Tag Archives: Larry Buzzeo
Given the multiple challenges inherent in mounting a stage version of the iconic film The Graduate, the Empire Stage production does reasonably well because of the commitment of everyone involved, but it does not qualify any better than an average night of theater.
Measure For Measure Theatre’s rousing production in Sunrise brings into focus that Lin-Manuel Miranda and Quiara Alegría Hudes’s musical is, at its heart, about the twin themes of dreams and community, and their intersection. With passion and ebullience, this edition documents an evolving fluid community of varied mutually supportive souls pursuing a variety of dreams.
Broward Stage Door’s La Cage aux Folles stresses the universal virtues of love and loyalty, delivered with only a wry smile to acknowledge that its protagonists are an aging gay couple including one drag queen. While undeniably entertaining and featuring some rich voices, this edition is noticeably missing some of the pizzazz that the material requires to make it a memorable evening.
There’s more than a bit of Noel Coward running through Broward Stage Door Theatre’s Victor/Victoria. It’s what makes this production tick, a true understanding, and might we say, appreciation of the slapstick foundation of the 1995 Broadway musical version of Blake Edward’s 1982 movie.
The world premiere The Radicalization of Rolfe at Island City Stage implies a truly intriguing nesting of premises: starting with how Rolfe, the sweet messenger boy romancing Liesl in The Sound of Music ends up with a swastika on his arm helping the Nazis hunt down the Von Trapps? But this gay-themed drama needs a lot more work on the script.
In this uncertain world, the ever-changing standards of what life is or even should be make it nearly impossible to chart a path forward when we have less idea what might be ahead than Columbus. That may be one of the takeaways – there are likely a half-dozen more — from the nightmarishly dark but hilarious 2014 comedy Hir bowing at Island City Stage.
Slow Burn Theatre has certainly captured Xanadu’s vibe in the company’s spirited, stupidly happy revival of its own 2012 production, which opened last weekend in Aventura and which will soon tour Delray Beach and Fort Lauderdale
Danny Kaye and Sylvia: A Musical Love Story at Willow Theatre, featuring Larry Buzzeo in a role he was born for, is filled to the brim with memories for audiences who will find familiarity in Kaye’s story – many of whom may have grown up alongside of his career trajectory, from Catskills comic to Hollywood movie and television star.
Critics and award judges have been talking about it for weeks: The sheer amount of high quality work has made evaluating the last 12 months unusually challenging, but also an opportunity to remember one of the most rewarding calendar years in recent memory. So here’s a supremely subjective stab by all three critics here at Florida Theater On Stage at recognizing the shows and performances that stood out from a pack of productions.
Sweet Charity is a fundamentally flawed showcase that virtually no one has ever pulled off satisfyingly, but Broward Stage Door director Michael Leeds makes a solid enough stab at it that a receptive undemanding audiences won’t mind having spent a few hours in its pleasant company.