Performances

Tuneful, Touching Always…. Patsy Cline Is Far From Crazy

Always…Patsy Cline is a cross between a memory play, historical piece, and jukebox musical that is receiving an admirable production from Arts Center Management, the City of Lauderhill and the hosting Lauderhill Performing Arts Center

Posted in Performances, Reviews | Tagged , , , , , | Leave a comment

Dramaworks’ Devastating, Searing August: Osage County

You don’t want to go home again. Certainly, that’s the Weston family manse in the desolate prairie of Oklahoma as depicted in Palm Beach Dramaworks’ searing, devastating portrait of toxic family dysfunction in Tracy Lett’s masterpiece, August: Osage County, featuring as superb an ensemble as anyone could ask for, expertly molded by director William Hayes.

Posted in Performances, Reviews | Tagged , , , , , , , , , , , , , | Leave a comment

A Very Different But Fully Satisfying ‘To Kill a Mockingbird’

Other than the outlines of Harper Lee’s plot, do not go to the superb national tour of To Kill a Mockingbird at the Broward Center expecting echoes of the cherished movie. The style, structure, approach, even subtle thematic emphases have been reimagined to create its own incisive offering, well-distanced from the 1962 film.

Posted in Performances, Reviews | Tagged , , , , | Leave a comment

Wicked Still Defying Gravity

So much has been written about Wicked—now 20 years on Broadway and making its umpteenth stop in South Florida—it seems like defying gravity to find something fresh to say about this popular musical. But that’s easy when Wicked’s latest incarnation is as entertaining as the production at the Arsht Center and transferring to the Kravis Center. 

Posted in Performances, Reviews | Tagged , , | Leave a comment

Slow Burn’s Practically Perfectly Delightful Mary Poppins

Of course, Mary Poppins does fly in Slow Burn Theatre Company’s glorious production at the Broward Center for the Performing Arts. As the song goes, this Mary Poppins is “Practically Perfect,”

Posted in Performances, Reviews | Tagged , , , , , , , , , , , , , , | Leave a comment

Sharp Inquest Into Gender Politics At Heart Of Oleanna

Skilled direction and excellent performances plumb the deep currents in Oleanna, currently on stage at Riverside Theatre in Vero Beach. In fact, Riverside’s production is as sharp and pointed and keenly drawn out as is the very play itself.

Posted in Performances, Reviews | Tagged , , , , | Leave a comment

Boca Stage’s Different Take The Odd Couple (Female Version)

The zingers in Boca Stage’s female version of The Odd Couple sound familiar but hardly stale like something left in Olive Madison’s refrigerator for who knows how long. Rather, you welcome the wisecracks as you would greet a dear old friend whom you haven’t seen in ages. Perhaps that is because we badly need laughter in a world in which bad news seems to surround us.

Posted in Performances, Reviews | Tagged , , , , , , , , , , | 2 Comments

Moving Zoetic Stage’s Musical Is Far More Than Next To Normal

This Zoetic production of Next To Normal – easily one of the finest in its history — blesses the audience with a deeply affecting meld of fluid staging, glorious music and five superb performances clustered around an incandescent one by Jeni Hacker as Diana that exceeds superlatives.

Posted in Performances, Reviews | Tagged , , , , , , , , , | Leave a comment

Please, Sir, We Want Some More: Maltz Jupiter’s Magical Oliver!

It’s expected the Maltz Jupiter Theatre’s Oliver! would be a tuneful, well-executed evening. But those mild adjectives would not begin to do this justice to a benchmark for this company. This easily scores as a vibrant celebration brimming with life, lovingly delivered with talent and skill wrapped in joy.

Posted in Performances, Reviews | Tagged , , , , , , , , , , , , , , | 1 Comment

Teens Deal With Tumultuous ’80s in Defacing Michael Jackson At Miami New Drama

Michael Jackson never appears in the incisive Defacing Michael Jackson, although his influence is infused into the journey at Miami New Drama stage. But Aurin Squire’s insightful tale recreates a portrait of black teenagers growing up in the tumultuous Opa-Locka in 1984 amid race riots and the transformation from ghetto to multi-ethnic suburbia.

Posted in Performances, Reviews | Tagged , , , , , , , | Leave a comment