Reviews

Stage Door’s Tickling The Ivories Turns Revue On Tuneful Ear

Right off the bat, Broward Stage Door’s Tickling the Ivories shows the artistry of the piano wizards and of the inventiveness of a show that turns the typical musical revue theme on its ear.

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Slow Burn’s Immersive Tarzan Is High-Flying Welcome To Jungle

Tarzan: The Stage Musical, by regional theater troupe Slow Burn Theatre plays just fine in the smaller, almost 600-seat Amaturo Theater at the Broward Center for the Performing Arts, but, truth be told, it could have easily passed for a touring road show version that’s usually on stage next door in the more than double-the-size Au-Rene Theater. Yes, it’s just that good.

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Wick’s Drowsy Chaperone Is A Sterling Send-up of Classic Bway

The Wick Theatre’s marvelous and contemplative rendition pulls off The Drowsy Chaperone with boundless charm and effortless sophistication. The Wick has enjoyed its share of highlights over the past five years, but this Drowsy Chaperone might just exceed its 42nd Street and Oklahoma! as the young company’s pinnacle.

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Lizzie: The Musical A Sharp Production At Thinking Cap

Lizzie: The Musical, is making its highly entertaining South Florida debut at Thinking Cap Theatre at The Vanguard. Part of that is due to the snappy lyrics. But mostly it’s because of the first-rate cast, and the sharp direction.

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The Little Foxes Explores The Cost Of Greed At Dramaworks

Greed—that timeless vice that steamrolls over everything in its path—is as relevant today as it was in Lillian Hellman’s 1939 drama The Little Foxes, now receiving a sumptuous revival at Palm Beach Dramaworks.

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Lost And Adrift In The ‘Hood: The Mighty Gents At AHCAC

The Mighty Gents is a poignant moving tale worthy of a Greek tragedy except that the protagonists are members of a street gang from the mid-1960s, emotionally, economically and sociologically lost in a Newark ghetto in 1978.

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Sex In Primal Forces’ ‘The Good Girl:’ Is It Real Or Replicant?

In a bit of serendipitous synchronicity with the sequel of Blade Runner and the reboot of Westworld, Primal Forces’ production of The Good Girl explores the complexities of humans creating creatures with artificial intelligence by asking who is influencing who in a world in which technology and humanity are so intertwined.

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The Sound of Music Sings Once More With Feeling In Broward

Perhaps you’ve seen The Sound of Music once too often. But if you have fond memories that seek reawakening or if you have never seen it on stage as opposed to the film, this is an enthusiastically recommended effort.

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MNM ‘s Less Zesty But More Heartfelt La Cage aux Folles

For a show that shattered a ceiling in 1983, La Cage aux Folles has become a warhorse in 2017. MNM Productions’ edition embraces the spangles, glitz and sheer Jerry Herman of it all. So if you haven’t seen it in a while, this is an entertaining reminder. What sets this apart is how it emphasizes the heart rather than the heat – and that’s a welcome emphasis for those who may have seen this classic once too often.

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A Fraying Promise Exposed In GableStage’s The Humans

GableStage’s production of The Humans is like watching a Kmart photo department family portrait that has been left too near a wall heater. Almost imperceptibly, the edges start to brown, the image shudders a bit, then the edges curl ever so slightly. And suddenly, the perfect image erupts in flames.

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