Author Archives: Bill Hirschman

Maltz Goes To Unusual Lengths To Cast Local Asian-American Actors For The King And I

When it came time to cast the roles of the King’s children for its production of The King and I, the Maltz Jupiter Theatre did more than just a casting call. They consulted data, sent more than 500 letters, reached out to schools and chambers of commerce and businesses – even some restaurants – all to find actors of Asian descent to play the children of the King.

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A Trip To GableStage’s The Mountaintop Is Worth The Climb

Certainly, The Mountaintop is about Martin Luther King’s place in the civil rights struggle, but the superb production at GableStage examines a more universal issue of how ever-present mortality makes impossible reaching an ultimate goal – which makes the pursuit all the more laudable.

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Actresses’ Efforts Inject Passion Into Stilted Talky Mamet Philosophy-Fest, The Anarchist

Not every show is a home run. But that doesn’t deprive the audience of an interesting night when talented actresses make a flawed script land as well as can be hoped. Patti Gardner and Jacqueline Laggy are worth watching spar in David Mamet’s decidedly difficult mess of a script, The Anarchist.

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Bway Across Miami 2014-2015: Newsies, Mormon, Cinderella, Sister Act & (Really) I Love Lucy

Three of Broadway’s most popular hits come to the Arsht Center next season through the Broadway Across Miami series: the irreverent satire The Book of Mormon, the exuberant Disney’s Newsies and the exquisite Rodgers and Hammerstein’s Cinderella.

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Spamalot Is Supremely Silly And Delightfully Demented Fun

A delightfully demented cast enhanced by the inventive imagination of chief jester/director David Arisco and choreographer Ron Hutchins make Actors’ Playhouse’s Spamalot a satisfying pleasure even on its fourth or fifth visit.

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No Argument: Fighting Over Beverley Shouldn’t Be Missed

Entirely well-acted, thoughtfully directed, in a evolved play about past loves we can’t leave behind, Fighting Over Beverley by Israel Horovitz has its way way off Broadway tryout at Theatre at Arts Garage.

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The Musical Rags at The Plaza Theatre Is In Need Of Alteration

It is wonderful to see creativity in approaching a work that isn’t usually staged; the bad news is, when it doesn’t come together, all of the inventiveness is lost. Such is the case with The Plaza Theatre’s mounting of Rags.

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Actress, Director Make Lukewarm Patriot Red Hot

Among the reasons to see The Women’s Theatre Project’s Red Hot Patriot are Carbonell Award-winner Barbara Bradshaw as she holds court for 68 minutes in a one-woman show about Texas journalist Molly Ivins. Secondly is to see Genie Croft’s brilliant direction. The least inviting is Margaret Engel and Allison Engel’s cobbled together script.

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Florida Grand Opera’s No Exit Ascends Hot Damn Perfection

With its ingenious, acrobatic score, and exceptional singers who could handle both the drama and the demands, FGO’s No Exit may have been a depiction of hell, but the production was hot damn perfection. The only regret was that this was a three-day run. If you must, go through heaven and hell to get to the final performance of this production tonight. It’s a once in lifetime experience.

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Christopher Demos-Brown Is Finalist For Steinberg/Theatre Critics’ Playwriting Award

Christopher Demos-Brown is among six finalists for one of the most esteemed playwriting honors in the country, the Harold and Mimi Steinberg/American Theatre Critics Association New Play Award.
The selection was based on the script for his play Fear Up Harsh that premiered in November at Zoetic Stage.

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