Tag Archives: Main Street Players
Main Street Players’ version of Suzan-Lori Parks’ Topdog/Underdog rewards the patient patron is watching a slow-motion shattering of two brothers struggling with institutionalized racism, poverty, sibling rivalry, and troubled pasts stretching from childhood to last week.
Main Street Players struggles bravely to conquer Lee Blessing’s satire on race and privilege in Black Sheep, but stumbles on tonal uncertainty. and fails to reach the script’s potential.
If Dickens’ opening line in A Tale of Two Cities has become a trite cliché through overuse it has become a painfully accurate truism about theater over the past two years, especially South Florida theater. Crippling loss and inspiring resurrection. Surrender and perseverance. And , now, the Covid threat has reasserted. But looking back on those two years delivers a testament worth celebrating and learning from.
The premise: A white director leads a multi-ethnic cast in a Midsummer’s Night as an answer to charges of institutional racism. But with wry humor and painfully incisive drama, Main Street Players’ edition of Andrew Watring’s “Shakespeare is a White Supremacist” examines the intersection of theater and racism as a metaphor for larger problems afflicting society in 21st Century America.
News: Miami New Drama, Main Street Players, MNM, Area Stage, Silver Palms, Actors’ Playhouse, Kravis, GableStage, Tovah Feldshuh
Theater isn’t just coming back to life, it’s emerging in a score of ways. Here’s a sampling of opening nights, fundraisers, new venues, even a call for ushers. News about Miami New Drama, Main Street Players, MNM, Area Stage Company, Silver Palm Awards, Actors’ Playhouse, Kravis Center, GableStage, Tovah Feldshuh
The ghosts of O’Neill and Shepard creak the floorboards of Main Street Players’ Wolf & Badger, the latest exorcism of filial trauma from New Jersey playwright Michael John McGoldrick. Unfolding in 90 minutes of real time, MSP’s first production since the pandemic is a story of brotherly conflict as old as Cain and Abel as well as a contemporary portrait of late capitalism in decline,
The virus hasn’t stopped South Florida companies from planning, rescheduling and retooling projects.
Trivia contests, master classes, solo performances, new play development online, lectures, podcast-like schmoozing interviews, requests for video audition, 24-hour theater projects, even soliciting subscriptions for specific dates. The ghost light may be lit across the South Florida theater scene, but nearly every troupe is aggressively keeping the genre’s profile inescapable.
Main Street Players, the Miami Lakes company that transformed from a community theater to professional status, has announced the winners of its 2020 New Play Competition Winners.
Church & State, about the collision of faith, politics and gun control after a school shooting, obviously could not be more timely or more resonant for South Florida audiences. Unfortunately, Main Street Players, which has delivered some fine memorable work like its True West and Bad Jews, stumbles here although no one can be faulted for not investing their earnestness.