’s Violet Blossoms But Doesn’t Bloom
Fine talent, stirring music and Slow Burn Theatre’s enthusiasm elevate the musical Violet, but the material has consistent void somewhere deep down in this musical’s emotional investment.
Dramaworks’ 110 In The Shade Is Straight From The Heart
The modern musical has its glories, but none unabashedly embrace pure feeling in quite the way Tom Jones and Harvey Schmidt did in the 1960s. So be thankful for Palm Beach Dramaworks’ concert” series’ courageous celebration of heartfelt sentiment in 110 In The Shade.
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