Tag Archives: Area Stage Company
A look back at 2020: Yes, South Florida theater was crippled by the pandemic. But its acolytes remained driven to express their artistry, and patrons remained ravenous for their work. They continued to explore projects, create avenues and seek paychecks with efforts ranged from filmed full-fledged productions to monologues newly penned in bedrooms.
Giancarlo Rodaz of Area Stage Company and Rachel Dean have turned their still-evolving musical The Ballad of Janis Matthews & The Dodo Scouts into a podcast.
The prestigious 2020 Remy Awards honoring “unsung heroes who provide outstanding service behind the scenes” have been announced by the South Florida Theatre League: Matt Stabile, Tim Davis, Steven M. Weinger, Gustavo Meimbiela, Marialaura Leslie, Kenya Anthony-Moore, Art Garcia and Judson Wright
If Area Stage Company’s world premiere production of Peter x Wendy documents anything, it’s that Giancarlo Rodaz is the Orson Welles-like wunderkind of South Florida theater. It is a testament to the wildly inventive and stylistic virtuosity of Rodaz as playwright, director, sound designer, lighting designer, set designer, costumer designer, composer and even playing the guitar live offstage.
Area Stage Company, the Miami theatrical icon since 1989, will be moving this spring from Coral Gable’s old Riviera Theatre to a temporary home two blocks south in a a shopping center – and likely produce work at the county-owned SMDCAC, while looking for a permanent home to buy.
Other than two crippling developments, South Florida theater 2019 was marked by a wide array of what seemed like points on a volatile stock market chart marking the ebb and flow of an evolving arts community. Welcome to our annual idiosyncratic highly-subjective look back on the year.
Area Stage Company’s Matilda is not really a children’s musical, although children will have a fine time when they are not storing up nightmarish images for future midnights. Matilda’s witty lyrics, satirical jibes and a multi-level script with psychological overtones are really aimed at those parents bringing their children.
Hearing that Area Stage Company is mounting The Wizard of Oz might make childless theatergoers pass. It would be their loss. Director Giancarlo Rodaz, his inexhaustible cast and creative crew have constructed a charming, witty and entertaining riff whose sterling quality is how they resourcefully solve staging problems that otherwise would require a far bigger budget.
She Kills Monsters is a dramatic comedy given an inventive and enthusiastic production by Area Stage Company — a show proudly described as “theater for nerds,” or more accurately, for young adults raised on video games who have infused their fantasy life into every cranny not reluctantly committed to jobs, family and responsibilities in general.
Area Stage Company’s Cabaret underscores how this warhorse musical still serves, not as a cautionary tale, but as a flat out warning to our current socio-political climate: The production’s fresh vision forces even veteran audiences to appreciate the aforementioned themes with renewed discomfiture.