Travelling in the national tour means moving to a different hotel in a different city nearly every week, not always sure what city that is, maintaining relationships with loved ones from afar, striving to keep the show fresh when you’ve done the material hundreds of times. And bats divebombing the performance. Just ask Hialeah native Nick Duckart travelling with Come From Away as it approaches the Kravis and Broward Center.
Does it ever get boring being in the room where it happens?
No, it does not, as illustrated from the moment Aaron Burr begins recounting the story of this lad from the Caribbean who became one the United States’ Founding Fathers in the tight, engrossing production of Hamilton at the Adrienne Arsht Center for the Performing Arts through March 15.
Something unexpected is on Riverside Theatre’s mainstage: A straight play. That’s right, no big box office-guaranteed lavish, toe-tapping musical Instead, patrons are getting well-developed characters, witty banter, heart-rending confrontations and the satisfaction of a good play well done in Neil Simon’s Lost in Yonkers.
Another round of 2020-2021 season announcements has arrived with some promising titles — this time from Primal Forces and the Maltz Jupiter Theatre – plus a headline-making offering from Broadway Across America at the Arsht Center: Hadestown.
In this tarnished time of disaffection, divisiveness and abandoned ideals, the synergistic resonance of the musical Man of La Mancha is more than a welcome opportunity for director Bruce Linser. The hope-laden messages of aspiration for a better world could not be more timely than this month when MNM Theatre Company mounts the classic musical at the Kravis Center.
Anticipation is one of the real joys of scanning a coming season. What follows is a completely subjective and personal list of titles we’re looking forward to (besides the return of Hamilton), some because the material is so good, some because the troupe has a strong track record, some because the premise sounds interesting.
Live theater’s ability to transport us to different situations and show us others’ stories makes a solid home run in the play Toni Stone, now receiving a rousing, heartfelt production through Aug. 11 at the Roundabout Theatre Company’s Laura Pels Theatre in New York City.
Thinking Cap Theatre director Nicole Stodard and her fine trio of actresses have inarguably produced an engrossing emotional and intellectual puzzle to stimulate the heart and mind in Precious Little.
The snappy, bubblegum musical Legally Blonde has come to energetic life at Riverside Theatre, bringing laughs to the unjaded and knocking at the heart of the weary.
Hearing that Area Stage Company is mounting The Wizard of Oz might make childless theatergoers pass. It would be their loss. Director Giancarlo Rodaz, his inexhaustible cast and creative crew have constructed a charming, witty and entertaining riff whose sterling quality is how they resourcefully solve staging problems that otherwise would require a far bigger budget.