Tag Archives: Stephen Trovillion
You don’t want to go home again. Certainly, that’s the Weston family manse in the desolate prairie of Oklahoma as depicted in Palm Beach Dramaworks’ searing, devastating portrait of toxic family dysfunction in Tracy Lett’s masterpiece, August: Osage County, featuring as superb an ensemble as anyone could ask for, expertly molded by director William Hayes.
American Rhapsody, Michael McKeever’s sprawling premiere at Zoetic Stage, is a history play, a bildungsroman, a tribute to fluid families, a cautionary tale about where the zeitgeist might be headed. It spans more than 60 years and feels, perhaps like the American experiment itself.
I am begging every critic colleague, everyone who has seen Actors’ Playhouse’s Now and Then to NOT give away anything! One of the many pleasures in this drama laced with humor is watching the story unfold bit by bit, knowing something is going on underneath but enjoying how layers are peeled away by a quartet of superb actors and director.
By Bill Hirschman As the two men eloquently pledge their lives and their loves to each other in the moving vows that close Standing On Ceremony: The Gay Marriage Plays, theater reasserts its power to underscore the common humanity that …
Standing On Ceremony, a collection of short plays bowing next week at the Broward Center, is about the traditional values of love and marriage. Specifically, gay marriage. Produced by Miami’s City Theatre, the slate of works, droll and poignant, aims to win over or solidify public sentiment for marriage equality.
City Theatre’s annual rite of the season Summer Shorts has developed a well-earned reputation for being the dictionary definition of “uneven.” So it’s a relief that this 17th edition is the most consistently funny and entertaining in quite some time.