Tag Archives: Gabriell Salgado
Storytelling In Zoetic’s Pillowman Filled With Chills, Horror And Laughter
Zoetic Stage’s The Pillowman lives up to this masterpiece’s amalgam of a terrifying nightmare and black comedy. It is built around a half-dozen disparate themes so fused together that it is impossible to say what, if any, overarching theme exists. And as horror-laden stories intensify, the audience is within seconds alternately chilled — and chuckling with laughter. And back again.
‘The Actors,’ a Plays of Wilton production, makes its Off-Broadway debut
By Oline H. Cogdill NEW YORK CITY—Families start in myriad ways—biological origins, adoptions or forged among friends. Ronnie takes a different route—he hires a family in the witty, poignant “The Actors,” a Plays of Wilton production now making its Off-Broadway …
Two Sisters and a Piano at Miami New Drama
By Raquel V. Reyes Two Sisters and a Piano, written and directed by Pulitzer Prize-winning playwright Nilo Cruz, is the play we need now. It is beautifully written, well-performed, and masterfully staged. This Miami New Drama production is as perfectly …
Clyde’s launches Zoetic Stage’s 14th season
By Oline H. Cogdill A sandwich is more than ingredients between two slices of bread at Clyde’s, the truck stop diner that is the setting and title of Lynn Nottage’s deliciously insightful play now receiving a superb production at Zoetic …
Cruz-Directed Anna in the Tropics Melds Prosaic and Poesy
Miami New Drama’s triumphant 20-year-anniversary production of Nilo Cruz’s Pulitzer-winning Anna in the Tropics., directed by Cruz, enables us to see ourselves and all around us more clearly. It exposes truths and secrets we may not have been aware of and to varying degrees changes us;
Feature: Nilo Cruz Directs 20th Anniversary Anna in the Tropics
The drama Anna in the Tropics, about a family of Cuban-American cigar makers in Ybor City near Tampa in 1929, has now turned 20, and Miami New Drama is presenting a production directed by its author Nilo Cruz.
Ethics, People Are Dispensable In Hnath’s Scathing Red Speedo
A tattoo of a sea serpent is playwright Lucas Hnath’s damning metaphor for the grip of ambition to the point that betrayal of anyone is an accepted expedient in the scathing Red Speedo from producer Ronnie Larsen at The Foundry. Using competitive sports as a milieu, Hnath depicts people willing to violate moral codes and personal loyalties in pursuit of the American Dream — as ingrained today as it was when Arthur Miller decried it in 1949.
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