Reviews

Slow Burn’s Avenue Q Is An Irreverent And Joyous Winner

Life isn’t fair. That’s one of the bittersweet themes in Slow Burn Theatre Company’s Avenue Q. But what’s really unfair is that there’s only five performances left and unless you hustle this weekend or next, you might miss it. Once again, the little theater with a below-modest budget and full-scale ambitions has simply nailed another production, this time delivering a raunchy, irreverent and joyous opener to their fourth season in way west Boca Raton.

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Plaza’s Driving Miss Daisy Driven By Veteran Hands

The most affecting moments in the Plaza Theatre’s solid, entertaining production of the venerable Driving Miss Daisy are the fleeting grace notes that have no dialogue, moments that result from being in the capable hands of old pros.

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New Theatre’s Educating Rita Is Graded An Underachiever

It’s not encouraging when all through New Theatre’s production of Educating Rita you keep thinking what a great script Willy Russell wrote. This edition sloughs listlessly in the opening 45 minutes or so and really only begins to be mildly engaging near the end of the first act.

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Godspell Gets Another Fresh Makeover at Actors’ Playhouse

The sparse crowd Saturday night at Actors Playhouse must be a result of people thinking, “Oh, I like it well enough, but I’ve seen Godspell.” But they’d be wrong, to their loss. This earnest troupe led by director David Arisco has reinterpreted and re-imagined for the umpteenth time the venerable warhorse so that it seems fresh and familiar at the same time.

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In Dramaworks’ Lovely Talley Tale, The Only Folly Is The Set

ut Talley’s Folly doesn’t ask you to turn off your brain even as it embraces you with an enchanting pas de deux of emotions, at least in Palm Beach Dramaworks’ charming seduction starring Brian Wallace, Erin Joy Schmidt and the crucial third leg of the stool, director J. Barry Lewis.

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Rock (Of Ages) Redux At The Arsht Kicks, Well, You Know

By Bill Hirschman If Florida Power & Light is looking for an auxiliary source of energy to forestall  another rate request , perhaps they simply ought to follow around the national tour of Rock of Ages and plug a cord …

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Zoetic Stage Renders Beautiful Portrait Of I Am My Own Wife

I Am My Own Wife is so fascinating and on so many levels that long after actor Tom Wahl ascends the short staircase and exits through the double doors at the end of the one-person play, there’s still much to ponder. Zoetic Stage’s production of Doug Wright’s fascinating character study of Charlotte von Mahlsdorf, a transvestite who survived the Nazis and Communists in East Berlin, honors this mesmerizing one-person play by treating it as gently as the antiques that we watch von Mahlsdorf caress and cuddle like fragile babies.

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Laggy And Gardner Are Beguiling In Sylvia, But BRTG’s Comedy Turns Sluggish

Boca Raton Theatre Guild’s production of A.R. Gurney’s comedy has some virtues starting with a delightful performance from Jacqueline Laggy and an admirably solid one from Patti Gardner. But the laughs peter out because of less stellar performances from the two male actors who dampen what should be an effervescent comedy.

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Thinking Cap’s Genderf**k Cabaret Is Uneven, Flawed But Flamboyant, Funny & Touching

Despite the raunchy discussion of every kind of sex, the flamboyantly omnisexual emcee, and, oh yes, the title – The All-American Genderf**k Cabaret – this irreverent satire from Thinking Cap Theatre sheathes a compassionate lament for the difficulty of forging meaningful relationships amid the sexual maelstrom of the 21st century

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Theater Shelf: Rodgers & Hammerstein Shows You Haven’t Seen, Irving Berlin Reader, Broadway MVPs,

Theater Shelf, a recurring feature, reviews recently-released books, CDs and DVDs of interest to theater lovers. Some are popular titles like a new Original Cast Recording, others are works you’ll be intrigued by, but didn’t even know about. By Brad …

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