Tag Archives: Christopher Dreeson

Barefoot in rhe Park Still Resonates at PPTOPA

By Mariah Reed Neil Simon’s longest-running hit, Barefoot in the Park opened at the Biltmore Theatre on Broadway on October 23, 1963. It was only the second play Simon had ever written, yet it was nominated for four Tony Awards, …

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Damaged Souls Seek Redemption in New City Players’ Water by the Spoonful

How do human beings in extreme pain provide compassion and support for each other when such connections risk even more pain alongside the possibility of resurrection? The answer is depicted in Quiara Alegriá Hudes’ Water by the Spoonful, receiving a strong, ultimately moving production from New City Players.

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PPTOPA’s Cabaret Once Again Warns Of Current Dangers

PPTOPA’s earnest, merely passable production of Cabaret is notable for a few solid performances, but especially for the script which, decade after decade, becomes an increasingly relevant warning. Even more than the original stories, Masteroff’s 1966 “book” warns of an everyday populace willing to accommodate the rise of a totalitarian regime that promises answers, even to the point of self-inflicted blindness to its dangers.

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Empire’s Clemenza & Tessio Fleshes Out Minor Characters And Makes Them Whole

For theater folks and movie buffs, the title is a giveaway, Clemenza & Tessio Are Dead. Those with a knowledge of theater will think of Stoppard’s Rosencrantz and Guildenstern are Dead, also Shakespeare’s duo in Hamlet, and movie fans may remember the secondary characters, Tessio and Clemenza, from 1972’s The Godfather film

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‘Race’ Is Vital, Engrossing Theater At Main Street Players

In Main Street Players’ riveting, unmissable mounting of David Mamet’s scorching play, Race, director Lowell Williams wastes no time in hammering us with a sadly telling stage picture.

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Tennessee’s Stories Sing In Nightingale But Script Rambles

Confessions of a Nightingale spends time listening to Tennessee Williams escorts visitors through a rambling tour of his life. Actor Christopher Dreeson and director Jeffrey Bruce have worked very hard shaping this fascinating material, which is inherently rewarding, but two problems dog the production.

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